Invasion of the Body Snatchers (1956)
Critic Consensus: One of the best political allegories of the 1950s, Invasion of the Body Snatchers is an efficient, chilling blend of sci-fi and horror.
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as Mile Binnell
as Becky Driscoll
as Dr. Kauffman
as Wilma Lentz
as Uncle Ira
as Stanley Driscoll
as Sam Janzek
as Mrs. Grimaldi
as Aunt Eleda Lentz
as Man Carrying Baggage
as Dr. Hall
as Jimmy Grimaldi
as Charlie Buckholtz
as Dr. Harvey Bassett
as With Man Carrying Ba...
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Critic Reviews for Invasion of the Body Snatchers
This modest, sci-fi-inflected 1956 horror movie may come to be seen as the defining metaphorical work of the twentieth century.
This tense, offbeat piece of science-fiction is occasionally difficult to follow due to the strangeness of its scientific premise. Action nevertheless is increasingly exciting.
Don Siegel's superb little effort, with its matter-of-fact isolation of hero Kevin McCarthy (ironic, no?) from the smarmy complacency of a small town gone to hell -- and way beyond -- points the way to his gripping action films of the 60s and 70s.
Audience Reviews for Invasion of the Body Snatchers
It is hard not to think that when it came out this creepy pre-Twilight Zone sci-fi did a great disservice to a country already stirred by the collective paranoia of McCarthyism, but now it is no less than an essential classic that reflects very well the political turbulence of those days.
This classic sci-fi gem is the original story of invading alien forces taking over the world population. A very subtle and deliberate metaphor for the creeping American fear of Communism, Body Snatchers was very popular on release and has had a long lasting effect on the genre, even spawning an amazing 1978 remake. This original isn't as nuanced or artsy as its later version, but what it lacks in beauty it makes up for in thrilling drama. Because of the time it was released there's an urgency that cannot be replicated, and it shows in the hammy performances from Kevin McCarthy and Dana Wynter. There is a reason this film is a classic, and it still holds up to this day, but I will say that the performances were very over the top and somewhat stilted. Otherwise, the paranoia and high production value really make this a horror/sci-fi must see.
A man discovers that his town has been replaced by aliens.
The description of this film on Flixster implies that one can read this film as a "cautionary fable about the blacklisting hysteria of the McCarthy era." If that is true, I would like to see that argument drawn out and supported because I've been thinking about that interpretation and I can't make it hold water. What I see is B-movie science fiction. Other positive reviews regale the film's "fear factor," but I've always been immune to this response, and so the film's cheap thrills and atmospheric suspense aren't compelling for me. I wasn't bored, but I wasn't moved or compelled either.
Overall, there may be more to this than a better version of an Ed Wood picture, but I don't see it.
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