Average Rating: 6.6/10
Reviews Counted: 45
Fresh: 32 | Rotten: 13
No consensus yet.
Average Rating: 6.9/10
Critic Reviews: 12
Fresh: 9 | Rotten: 3
No consensus yet.
liked it
Average Rating: 3.5/5
User Ratings: 7,520
This remake of Force Majeure (aka Uncontrollable Circumstances), a 1989 film with Alan Bates and Kristin Scott Thomas, recalls the prison plight depicted in Midnight Express (1978). Rambling around Asia, getting high and just having a good time, are three young men -- Sheriff (Vince Vaughn), Lewis (Joaquin Phoenix), and Tony (David Conrad). Sheriff and Tony say goodbye to Lewis, a conscientious Greenpeace activist and nature-lover who stays on to rescue endangered Borneo orangutans. Two years
Aug 14, 1998 Wide
Jan 11, 2000
PolyGram Video
All Critics (46) | Top Critics (12) | Fresh (32) | Rotten (13) | DVD (5)
What if director Joseph Ruben didn't resort to B-movie suspense tricks? What if the fine cast wasn't saddled with a shamelessly contrived script by Wesley Strick and Bruce Robinson?
If it's to be experienced at all, Return to Paradise is best seen as a lively piece of pulp, not a profound exploration of the vagaries of the human soul.
The real discovery ... is Vince Vaughn, who didn't make as much of a splash in Jurassic Park: The Lost World as he was expected to. Now he does.
This is a major example of a good idea, one that could have worked, being submitted to a Hollywood tag-team makeover.
The best performance in the film belongs to Anne Heche, who continues to impress with her range. Her work here is passionate, and she effectively conveys the inner conflict of a woman whose divided loyalties tear at her soul.
Like Sheriff and Tony, we're pulled both ways by the story: We want them to go back and save Lewis, but we're not exactly sure we'd do the same. That's the Prisoner's Dilemma in a nutshell.
Despite solid performances from the leads, it comes shrouded in a heavy cloud of ethics-class complications that makes it feel like a "dilemma of the week" TV movie.
It's a painful prospect, to be sure, and Sheriff, in particular, insists he's no hero, but the next hour or so of handwringing conjures little suspense.
Vince Vaughn finally gives a performance putting him in the serious actor category, Joaquin Phoenix is notable and Anne Heche is believable as the impassioned attorney fighting for the life of her client.
Involving drama about our responsibilities to others.
The acting is generally good -- Vaughn is very convincing as a man forced to make a difficult decision, while Joaquin Phoenix even more convincingly plays a man condemned to die.
Return to Paradise is precisely the kind of film I tend to like; one which could go many ways, and one which, if done right, could have a true and profound moral. And it didn't dissapoint.
Fine, low-key performances by Ann Heche as the attorney and Vince Vaughn and David Conrad as the two men she must persuade help sustain our interest in the characters. But after the wrong turn, the story feels as forced as it once was exciting.
As disturbing as it is excellent.
Truly Unforgettable. A tour-de-force for Phoenix.
The whole thing is quite thought provoking, and it's well written even though there are some flaws in the script.
Vaughn labors mightily under the obviousness of the script, while managing to reveal a fragile but profound fear of being an aging frat boy who longs to realize a finer, better self, only to be petrified that quality isn't within him.
What one ambitious person does in New York City affects the deliberations of a judge in Malaysia.
A quiet, thoughtful movie about hard moral choices, truth, love, accountability, crime, punishment and friendship.
Phoenix, who was memorable in To Die For, is unearthly here as a man reduced to a wraith by miserable prison conditions and hopelessness. As an actor, he seems to have abandoned his body entirely in order to communicate only through his spirit.
An original, thought-provoking film concerning three friends who party hard in Malaysia one summer (Vince Vaughn, Joaquin Phoenix, and David Conrad), where illegal substances are used frequently and the concentration is on just "having a good time". Flash forward a few years later, two of the buds (Vaughn and Conrad)
November 10, 2011Super Reviewer
The intricate workings of the moral dilemma somehow overcome the melodrama. You could complain that the concept deserved to no give-ins to schmaltz from the directors, actors and the soundtrack... but including the schmaltz makes this movie a twisted, tragic version of The Hangover.
October 25, 2010Super Reviewer
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