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Stalker

Stalker (1979)

tomatometer

100

Average Rating: 8.2/10
Reviews Counted: 16
Fresh: 16 | Rotten: 0

Stalker is a complex, oblique parable that draws unforgettable images and philosophical musings from its sci-fi/thriller setting.

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Average Rating: N/A
Critic Reviews: 2
Fresh: 2 | Rotten: 0

Stalker is a complex, oblique parable that draws unforgettable images and philosophical musings from its sci-fi/thriller setting.

audience

94

liked it
Average Rating: 4.5/5
User Ratings: 21,466

My Rating

Movie Info

Russian director Andrei Tarkovsky's Stalker, an allegorical science fiction film like his earlier Solaris, was adapted from the novel Picnic by the Roadside by brothers Boris Strugatsky and Arkady Strugatsky. The film follows three men -- the Scientist (Nikolai Grinko), the Writer (Anatoliy Solonitsyn), and the Stalker (Alexander Kaidanovsky) -- as they travel through a mysterious and forbidden territory in the Russian wilderness called the "Zone." In the Zone, nothing is what it seems. Objects

Oct 15, 2002

All Critics (17) | Top Critics (2) | Fresh (17) | Rotten (0) | DVD (5)

Not an easy film, but almost certainly a great one.

May 30, 2007 Full Review Source: Chicago Reader | Comment
Chicago Reader
Top Critic IconTop Critic

Stalker, a somber futuristic fantasy from the Soviet Union, attempts to build an apocalyptic vision out of the most impoverished materials imaginable.

January 15, 2005 Full Review Source: New York Times | Comment
New York Times
Top Critic IconTop Critic

Seminal feature from Tarkovsky, the master of atmosphere and multi-functional allegory is truly affecting, as well as fodder for countless film studies curricula.

May 30, 2007 Full Review Source: Empire Magazine | Comment
Empire Magazine

Powerful and haunting sci-fi parable imbued by Tarkovsky with a multi-layered visual resonance and, despite its stately pace, raw emotional impact.

May 30, 2007 Full Review Source: Film4 | Comment

There is no easy watching to be gained here, but nor is this a hard slog -- each scene is beautifully crafted, painting a vivid and fascinating picture of Tarkovsky's vision.

May 30, 2007 Full Review Source: Eye for Film | Comment
Eye for Film

Visually unforgettable and possibly Tarkovsky's finest work.

May 30, 2007 Full Review Source: Observer [UK] | Comment
Observer [UK]

A vast prose-poem on celluloid whose forms and ideas were to be borrowed by moviemakers like Lynch and Spielberg.

May 30, 2007 Full Review Source: Guardian [UK] | Comment
Guardian [UK]

[It] has enough hauntingly beautiful images and profound ideas to linger in one's mind.

May 30, 2007 Full Review Source: TV Guide's Movie Guide | Comment
TV Guide's Movie Guide

I found the overall atmosphere, benign but potentially dangerous, far more stimulating and imaginative than a sci-fi story entirely spelled out for us.

November 3, 2006 Full Review Source: Combustible Celluloid | Comment
Combustible Celluloid

A tangled knot of memories, fears, fantasies, nightmares, paradoxical impulses, and a yearning for something that's simultaneously beyond our reach and yet intrinsic to every one of us.

April 25, 2006 Full Review Source: Slant Magazine | Comment
Slant Magazine

Tarkovsky conjures images like you've never seen before; and as a journey to the heart of darkness, it's a good deal more persuasive than Coppola's.

February 9, 2006 Full Review Source: Time Out | Comment

The film is only as good as what the individual brings to it.

June 21, 2005 Full Review Source: Ozus' World Movie Reviews | Comment (1)
Ozus' World Movie Reviews

Tarkovsky majestically creates through editing rather than special effects the unstable universe of the Zone, and amidst the grime and the destruction, summons up moments of pure magic.

March 13, 2005 Full Review Source: BBC | Comment

Tarkovsky's allegory's imagery will sere its nightmare images into the deepest, darkest corners of your subconscious.

February 17, 2005 Full Review Source: Cinemania | Comment

The DVD extras have been chosen well and genuinely add to the viewer's understanding of the film.

May 25, 2002 Full Review Source: Eye for Film | Comment
Eye for Film

More obviously a metaphorical construct than Tarkovsky's Solaris, and as a result, a bit less emotionally satisfying.

March 5, 2002 Full Review Source: MovieMartyr.com | Comment
MovieMartyr.com
More Critic Reviews

Audience Reviews for Stalker

My least favorite Tarkovsky thus far. So talky, so ambivalent, so... dull. I really should afford this a second and third chance as I was stuck reading the subtitles most of the first viewing. I do not relish the thought.

March 27, 2007
brooklynspo

Super Reviewer

one of the most dreadfully boring fucking things i think ive seen this year. and it really doesn't help to know that this shit is two and a half hours long. it was like watching a boring person watching a PBS documentary on how slugs fall asleep in the winter, and the guy who is watching doesn't even muster up enough

November 7, 2009
LoughnerWasLucid

Super Reviewer

    1. Stalker: Passion is the friction between one's soul and the outside world.
    – Submitted by Alexander R (30 days ago)
    1. Stalker: Weakness is a great thing, and strength is nothing. When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it's tender and pliant. But when it's dry and hard, it dies. Hardness and strength are death's companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.
    – Submitted by Alexandar T (3 months ago)
    1. Stalker's Wife: I love your eyes, my darling friend, their play so light and brightening. When a sudden stare up you send, and like a heaven-blown lightning, it'd take in all from end to end. But there's nothing more that I admire; your eyes when they are downcast. In bursts of love inspired fire, and through the eyelash goes fast - a longing, dull call of desire.
    – Submitted by Christopher M (8 months ago)

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Foreign Titles

  • Stalker (1979) (CA)
  • Stalker (1979) (ES)
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