Marie Antoinette (1938)
Movie InfoM.G.M.'s opulent costume drama Marie Antoinette marked a return to the screen after a two-year absence for reigning Queen of M.G.M. Norma Shearer. Shearer plays the title role of an Austrian princess who is married off to Louis Auguste (Robert Morley), the Dauphin of France. Marie, by becoming the Dauphine, finds herself plopped smack in the middle of French palace intrigue between Louis's father King Louis XV (John Barrymore) and his scheming cousin, the Duke of Orleans (Joseph Schildkraut). With Louis unable to consummate his marriage to Marie, she takes to holding elaborate parties and gambling her fortune away. In a casino, she meets the handsome Count Axel de Fersen (Tyrone Power) and they have an affair. But when Louis XV dies and Louis becomes King Louis XVI, Fersen takes his leave, telling her that he could carry on an affair with a dauphine but not the Queen of France. Marie vows to be a great queen and remain loyal to her king. But the Duke of Orleans is plotting against Louis XVI, financing the revolutionary radicals. When the monarchy is overthrown, Louis and Marie are thrown into prison, awaiting execution. But when word gets back to Fersen, he travels back to France in an attempt to rescue Marie. ~ Paul Brenner, Rovi … More
No Friends? Inconceivable! Log in to see what your friends have to say.
Critic Reviews for Marie Antoinette
[Norma Shearer is] enough to make this dodgy, obese slab of prestige moviemaking turn into something sparkling and engaging.
Lavish in its textures, weird in its delivery, "Marie Antoinette" is a psychedelic swirl of girliness and history.
Audience Reviews for Marie Antoinette
This really should have been in color. The sets, wigs and costumes are almost impossibly lavish and are dazzling even in B&W. It's an enjoyable if questionably accurate historical account of Marie's rise and fall. Norma does well in the lead her occasional lapses into grandiosity are well suited to a queen and don't get in the way of her characterization like they often did in several of her other films and her smaller moments are well played.More
So I LOVE the Coppola film and had to see it for comparison. I think some of the historical parts were romanticized and especially since the '35 Hays Act. Anyway, GLORIOUS costumes, fantastic acting by Shearer and in many ways a more heart-wrenching tale than the modern one. Still, I really loved it. One of those films I really wish had been in color... it would have been spectacular...More
Finally, a film from 1938 worth championing! I've seen about 10 films as part of my study of 1938 Oscar-nominated movies, and "Marie Antoinette," starring Norma Shearer, is by far the best of the lot. The ironic thing is that it didn't even receive a nomination as Best Picture! Even more galling, it lost in all the categories for which it was nominated, including Best Actress (Shearer as the doomed queen), Supporting Actor (Robert Morley in his screen debut), and Best Score.
W.S. Van Dyke, who had been nominated for Best Director in 1935 and 1937 (for "The Thin Man" and "San Francisco," respectively) was not nominated for "Marie Antoinette." It is a travesty that this film got such short shrift at the Oscars in 1938, a year when there was barely any competition.
This was a gigantic MGM production, with a hundred extras and breathtaking costumes and sets. Like "Gone With the Wind," which MGM released the following year, the film has an intermission built right into the movie, breaking up its nearly three-hour running time. It also opens with a full overture while the screen is blank. MGM pulled out all the stops for this production, and the studio delivered in every way.
The story is not quite as rich or fascinating as "Gone With the Wind," but it is engrossing, moving, and serious. The film opens in Vienna, with a young Antoinette being told that she will be married to the prince of France, a man whom she has never met. Shearer plays the character as deeply kind and effervescent, so she is instantly likable.
Once in Paris, she has a terrible time establishing a bond with the semi-retarded Louis, but she tries very hard. When he shuts her out of his life, the princess immerses in party life and conspicuous luxury, mostly out of boredom and loneliness. When the prince becomes king, their relationship changes dramatically. But a love interest develops with another man nonetheless. He is played by the wooden but devastatingly beautiful Tyrone Power. Despite not having real acting skill, Power commands the screen in all the films I've seen him in. His eyes transfix you like a hypnotist's.
Act II focuses exclusively on the Revolution, with one nail-biting sequence after another. The last 15 minutes are excruciating because of all the violence. After having spent 90 minutes getting to know the tender and gentle Louis and Antoinette, it is brutal watching them and their children become the victims of terrible violence. It was impressive for a big studio production to have the guts to end on a darkly realistic note. Perhaps that is the reason the film was so ill treated by the Academy. With war brewing in Europe in 1938, perhaps it was hard to rally around a film that took on a heavy topic and had a downbeat and frightening ending.
Put "Marie Antoinette" on your list of 1930s films that deserve to be rediscovered. And kudos to MGM and W.S. Van Dyke for sticking to their guns and delivering a tough, intelligent picture.
Discuss Marie Antoinette on our Movie forum!