67% The Equalizer Sep 26
70% The Boxtrolls Sep 26
84% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

Top Box Office

63% The Maze Runner $32.5M
65% A Walk Among the Tombstones $13.1M
43% This Is Where I Leave You $11.9M
11% No Good Deed $10.2M
71% Dolphin Tale 2 $9.0M
92% Guardians of the Galaxy $5.2M
20% Let's Be Cops $2.7M
19% Teenage Mutant Ninja Turtles $2.6M
88% The Drop $2.0M
37% If I Stay $1.8M

Coming Soon

56% Men, Women & Children Oct 01
—— Gone Girl Oct 03
—— Annabelle Oct 03
67% The Good Lie Oct 03
—— 7500 Oct 03

Premieres Tonight

—— The Big Bang Theory: Season 8
—— The Blacklist: Season 2
50% Forever: Season 1
85% Gotham: Season 1
23% Scorpion: Season 1
—— Sleepy Hollow: Season 2

New Episodes Tonight

71% Dallas: Season 3
62% Under the Dome: Season 2

Discuss Last Night's Shows

—— American Dad!: Season 11
87% Boardwalk Empire: Season 5
53% The Lottery: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
78% Ray Donovan: Season 2
87% The Strain: Season 1
—— Witches of East End: Season 2

Rear Window Reviews

Michael Sragow
New Yorker
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It's one of Alfred Hitchcock's inspired audience-participation films: watching it, you feel titillated, horrified, and, ultimately, purged.

Full Review Source: New Yorker

March 5, 2012
Todd McCarthy
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February 23, 2012
Leah Rozen
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October 7, 2011

TIME Magazine
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Just possibly the second most entertaining picture (after The 39 Steps) ever made by Alfred Hitchcock.

Full Review Source: TIME Magazine

April 20, 2009
Geoff Andrew
Time Out
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Of all Hitchcock's films, this is the one which most reveals the man.

Full Review Source: Time Out

February 9, 2006
Jeff Millar
Houston Chronicle
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The deliciousness of watching the film as it's intended to be seen is that the big screen gives Rear Window back its claustrophobia.

Full Review Source: Houston Chronicle

July 21, 2005
Glenn Lovell
San Jose Mercury News
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Don't resist the urge -- steal a peek at it now, and be reminded why Hitchcock is still without equal in the clammy thrills department.

| Original Score: 4/4

May 28, 2004
Lisa Schwarzbaum
Entertainment Weekly
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Masterpiece of voyeurism.

Full Review Source: Entertainment Weekly | Original Score: A

January 1, 2000
James Berardinelli
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One of the finest ever committed to celluloid!

Full Review Source: ReelViews | Original Score: 10/10

January 1, 2000
Jonathan Rosenbaum
Chicago Reader
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In an impressive oeuvre, Rear Window is arguably the most exquisitely handcrafted feature, because Hitchcock mastered the spatial as well as behavioral coordinates of his chosen universe inch by inch.

Full Review Source: Chicago Reader | Original Score: 4/4

January 1, 2000
Vincent Canby
New York Times
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Its appeal, which goes beyond that of other, equally masterly Hitchcock works, remains undiminished.

Full Review Source: New York Times | Original Score: 5/5

January 1, 2000
J. Hoberman
Village Voice
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Restored to its original Technicolor grandeur!

Full Review Source: Village Voice

January 1, 2000
Peter Rainer
New York Magazine/Vulture
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The clearest example of a Hitchcock movie that functions on dual levels: It's both mousetrap and abyss.

Full Review Source: New York Magazine/Vulture

January 1, 2000
Mike Clark
USA Today
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| Original Score: 4/4

January 1, 2000
Charles Taylor
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Surely one of Alfred Hitchcock's best entertainments.

Full Review Source:

January 1, 2000
Elizabeth Weitzman
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Although it's an intensely intimate film, there's something special about taking your seat in the theater as though you're pulling up right next to L.B. Jefferies (James Stewart).

January 1, 2000
Richard T. Jameson
Mr. Showbiz
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Rear Window is the epitome of Hollywood class.

January 1, 2000
William Brogdon
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Hitchcock combines technical and artistic skills in a manner that makes this an unusually good piece of murder mystery entertainment.

Full Review Source: Variety

January 1, 2000
Peter Stack
San Francisco Chronicle
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Since the 1954 Alfred Hitchcock classic is all about the voyeuristic instinct, the better the view, the more sensational the experience.

Full Review Source: San Francisco Chronicle | Original Score: 4/4

January 1, 2000
Roger Ebert
Chicago Sun-Times
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Rear Window lovingly invests in suspense all through the film, banking it in our memory, so that when the final payoff arrives, the whole film has been the thriller equivalent of foreplay.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

January 1, 2000
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