Rear Window Reviews

Top Critic
Michael Sragow
New Yorker
March 5, 2012
It's one of Alfred Hitchcock's inspired audience-participation films: watching it, you feel titillated, horrified, and, ultimately, purged.
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Todd McCarthy
Variety
February 23, 2012
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Leah Rozen
TheWrap
October 7, 2011
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TIME Magazine
April 20, 2009
Just possibly the second most entertaining picture (after The 39 Steps) ever made by Alfred Hitchcock.
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Geoff Andrew
Time Out
February 9, 2006
Of all Hitchcock's films, this is the one which most reveals the man.
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Jeff Millar
Houston Chronicle
July 21, 2005
The deliciousness of watching the film as it's intended to be seen is that the big screen gives Rear Window back its claustrophobia.
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Glenn Lovell
San Jose Mercury News
May 28, 2004
Don't resist the urge -- steal a peek at it now, and be reminded why Hitchcock is still without equal in the clammy thrills department.
| Original Score: 4/4
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Lisa Schwarzbaum
Entertainment Weekly
January 1, 2000
Masterpiece of voyeurism.
Full Review | Original Score: A
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James Berardinelli
ReelViews
January 1, 2000
One of the finest ever committed to celluloid!
Full Review | Original Score: 10/10
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Jonathan Rosenbaum
Chicago Reader
January 1, 2000
In an impressive oeuvre, Rear Window is arguably the most exquisitely handcrafted feature, because Hitchcock mastered the spatial as well as behavioral coordinates of his chosen universe inch by inch.
Full Review | Original Score: 4/4
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Vincent Canby
New York Times
January 1, 2000
Its appeal, which goes beyond that of other, equally masterly Hitchcock works, remains undiminished.
Full Review | Original Score: 5/5
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J. Hoberman
Village Voice
January 1, 2000
Restored to its original Technicolor grandeur!
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Peter Rainer
New York Magazine/Vulture
January 1, 2000
The clearest example of a Hitchcock movie that functions on dual levels: It's both mousetrap and abyss.
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Mike Clark
USA Today
January 1, 2000
Masterpiece!
| Original Score: 4/4
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Charles Taylor
Salon.com
January 1, 2000
Surely one of Alfred Hitchcock's best entertainments.
Top Critic
January 1, 2000
Although it's an intensely intimate film, there's something special about taking your seat in the theater as though you're pulling up right next to L.B. Jefferies (James Stewart).
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Richard T. Jameson
Mr. Showbiz
January 1, 2000
Rear Window is the epitome of Hollywood class.
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William Brogdon
Variety
January 1, 2000
Hitchcock combines technical and artistic skills in a manner that makes this an unusually good piece of murder mystery entertainment.
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Peter Stack
San Francisco Chronicle
January 1, 2000
Since the 1954 Alfred Hitchcock classic is all about the voyeuristic instinct, the better the view, the more sensational the experience.
Full Review | Original Score: 4/4
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Roger Ebert
Chicago Sun-Times
January 1, 2000
Rear Window lovingly invests in suspense all through the film, banking it in our memory, so that when the final payoff arrives, the whole film has been the thriller equivalent of foreplay.
Full Review | Original Score: 4/4