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L' Amore (Ways of Love)

L' Amore (Ways of Love) (1948)

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Release Date: Jan 1, 1948 Limited

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Average Rating: 4/5
User Ratings: 222

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Movie Info

Amore was the two-part Roberto Rossellini film which introduced his notorious vignette "The Miracle." This brief character study, written by Federico Fellini, tells of an incredibly naive Italian peasant woman (Anna Magnani) who is seduced by a passing stranger whom she believes to be Jesus. Thus when she becomes pregnant, Magnani is convinced that she is carrying the New Messiah in her womb. In 1950, "The Miracle" was removed from Amore for international distribution and placed in a three-part

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All Critics (4) | Fresh (4) | Rotten (0)

Both shorts get great performances by Magnani.

February 1, 2013 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

A bifurcated love letter to Anna Magnani

October 10, 2009 Full Review Source: CinePassion
CinePassion

Audience Reviews for L' Amore (Ways of Love)

La Magnani! This is actually a two part film, directed by Roberto Rossellini, as a tribute to Magnani's talent. 'The Human Voice' is based on a story by Jean Cocteau. To me, this is a cinematic milestone in that it takes place in one room with one person on the telephone. I don't recall an earlier film in such a setting. Also, every person has been a participant on such a call before, the end of the affair ~ Magnani's performance doesn't require the caller's voice to even be heard. The next short film is based on a treatment by Fellini, 'The Miracle.' It's delightful seeing a young, voiceless Fellini assuming the role of Saint Joseph. Magnani magestically plays a poor, dim-witted woman ~ a memorable and passionate performance.
March 19, 2010
bookmunki

Super Reviewer

The idea of a collaboration between Roberto Rossellini, Jean Cocteau and Federico Fellini should make any film scholar drool. Add the inimitable fire of Anna Magnani -- she's the whole show here -- and who can resist?

"L'Amore" is not easy to watch, but it's over within 80 minutes. The film is divided into two separate sections and even rolls extra credits in the middle. The first part (scripted by Cocteau) has just one actor: Magnani, portraying a distraught woman caged in her apartment while anticipating a call from her estranged husband. He has left their five-year relationship, and she would forgive everything if he would simply drop his new lover and return. But he has moved on, even if he's a kind man who doesn't want to hurt her. Her anguish on the phone is searing, but Magnani's flamboyant performance somewhat wears out its welcome as the claustrophobic minutes pass.

The second part (scripted by Fellini, well before his first directed feature) was quite controversial in its day. Slightly longer and much broader in setting and cast, this segment functions as a perverse retelling of the Virgin Mary story. Magnani is an unbalanced homeless woman who mystically encounters St. Joseph (the young, bearded Fellini, who never says a word) on a lonely hill and is impregnated. When she tells others, she is ridiculed. One yearns to find that she's a righteous believer whose claim will be vindicated, but the likely truth is that "St. Joseph" was simply a vagrant wanderer who subdued her with wine and raped her. However, the tale remains somewhat ambiguous -- presumably, the reason for all the protests.
January 10, 2013
Eric Broome

Super Reviewer

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