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Unforgiven (1992)
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Reviews Counted:10
Fresh:8
Rotten:2
Average Rating:7.6/10
Consensus: As both director and star, Clint Eastwood strips away decades of Hollywood varnish applied to the Wild West, and emerges with a series of harshly eloquent statements about the nature of violence.
Runtime: 2 hrs 13 mins
Genre: Westerns
Synopsis: In Clint Eastwood's acclaimed Western, Little Bill Daggett (Gene Hackman), a sadistic, dictatorial sheriff, enforces gun control on a tiny frontier town, doling out his own brand of due process as... In Clint Eastwood's acclaimed Western, Little Bill Daggett (Gene Hackman), a sadistic, dictatorial sheriff, enforces gun control on a tiny frontier town, doling out his own brand of due process as he sees fit. When he denies justice to the prostitutes of the town brothel, one of whom has been slashed by a client, the women hire Bill Munny (Eastwood), a reformed gunslinger, to gain vengeance. However, Munny must contend with his new moral code in the face of revisiting the life he left behind. Eastwood's directorial masterpiece also stars Morgan Freeman and Richard Harris. [More]
Starring: Clint Eastwood, Gene Hackman, Morgan Freeman, Richard Harris
Starring: Clint Eastwood, Gene Hackman, Morgan Freeman, Richard Harris, Jaimz Woolvett, Frances Fisher
Director: Clint Eastwood
Director: Clint Eastwood
Producer: Clint Eastwood
Screenwriter: David Peoples
Composer: Lennie Niehaus
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Reviews for Unforgiven
Eastwood's meditation on age, repute, courage, heroism -- on all those burdens he has been carrying with such good grace for decades.
One of Unforgiven's assets is the way it overturns conventions, taking the man who is typically the hero and making him the villain, while transforming the traditional bad guy into a sympathetic protagonist.
There's not much dramatic urgency apart from the revisionist context.
Unforgiven is a most entertaining western that pays homage to the great tradition of movie westerns while surreptitiously expressing a certain amount of skepticism.
That implacable moral balance, in which good eventually silences evil, is at the heart of the Western, and Eastwood is not shy about saying so.
In three decades of climbing into the saddle, Eastwood has never ridden so tall.
Jumps adroitly between the macho and anti-macho, the romantic and anti-romantic.
By now ... Eastwood has little more than a paint-by-numbers approach to acting. As a result, we relate to Munny more as a compendium of Eastwood's earlier characters.
This is the best work Eastwood has done as a director since The Outlaw Josey Wales 16 years ago.
Latest News for Unforgiven
June 22, 2007:
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May 23, 2005:
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