[Rohmer's] persistence gets just underneath Delphine's surface, finding her painful, anxious self-doubt; we keep rooting for her to rise above it, rather than succumbing.
Summer (1986)
Tomatometer
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Reviews Counted:12
Fresh:11
Rotten:1
Average Rating:7.7/10
Runtime: 1 hr 55 mins
Genre: Foreign Films
Synopsis: In Eric Rohmer's SUMMER (LE RAYON VERT), a young woman in her mid-twenties finds herself utterly alone even though she is surrounded by dynamic friends who love her. She is a quiet, charming person... In Eric Rohmer's SUMMER (LE RAYON VERT), a young woman in her mid-twenties finds herself utterly alone even though she is surrounded by dynamic friends who love her. She is a quiet, charming person who speaks her mind when asked, yet she is also depressed, solitary, and uncomfortable. Working as a secretary in a congenial Paris office, Delphine (Marie Rivière) schedules a vacation only to be ditched at the last moment by the friend with whom she'd planned to travel. Hesitant to leave Paris because she thinks it would be too sad to travel alone, Delphine is nonetheless determined to go somewhere for her vacation. The story progresses without any jarring surprises as the camera becomes another of Delphine's loyal friends who cannot succeed in bringing her happiness. With slow, studied pace, and gorgeous, personal touch to the settings (Paris, suburbs, Biarritz) and Delphine's interactions with her friends, Rohmer captures the langorous feeling of relaxation and anticipation that is part of the best summer vacations. The original title in French, LE RAYON VERT, refers to a novel by Jules Verne about a love affair that is compared to the last ray of light that appears on the horizon during a sunset: the green ray. This lovely and moving film is part of Rohmer's Comedies and Proverbs series. [More]
Starring: Marie Rivière, Lisa Heredia, Béatrice Romand, Vincent Gauthjier
Starring: Marie Rivière, Lisa Heredia, Béatrice Romand, Vincent Gauthjier
Director: Eric Rohmer
Director: Eric Rohmer
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Reviews for Summer
The well-constructed film is almost completely improvised and has an almost effortless feel to it.
Stay awake through this 90-minute exercise in conceitedness (which presumably tells us how the modern world makes us all sad and pathetic) and you'll be rewarded with... well, with nothing. Congrats, more meaningless cinema under your belt.
Also known as The Green Ray; by any name, this rose would smell as sweet. An all-time-great film that feels like a romance even though, I suppose, it isn't.
Summer initially seems slight, but it's a movie of uncommon sensitivity and emotional reserves.
Graphically depicts one young French woman's quest for love during a lonely vacation.
French New Wave director Eric Rohmer has always had a particular talent for transforming even the most inconsequential stories into fascinating portraits of the difficulties of choice and the moral complexity of making decisions.
Along with My Night at Maud's, the movie is one of Rohmer's masterpieces. It is also, in its small, stubborn way, one of the bravest movies I know.
If Eric Rohmer were basing a film on your diary, he would only use the entries where you observe that nothing much happened. He is interested in the times between the big moments, the times when boredom and disenchantment set in.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
| 53% 53% | David & Layla |
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