Lilies of the Field (1963)
Critic Consensus: No consensus yet.
A traveling laborer meets five nuns when his car radiator needs water in the Arizona desert. The appearance of Homer Smith (Sidney Poitier) convinces the mother superior (Lilia Skala) he is an answer to her prayers to fix the farmhouse roof. Homer not only fixes the roof, but teaches the German nuns English and takes a second job to provide much needed materials for other projects at the convent. The townsfolk are suspicious of the stranger, who disappears for two weeks without a trace. Homer returns to the convent ready to renew his commitment to the nuns. He wins the hearts of the nuns and the thanks of the town as initial reluctance turns into public acceptance. The town turns out to help Homer with the building chores as the ex-Army veteran decides to make the town his home. Nominated for five Academy Awards, Poitier deservedly won the prize for Best Actor, becoming the first black actor to receive the coveted Oscar. … More
Watch it now
News & Interviews for Lilies of the Field
No Friends? Inconceivable! Log in to see what your friends have to say.Login
Critic Reviews for Lilies of the Field
Ralph Nelson's melodrama is best known for featuring the Oscar-winning performance of Sidney Poitier, the first black actor to win the male lead award.
Simple story about big hearts. Potier is wonderful.
Audience Reviews for Lilies of the Field
A laborer accepts a group of nuns' requests to build a church.
Is it possible for a film to be both evangelical and light-hearted? They seem like a contradictory adjectives, but somehow the delightful exuberance of Sidney Poitier make the film work. He has an easy charm that contrasts nicely with the nuns' severity. The film's themes, include faith and stewardship, aren't heavy-handed or explored in any depth, but they're there, and the film is as catchy as the gospel tune that Poitier repeatedly sings.
Overall, this isn't a canonical, except for the fact that Poitier became the first African-American to win Best Actor, but it's a fine time and entertaining couple of hours.
Sidney Poitier won an Oscar for his role in this story of the unusual collaboration between a group of german nuns and a traveling construction worker. He plays the unusually named character "Homer Smith" (or as the mother superior called him, 'SCHMIDT!!'), a who's man driving across the south-western United States looking for work when he stumbles upon a small farm that turns out to be a rural convent. When Mother Maria (Lilia Skala) gets ahold of "Schmidt", she convinces him to repair the roof, and leads him to believe he will be paid for his service. She also tells him he has been sent by God to help them, so Schmidt should know what he's gotten himself in for. After a few days of general helping out, Mother Maria lets Schmidt know the real reason she wants him there: she wants him to build a church for them. Homer at first refuses, but soon caves in as he feels something for the women, and a white man's suggestion that he's too inferior to do such a thing lights a fire in him. He takes a job driving a bulldozer in order to make money for food (their spartan, 'one egg an a glass of milk' catholic breakfasts aren't enough to feed a man doing all this work), and soon, with the help of the community, is building the church just as Mother Maria believed he would all along. This film is quite unusual for it's time, in that a black man is playing a role that could've just as easily gone to a white man (apart from a brief scene involving racism, which could've been easily re-written), and race doesn't really play a part in this movie. In fact, this film probably focuses less on race than many of the modern films of today would, given the same subject matter. The nuns, other than Mother Maria, are virtually indistinguishable, (perhaps because they only speak in german) and are underdeveloped as characters. Mother Maria herself is quite a character though, she refuses to give any thanks or credit to Homer for all the work he does (and the fact that she's he one in need and doesn't have a cent to pay him with, makes her arrogance all the more inconsiderate). The fact that the character is being played by a black actor gives the whole relationship an uncomfortable aspect. Poitier does give it his charming all, and a few scenes are especially memorable, such as when Homer teaches english to the nuns. Overall however, this film is incredibly lightweight and in constant danger of running out of developments interesting enough to keep it going. A pleasant diversion, none-the-less.
Poitier does his usual thing..this time giving a grand performance with a bunch of nuns. While the move is good, it does border on poor sentimentality. For this reason alone, I deduct a half star.
Discuss Lilies of the Field on our Movie forum!