Average Rating: 8.2/10
Reviews Counted: 34
Fresh: 31 | Rotten: 3
David Lynch's relatively straight second feature finds an admirable synthesis of compassion and restraint in treating its subject, and features outstanding performances by John Hurt and Anthony Hopkins.
Average Rating: N/A
Critic Reviews: 4
Fresh: 2 | Rotten: 2
David Lynch's relatively straight second feature finds an admirable synthesis of compassion and restraint in treating its subject, and features outstanding performances by John Hurt and Anthony Hopkins.
liked it
Average Rating: 3.9/5
User Ratings: 58,639
John Hurt stars as John Merrick, the hideously deformed 19th century Londoner known as "The Elephant Man". Treated as a sideshow freak, Merrick is assumed to be retarded as well as misshapen because of his inability to speak coherently. In fact, he is highly intelligent and sensitive, a fact made public when one Dr. Frederick Treves (Anthony Hopkins) rescues Merrick from a carnival and brings him to a hospital for analysis. Alas, even after being recognized as a man of advanced intellect,
Oct 3, 1980 Wide
Dec 11, 2001
Paramount
All Critics (34) | Top Critics (4) | Fresh (33) | Rotten (3) | DVD (19)
The picture itself is a strange trade-off between Lynch's personal themes -- the night world of obscure, disturbing sexual obsessions -- and the requirements of a middlebrow message movie.
Director David Lynch has created an eerily compelling atmosphere in recounting a hideously deformed man's perilous life in Victorian England.
I kept asking myself what the film was really trying to say about the human condition as reflected by John Merrick, and I kept drawing blanks.
What we eventually see underneath this shell is not 'the study in dignity' that Ashley Montagu wrote about, but something far more poignant, a study in genteelness that somehow suppressed all rage.
Heartbreaking drama isn't for sensitive viewers.
The greatest contribution -- apart from the central performances -- comes from Francis, whose wonderful black and white, widescreen photography lends atmosphere and clarity to the proceedings.
A moving, faithful retelling of a bizarre true story.
It's an amazing story about the human spirit that's told with great sensitivity.
One of the year's best films. Only DeNiro could take the Oscar away from John Hurt.
In this follow-up to the amazing Eraserhead, David Lynch exposes undercurrents of anguish along with an emotionally accessible tale of Merrick's nobility--a Victorian morality play disguised as an elegy to freakishness
Has the look and texture of an authentic document, elevated by the hand of a artist with a singular vision
This black-and-white film already includes several Lyncian benchmarks: hissing noises, nightmare sequences, and moments of deadly quiet.
A marvellous movie, shot in stunning black-and-white by Freddie Francis.
Perhaps Lynch's finest moment -- Both disturbingly odd and surprisingly humane.
David Lynch does a neat turn with a straight drama.
Spectacular
The Elephant Man is a memorable film about human survival and a powerful commentary on human exploitation.
David Lynch has had a career with ups and downs, troubles finding funding for films, being a veritable box office leper for a couple decades now, nostalgia is invaded for this wonderful and horrific film that emerged from 1980, signaling the ending bang of the Golden Age of filmmaking tha had blossomed throughout the
September 27, 2011Super Reviewer
Outside of the few obvious David Lynch moments, you'd barely recognize The Elephant Man as a David Lynch movie. Its a fairly simple if not incredibly sad but beautiful story. The makeup and photography are magnificent as is the acting (especially from John Hurt) was superb. The Elephant Man is also the kind of movie
November 5, 2006Super Reviewer
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