Average Rating: 7/10
Reviews Counted: 102
Fresh: 83 | Rotten: 19
If slow and predictable, Departures is a quiet, life affirming story.
Average Rating: 7/10
Critic Reviews: 26
Fresh: 20 | Rotten: 6
If slow and predictable, Departures is a quiet, life affirming story.
liked it
Average Rating: 4/5
User Ratings: 49,841
Director Yojiro Takita and writer Kundo Koyama examine the rituals surrounding death in Japan with this tale of an out-of-work cellist who accepts a job as a "Nokanashi" or "encoffineer" (the Japanese equivalent of an undertaker) in order to provide for himself and his young wife. Daigo Kobayashi (Masahiro Motoki) is a talented musician, but when his orchestra is abruptly disbanded, he suddenly finds himself without a source of steady income. Making the decision to move back to his small
May 29, 2009 Wide
Jan 12, 2010
$1.3M
Regent Releasing
All Critics (102) | Top Critics (26) | Fresh (84) | Rotten (19) | DVD (4)
A moving celebration of life through showing reverence for death.
The winning nature of the performances outweighs Takita's more obvious choices.
Departures is a loving tribute to the Japanese way of death.
It is as polished as it is heavy-handed, and it leaves one under a spell.
This is the kind of tastefully poignant drama that asks its audience to confront taboos and then pats them on the back for doing so.
One of the most shameless examples of emotional manipulation I've seen -- and one of the most effective.
No doubt the best movie you'll see this year about the Japanese traditional funeral business.
Death is normal, and so are responsibilities, reconciliations and retreats from what we think are our dreams. In a resolution about identifying ourselves, and loved ones, in life and death, "Departures" shows some people must be left just as they went.
Lead Masahiro Motoki apprenticed with real nakanshi for the role, and you become entranced by his performance, and the gentle clash of ritual and grief, custom and modernity.
like the unfolding of a Mozart concerto
This Japanese film's receipt of the award for best foreign-language picture at this year's Oscars was a case of the Academy favouring bland sentimentality.
The film, mostly set in a wintry landscape surrounded by snow-capped mountains, is fastidiously composed.
This heartfelt, unpretentious, slyly funny Japanese film is worth waiting for.
Director Yojiro Takita and writer Kundo Kayama ... aren't afraid to give you an emotional punch as well as a punchline.
Heart-warming, funny, wise and profound. Not to be missed.
The movie gestures towards deep emotions, but an abiding soft-grained superficiality effectively insulates us from the piercing realities of grief.
Doesn't quite justify the enormous plaudits heaped upon its shoulders, but a warm-hearted comedy-drama with its own likeably odd sensibility.
Fascinating, witty and heartfelt.
Yjir Takita's bitter-sweet tale of the Japanese funeral trade plays a bit like a formal service itself.
A safe and emotionally generous crowd-pleaser.
Moments of clarity and pragmatism are contradicted by flashes of inanity and dry, if well-delivered humour.
Departures's whimsical take on the Japanese funeral industry proves surprisingly funny.
Departure's cynicism, ironically, is what makes the optimism of its last act so moving.
Here's a good mixture of emotions, comedy and drama (could as well have served as a thriller had they thrown in some elements!!! JK) that strikes a chord with your heart and makes you chuckle occasionally. But unlike some have experienced, I didn't come across a sequence worth shredding a tear. The duration could
November 30, 2011Super Reviewer
On the premise that life is beautiful and death can be so beautiful, Departures lives on a story of heartfelt traditional Japanese casketing ceremony boasting metaphors and depth with strikes of wit and humor. Fascinating and moving, the masterful performances, beautiful cinematography, and haunting musical score is
September 9, 2011Super Reviewer
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