Average Rating: 8.2/10
Reviews Counted: 16
Fresh: 16 | Rotten: 0
Stalker is a complex, oblique parable that draws unforgettable images and philosophical musings from its sci-fi/thriller setting.
Average Rating: N/A
Critic Reviews: 2
Fresh: 2 | Rotten: 0
Stalker is a complex, oblique parable that draws unforgettable images and philosophical musings from its sci-fi/thriller setting.
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Average Rating: 4.5/5
User Ratings: 21,466
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Russian director Andrei Tarkovsky's Stalker, an allegorical science fiction film like his earlier Solaris, was adapted from the novel Picnic by the Roadside by brothers Boris Strugatsky and Arkady Strugatsky. The film follows three men -- the Scientist (Nikolai Grinko), the Writer (Anatoliy Solonitsyn), and the Stalker (Alexander Kaidanovsky) -- as they travel through a mysterious and forbidden territory in the Russian wilderness called the "Zone." In the Zone, nothing is what it seems. Objects
Unrated, 2 hr. 40 min.
Drama, Action & Adventure, Art House & International, Mystery & Suspense, Science Fiction & Fantasy
Aug 1, 1979 Wide
Oct 15, 2002
All Critics (17) | Top Critics (2) | Fresh (17) | Rotten (0) | DVD (5)
Not an easy film, but almost certainly a great one.
Stalker, a somber futuristic fantasy from the Soviet Union, attempts to build an apocalyptic vision out of the most impoverished materials imaginable.
Seminal feature from Tarkovsky, the master of atmosphere and multi-functional allegory is truly affecting, as well as fodder for countless film studies curricula.
Powerful and haunting sci-fi parable imbued by Tarkovsky with a multi-layered visual resonance and, despite its stately pace, raw emotional impact.
There is no easy watching to be gained here, but nor is this a hard slog -- each scene is beautifully crafted, painting a vivid and fascinating picture of Tarkovsky's vision.
Visually unforgettable and possibly Tarkovsky's finest work.
A vast prose-poem on celluloid whose forms and ideas were to be borrowed by moviemakers like Lynch and Spielberg.
[It] has enough hauntingly beautiful images and profound ideas to linger in one's mind.
I found the overall atmosphere, benign but potentially dangerous, far more stimulating and imaginative than a sci-fi story entirely spelled out for us.
A tangled knot of memories, fears, fantasies, nightmares, paradoxical impulses, and a yearning for something that's simultaneously beyond our reach and yet intrinsic to every one of us.
Tarkovsky conjures images like you've never seen before; and as a journey to the heart of darkness, it's a good deal more persuasive than Coppola's.
The film is only as good as what the individual brings to it.
Tarkovsky majestically creates through editing rather than special effects the unstable universe of the Zone, and amidst the grime and the destruction, summons up moments of pure magic.
Tarkovsky's allegory's imagery will sere its nightmare images into the deepest, darkest corners of your subconscious.
The DVD extras have been chosen well and genuinely add to the viewer's understanding of the film.
More obviously a metaphorical construct than Tarkovsky's Solaris, and as a result, a bit less emotionally satisfying.
My least favorite Tarkovsky thus far. So talky, so ambivalent, so... dull. I really should afford this a second and third chance as I was stuck reading the subtitles most of the first viewing. I do not relish the thought.
March 27, 2007Super Reviewer
one of the most dreadfully boring fucking things i think ive seen this year. and it really doesn't help to know that this shit is two and a half hours long. it was like watching a boring person watching a PBS documentary on how slugs fall asleep in the winter, and the guy who is watching doesn't even muster up enough
November 7, 2009Super Reviewer
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