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Cat People (1942)
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Reviews Counted:3
Fresh:2
Rotten:1
Average Rating:N/A
Consensus: Influential noir director Jacques Tourneau infused this sexy, moody horror film with some sly commentary about the psychology and the taboos of desire.
Runtime: 73 mins
Genre: Horror/Suspense
Synopsis: Irena Dubrovna (Simone Simon) is a young, Serbian artist living in New York City. When she meets American Oliver Reed (Kent Smith), she falls in love and gets married. But their union hits the... Irena Dubrovna (Simone Simon) is a young, Serbian artist living in New York City. When she meets American Oliver Reed (Kent Smith), she falls in love and gets married. But their union hits the rocks when she becomes consumed with the belief that she is the victim of a curse. According to Irena, the curse will make her turn into a deadly panther the minute she becomes emotionally aroused. In an effort to fix their problems, Oliver seeks psychiatric counseling for his beautiful and tormented young bride. But talking about her problems may only make them worse. The first of several interesting horror films by producer Val Lewton, CAT PEOPLE was innovative in its style. Joining Lewton's artistic sense and mastery of atmosphere with Jacques Tourneur's directing talent, the film created fear in its audience precisely by not showing too much. This restraint and emphasis on psychological tension rather than physical violence would go on to influence later horror directors. [More]
Starring: Simone Simon, Kent Smith, Tom Conway, Jane Randolph
Starring: Simone Simon, Kent Smith, Tom Conway, Jane Randolph, Jack Holt, Alan Napier, Elizabeth Dunne, Elizabeth Russell
Director: Jacques Tourneur
Director: Jacques Tourneur
Screenwriter: DeWitt Bodeen
Producer: Val Lewton
Composer: Roy Webb
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Reviews for Cat People
Cat People wasn't frightening like a slasher movie, using shocks and gore, but frightening in an eerie, mysterious way that was hard to define; the screen harbored unseen threats.
More a film about unreasoning fear than the supernatural, this work demonstrates what a filmmaker can accomplish when he substitutes taste and intelligence for special effects.
Ladies who have such temptations -- in straight horror pictures, at least -- should exercise their digits a bit more freely than does Simone Simon in this film.
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