Seminal feature from Tarkovsky, the master of atmosphere and multi-functional allegory is truly affecting, as well as fodder for countless film studies curricula.
Stalker (1979)
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Reviews Counted:16
Fresh:16
Rotten:0
Average Rating:8.2/10
Runtime: 2 hrs 43 mins
Genre: Science-Fiction/Fantasy
Synopsis: With STALKER, Russian director Andrei Tarkovsky returns to the mind-bending, philosophy-tinged science fiction of SOLARIS. The setting is an unnamed country in an unforeseen postapocalyptic future.... With STALKER, Russian director Andrei Tarkovsky returns to the mind-bending, philosophy-tinged science fiction of SOLARIS. The setting is an unnamed country in an unforeseen postapocalyptic future. A meteorite has landed, and its impact has created a mysterious phenomenon known as the Zone, within which resides a sinister room said to grant humanity's deepest desires. Only Stalkers are able to enter the Zone, bringing intrepid citizens to test their strength and desires against the Zone's enigmatic treacheries. The film follows one such Stalker (Alexander Kaidanovsky) as he attempts to bring two characters known as Writer (Anatoli Solonitsyn) and Scientist (Nikolai Grinko) into the Zone. The hapless trio makes a difficult and mud-drenched journey, dodging military guards and invisible traps and enduring extreme psychological strain. While Tarkovsky avoids any direct political reading of STALKER, the film's allegorical structure presents a powerful and disturbing metaphor for humanity's loss of and subsequent quest for faith. The Stalker's struggle to rescue himself and his family while guiding those more wretched than himself creates a physical and metaphysical drama that leaves the viewer breathless. Blending visual, narrative, and cinematic conventions to portray the fractured logic of the Zone, Tarkovsky conjures a universe of despair and desire in which science, rationalism, and technology must face off against love, humanism, and faith. [More]
Starring: Alexander Kaidanovsky, Anatoli Solonitsyn, Nikolai Grinko, Alice Friendlich
Starring: Alexander Kaidanovsky, Anatoli Solonitsyn, Nikolai Grinko, Alice Friendlich
Director: Andrei Tarkovsky
Director: Andrei Tarkovsky
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Reviews for Stalker
Powerful and haunting sci-fi parable imbued by Tarkovsky with a multi-layered visual resonance and, despite its stately pace, raw emotional impact.
There is no easy watching to be gained here, but nor is this a hard slog -- each scene is beautifully crafted, painting a vivid and fascinating picture of Tarkovsky's vision.
A vast prose-poem on celluloid whose forms and ideas were to be borrowed by moviemakers like Lynch and Spielberg.
[It] has enough hauntingly beautiful images and profound ideas to linger in one's mind.
I found the overall atmosphere, benign but potentially dangerous, far more stimulating and imaginative than a sci-fi story entirely spelled out for us.
A tangled knot of memories, fears, fantasies, nightmares, paradoxical impulses, and a yearning for something that's simultaneously beyond our reach and yet intrinsic to every one of us.
Tarkovsky conjures images like you've never seen before; and as a journey to the heart of darkness, it's a good deal more persuasive than Coppola's.
Tarkovsky majestically creates through editing rather than special effects the unstable universe of the Zone, and amidst the grime and the destruction, summons up moments of pure magic.
Tarkovsky's allegory's imagery will sere its nightmare images into the deepest, darkest corners of your subconscious.
Stalker, a somber futuristic fantasy from the Soviet Union, attempts to build an apocalyptic vision out of the most impoverished materials imaginable.
More obviously a metaphorical construct than Tarkovsky’s Solaris, and as a result, a bit less emotionally satisfying.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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