After a tragic car crash during a drag race, the sole survivor, a Kansas woman named Mary takes a job playing the organ at a church in Utah. On her journey ot Utah she begins experiencing ghostly visions and odd compulsions to visit an eeir abandoned carnival. Things get even weirder and more spooky from there, and her
attempts to live a normal, quiet life seem all but impossible to do.Released in the early 1960s, this is a low budget indie before that concept really became what it is today. It might a horror film with a bunch of no names and little funds, but it makes the msot of what it has, and the result is a surprisingly fun and creepy atmospheric chiller that has become quite successful in the nearly 50 years since its release.The cinematogrpahy is surprisingly quite good, with the visuals being reminiscent of European arthouse fare as well as a bit of film noir. The acting is a bit stiff and wooden, and some of the makeup looks a bit cheesy in hindsight, but comared to a lot of stuff that came out after it did, these could have been far more terrible. The key to this film's success is in its atmosphere, which is quite excellent, and really strengthened thanks in large part to the film's organ score which is really hypnotic, creepy, and mesmerizing. The film has a heavy Twilight Zone vibe to it, and the increasing moodiness and bizarreness of events make for a fun little horror yarn.All in all, this is a strong effort given the circumstances, and I really liked it. I get the impression that I should love this, but even though as of now I merely just really, really enjoyed it, I think I could see myself eventually falling in love with it. If you want an entertaining and eerie film that helped set a certain standard for future similar films, then you need to give this one a watch.
June 9, 2011
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