The Mark of Zorro Reviews
it has right elements of swashbuckler gendre, and tyrpone power's interpretation would be more versatilely understated since the script requires him to impersonate dual characters: the spineless dandy vs. the gallant dark-knight...power's performance differentiates from errol flynn's flamboyant wisecrackers against the evil authority, but power carries his chivalry in a more straitforward manner, with his ebullient vigor inhabited under the seemingly indifference. of course, you cannot help but be hypnotized by his million-watt brilliant wide-smile.
linda darnell plays the first-love burgeoning lad, zorro's love interest. darnell has the perfect garment, her rosy beauty, to infiltrate this juliet-alike belle. observe the scene her facecheek lingers over the white rose given by zorro, such scenario of puberty chasteness would be considered preposterously campy by today's standard. courting lines like "you're more radiant, more lovely than the mornings in june" could only exist in ancient fairy tales. why swashbuckler beauties always show great favors to roses from the heros? instead of diamonds or lease of real estate? ha. you would probably be mocked for love due to an un-costy rose in reality.
basil rathbone, again, is the immoral buzzard with warsome appetite for swordplay gore, ignoring the dillemma of the commoners. rathbone's lofty figure and hooked astrocratic nose are the adequate gears to emit crooked snobbery. perfect casting for villainy, even his talent is diverse enough to cross gendres.
tyrone power, errol flynn and basil rathebone were the mere three actors capable of the art for sword-swaying in old hollywood. it's always pleasant to see any two of these trio dueling each other in the highlight of masculine grace. "the mark of zorro" is another well-made swashbuckler flick with escapistic innocence.
All the adventure and romance you could ask for make this an enduring classic.