Average Rating: 7.8/10
Reviews Counted: 35
Fresh: 34 | Rotten: 1
Hairspray is perhaps John Waters' most accessible film, and as such, it's a gently subversive slice of retro hilarity.
Average Rating: 7.6/10
Critic Reviews: 5
Fresh: 5 | Rotten: 0
Hairspray is perhaps John Waters' most accessible film, and as such, it's a gently subversive slice of retro hilarity.
liked it
Average Rating: 3.7/5
User Ratings: 61,532
Forever interested in the kitsch built into past eras, director John Waters chooses the TV dance show craze of the early '60s for his playful focus in Hairspray. Ricki Lake plays Tracy Turnblad, just one of several alliteratively named characters coming of age in 1962 Baltimore, where "The Corny Collins Show" is the most popular American Bandstand-type program, watched by hundreds of young dreamers each day after school. Being chosen to dance on it is the ultimate status symbol and every young
Feb 26, 1988 Wide
Nov 5, 2002
New Line Home Entertainment
All Critics (37) | Top Critics (5) | Fresh (37) | Rotten (1) | DVD (16)
When Divine's Edna Turnblad is on-screen in the sleeveless dresses she's partial to, the movie has something like the lunacy of a W. C. Fields in drag.
Not only Waters's best movie, but a crossover gesture that expands his appeal without compromising his vision one iota; Ricki Lake as the hefty young heroine is especially delightful.
The actors are best when they avoid exaggeration and remain weirdly sincere. That way, they do nothing to break the vibrant, even hallucinogenic spell of Mr. Waters's nostalgia.
The movie is a bubble-headed series of teenage crises and crushes, alternating with historically accurate choreography of such forgotten dances as the Madison and the Roach.
Waters writes warmth into his caricatures, lifting Hairspray above cartoon cult.
A kitschy teen fantasy you can dance to.
The shock Waters's cinema offers, then, is not transcendent, but almost reflexive, implicating the viewer in the awkward complexities of his own humanity and forcing him to either celebrate it or run screaming away.
The Waters film for your grandma, who will probably be only a little bit freaked out by it.
In many ways, it is perhaps the most palatable of all of Waters' movies. There's a sweetness and naiveté to its essence, yet it also falls completely within Waters' oeuvre.
Thoroughly deserving of its cult status.
Controversial filmmaker John Waters finally hits his commercial stride in this film, parlaying his keen social observation and great compassion for society's outsiders into a colorful and engaging comedy full of dancing, music and heartfelt nostalgia.
Has a great message is endlessly entertaining, and come on you have to love Motormouth Maybelle...
One of John Waters' best films, and also one that was "palatable" to the strudios and accessible to the mass public in its charming theme and effective blend of faded stars and offbeat celebs.
Waters' most hygienically commercial film is a Retro schlock-fancier's delight.
Fun, fun, fun.
Certainly Waters would argue that all his films end on an upbeat note. But [Hairspray] is the first time the joy seems genuine, not just perversely plastered on.
The defining moment in the auteur's career-long dedication to lionizing Baltimore's misfit population.
A Zany delight.....Lake is outstanding!
The 1960s is one of my favorite decades. While I do prefer the latter half of the decade more (it just suits my sensibilities better), I can find much enjoyment in the first half, which, in many ways was not all that different from the 1950s. John Waters is an interesting filmmaker who almost always makes a movie that
June 22, 2006Super Reviewer
The original is always best. Ricki Lake is the perfect Traci, and the drag is quiant.
December 13, 2008Super Reviewer
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