Scandal (Shubun) (1950)

Scandal (Shubun) (1950)

Scandal (Shubun)




Critic Consensus: No consensus yet.

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Movie Info

Released in Japan as Shubun, Scandal was the eleventh film directed by Akira Kurosawa (it was produced just prior to his more famous Rashomon). The director described it as a "protest" film about press journalism. The film sets forth the theory that the postwar Japanese press was too free in its insinuations, and that personal privacy had been sacrificed for the sake of sensationalism (The more things change...) Based on a story related to Kurosawa at a bar (!), the film traces the tragedy that … More

Rating: Unrated
Genre: Art House & International, Drama
Directed By:
Written By: Akira Kurosawa, Ryuzo Kikushima
In Theaters:
On DVD: Jun 20, 2000

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as Miyako Saigo

as Sumie Aoye's model

as Hiruta's daughter Ma...

as Ichiro Aoye
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Critic Reviews for Scandal (Shubun)

All Critics (6) | Top Critics (1)

Scandal is not a great film, but it is much more than a curiosity, and much funnier than any plot synopsis might suggest.

Full Review… | December 6, 2004
New York Times
Top Critic

Done with Kurosawa's subtle touch of irony.

Full Review… | March 4, 2013
TV Guide's Movie Guide

a mustard seed for later masterworks

Full Review… | February 11, 2008
Old School Reviews

Anybody contemplating a tabloid career should watch this movie.

Full Review… | May 24, 2003

This is an awkward comedy made just before Kurosawa's breakthrough film, Rashomon.

Full Review… | January 1, 2000
Ozus' World Movie Reviews

July 18, 2005

Audience Reviews for Scandal (Shubun)

a solid film with great acting and diologue, even if the plot was a little silly. there is a sense where the plot is very good as it points out the abuses and hypocracy of the media, but at the same time the film didnt really carry any significance in the bigger picture of humanity which is rare for a kurosawa film. still, this story had some profound elements, especially the internal moral struggle of shimura's character and the impact that his dying daughter had on him. written and shot well and entertaining to watch.

danny d

Super Reviewer

Another of Kurosawa's early films, it features his usual morality message this time aimed at the media. A free-spirited artist and a famous singer are photographed together by the paparazzi who fabricate a scandalous affair to sell their paper. It's basically an attack on the gutter press and it's insistence on invading the privacy of the famous to pander to the public's base fascination with celebrity gossip. Being an early example of his work, he hasn't quite honed his skills and a little too often the story veers into sentimentality and melodrama, particularly towards the end. It does have a nice light touch early on in the film though, tempering the more saccharine soaked moments with gentle humour and Toshiro Mifune and Yoshiko Yamaguchi make a couple to rival the glamour of their Hollywood counterparts. Not a major work, but still eminently watchable with a theme that's clearly as relevant today as it was then.

xGary Xx

Super Reviewer


[font=Century Gothic]In "Scandal," Miyako Saijo(Yoshiko Yamaguchi), a famous singer, blissfully sings while climbing a hill until she realizes she is not alone. Ichiro Aoye(Toshiro Mifune) is painting nearby Mount Kumitori while being surrounded by a group of admirers. Since she missed her bus, he gentlemanly offers her a ride on his motorcycle to a nearby resort where there are paparazzi waiting in ambush. Being a very private person, she does not wish her picture taken. However, they still get a shot of her and Ichiro which is plastered all over Tokyo in a tabloid, intimating that the two are having an affair. Ichiro confronts the publisher Hori(Eitaro Ozawa), threatens a lawsuit and even slugs him.(Even though I'm a pacifist, I think he had it coming.) Hiruta(Takashi Shimura), a lawyer, drops by Ichiro's studio to offer his services.[/font]

[font=Century Gothic]"Scandal" is a solid movie that has lost none of its punch over the decades, even if a couple of the scenes are overplayed and go on too long. Regrettably, celebrity journalism is still with us to rob celebrities of any kind of privacy. In this movie, Miyako and Ichiro are the protaganists whose creation of art is respected which Hori does not. He is just trying to sell magazines by whatever means necessary, even if lives are wrecked in the bargain. Somewhere in the middle is Hiruta who is badly in need of redemption.[/font]

Walter M.

Super Reviewer

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