Heat (1995)



Critic Consensus: Though Al Pacino and Robert De Niro share but a handful of screen minutes together, Heat is an engrossing crime drama that draws compelling performances from its stars -- and confirms Michael Mann's mastery of the genre.

Movie Info

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He's very good at what he does; he's bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a … More

Rating: R (adult situations/language, sex, violence)
Genre: Mystery & Suspense, Action & Adventure
Directed By:
Written By: Michael Mann
In Theaters:
On DVD: Jul 27, 1999
Warner Bros.


as Vincent Hanna

as Neil McCauley

as Chris Shiherlis

as Michael Cheritto

as Justine Hanna

as Charlene Shiherlis

as Casals

as Bosko

as Van Zant

as Kelson

as Waingro

as Marciano

as Elaine Cheritto

as Richard Torena

as Lillian

as Solenko

as Hugh Benny

as Dr. Bob

as Schwartz

as Construction Clerk

as Anna Trejo

as Albert Torena

as Richard Torena

as Hooker's Mother

as Armored Guard No. 1

as Armored Guard No. 2

as Children's Hospital ...

as Shooter at Drive-In

as Driver at Drive-In

as Cop No. 5

as Desk Clerk Cop

as Bartender

as Casals' Date

as Officer Bruce

as Armored Truck Driver

as Claudia

as Miracle Mile Bartend...

as Linda Cheritto

as Anita Cheritto

as Marcia Drucker

as Detective No. 1

as Detective No. 2

as Bosko's Date

as Sgt. Heinz

as Rachel

as Captain Jackson

as Harry Dieter

as Basketball Player

as Children's Hospital ...

as News Anchorman

as Bank Guard No. 1

as Dead Hooker

as Prostitute

as Vegas Cop

as News Anchorwoman

as Hostage Girl
Show More Cast

News & Interviews for Heat

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Critic Reviews for Heat

All Critics (76) | Top Critics (25)

When Pacino's loud, bruised cop and De Niro's canny crook stare at each other, you can read something spent and weary in their eyes and voices. The heat is hell. So are their jobs -- but somebody's got to do them.

Full Review… | April 29, 2014
Chicago Tribune
Top Critic

The taciturn De Niro and the braying Pacino share a flawless scene over a cup of coffee, but the real honors go to Val Kilmer and Ashley Judd as a warring, loving couple.

Full Review… | April 29, 2014
New Yorker
Top Critic

So why doesn't Heat, with its elaborately staged, tautly edited robberies, its killer cast, edgy score and elegant cinematography, offer more satisfaction? It's the script, stupid.

Full Review… | April 29, 2014
Philadelphia Inquirer
Top Critic

Just when it seemed that the only hope for crime movies lay in the postmodernist artifice of films like Pulp Fiction, Mann reinvests the genre with brooding, modernist conviction. This one sticks to your gut.

Full Review… | April 29, 2014
Top Critic

There's nothing really new in this lengthy 1995 thriller by writer-director Michael Mann about cops and robbers in Los Angeles, but it has craft, pacing, and an overall sense of proportion, three pretty rare classic virtues nowadays.

Full Review… | April 29, 2014
Chicago Reader
Top Critic

An odd though often entertaining blend of The Asphalt Jungle and Oprah, a traditional cops-and-robbers story weirdly fitted out with long, earnest discussions of interpersonal relationships.

Full Review… | April 29, 2014
New York Daily News
Top Critic

Audience Reviews for Heat

An obsessive robbery homicide detective is locked in a battle of wits with an ingenious crew of professional criminals looking to score a multi-million dollar bank heist under his very nose. When you see a cast list like this one you know you're in for something special, but Heat is not just special; it's an absolute masterclass. It's a fairly common formula in this day and age, showing cop and criminal as two sides of the same coin, but the way Mann effortlessly flits between both sets of superbly realised characters has never been bettered and paved the way for the modern cop drama including everything from Infernal Affairs to The Dark Knight. The performances are all, of course, top notch and every aspect of the film that surrounds them is faultlessly engineered to create a near perfect heist movie. The bank shoot out that turns the streets of L.A. into a war zone is astonishing in itself and candidate for best action sequence ever filmed. The soundtrack has maybe dated a little in places and some of the domestic drama a little heavy handed compared to the levels of sophistication shown in telling the life stories of these men born of violence, but it is all interwoven into something that exceeds the sum of its parts. A modern classic.

xGary Xx

Super Reviewer

This is basically Michael Mann's magnum opus.

It's a more fleshed out and richer version of his TV production L.A. Takedown concerning two groups of people and their leaders: one being super slick professional thieves, and the other being highly determined and driven police officers. It takes the standard good versus evil story, ramps it up to the max, and throws in tons and tons of character development, atmosphere, and some of the most well done, realistic, and accurate gun play in motion picture history. This is all very rich, complex, and very compelling. It's a film both for those who like to think, and those who love a solid crime drama.

It also has the great selling point of being the first film to feature De Niro Pacino sharing screentime together. Granted, this selling point is dated, but compared to Righteous Kill (which has them on screen together longer), this one really gets it right and doesn't overdo the joy of seeing them face off.

The cast are firing on all cylinders here, making their characters, good or bad, interesting, sympathetic, and worth watching. Honestly, I'm really torn between which group I'd rather root for more, which I think is a great sign of brilliant work. Nothing is totally black and white, and each side has their pros and cons. Mann has encyclopedic knowledge of crime, criminals, cops, and police procedure, and it shows. There's a high level of attention to detail, and it really makes one appreciate the time and care that went into all this.

But of course, at nearly three hours, and with a fairly leisurely pace, this could prove to be too slow and boring for some. Honestly, I'm really not bothered by it, Sure, my patience sometimes begins to waver during the third act, but I have seen this several times, so maybe it's just a personal issue, and a bit of burn out.

Mann's trademark mood and atmosphere building tools are pitch perfect here, with some of the best and most expressive lighting and camera placement ever seen in a crime drama, or other type of film for that matter. And of course, one of the other main selling points: the superb action scenes. Granted, the movie isn't wall to wall action, but that's not the point. In fact, a lot of the film is made up of lengthy, quiet scenes with tons of yakking, and even more scenes with no talking, just letting the mood wash over the viewer and draw them into this hypnotic world. However, when this film delivers the action goods, it really delivers them, with the gunfights being intense, wild, loud, and jarring...like they're supposed to be.

Just see this film already. There's only so many ways I can think of to call this brilliant before it becomes redundant.

Chris Weber

Super Reviewer

An intense and very complex character study with Pacino and De Niro delivering two explosive performances as men so alike but on opposite sides of the same battle. Still, the film has too many characters and scenes that make it feel much longer than it should be.

Carlos Magalh„es

Super Reviewer

Heat Quotes

– Submitted by oliver a (2 years ago)
– Submitted by oliver a (2 years ago)
– Submitted by David B (2 years ago)
– Submitted by The Vinh H (2 years ago)

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