Undercurrent (1946)
Release Date: Nov 28, 1946 Wide
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Average Rating: 3.5/5
User Ratings: 411
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Movie Info
A change of pace for both director Vincente Minnelli and star Katharine Hepburn, this taut drama features the latter as Ann Hamilton, the daughter of a scientist (Edmund Gwenn), who after a whirlwind romance marries handsome but slightly mysterious inventor turned businessman Alan Garroway (Robert Taylor). But wedded bliss proves short-lived when Garroway refuses to discuss his brother Michael, whose presence is felt constantly despite the mystery surrounding his whereabouts. The missing Michael
Nov 28, 1946 Wide
May 29, 2007
MGM
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Cast
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Katharine Hepburn
Ann Hamilton -
Robert Taylor
Alan Garroway -
Robert Mitchum
Michael Garroway -
Edmund Gwenn
Prof. Dink Hamilton -
Marjorie Main
Lucy -
Jayne Meadows
Sylvia Lea Burton -
Clinton Sundberg
Mr. Warmsley -
Dan Tobin
Prof. Joseph Bangs -
Kathryn Card
Mrs. Foster -
Leigh Whipper
George -
Charles Trowbridge
Justice Putnam -
James Westerfield
Henry Gilson -
Monya Andre
Saleswoman -
Jean Andren
Mrs. Davenport -
Sylvia Andrew
Nora -
Barbara Billingsley
Guest -
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Bill Cartledge
Messenger -
Wheaton Chambers
Proprietor -
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Frank Dae
2nd Man -
Helen Eby-Rock
Fitter -
Sarah Edwards
Manager -
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Eula Guy
Housekeeper -
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Milt Kibbee
Minister -
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Victor McLaglen
Uncle Ben -
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Bert Moorhouse
lst Man -
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Forbes Murray
Sen. Edwards -
Robert E. O'Connor
Stationmaster -
Gordon Richards
Headwaiter -
Ellen Ross
Gwen -
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Hank Worden
Attendant -
Phil Dunham
Elevator Man -
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Jane Green
Woman -
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Rudy Rama
Headwaiter -
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William Eddritt
Butler -
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All Critics (7) | Top Critics (3) | Fresh (3) | Rotten (0) | DVD (1)
Minnelli's first foray into film noir is marred by the casting of Katharine Hepburn as a frail woman, married to a psychopath (Robert Taylor, also miscast) but attracted to his sensitive brother (Robert Mitchum!)
Crime thriller with many strange undercurrents itself.
It successfully takes on the theme from Gaslight.
Audience Reviews for Undercurrent
Super Reviewer
It's hard to buy Taylor as a scientist, he was one of those actors whose fame seemed to be solely based around the fact he looked good in a suit. If he was any more wooden the crew would have to sweep up sawdust after each take. Pairing him with an actress so full of life as Hepburn does him no favors. You would never guess she was five years older than Taylor, a casting choice which is rare even in today's supposedly more liberated Hollywood. The movie feels somewhat like a changing of the guard, stiff actors like Taylor were dying out, being replaced by a new breed of more naturalistic performers like his costars Hepburn and Mitchum.
By Minnelli's standards this is average fare, a ripoff of Hitchcock's "Suspicion" but sadly lacking a leading man of Cary Grant's charisma. Thankfully Hepburn gets the lion's share of screen time as scenes which don't feature her fall flat. Minnelli does his best to keep things interesting and in lesser hands it would be a rather plodding affair. His love of music plays a part in the form of a recurring Brahms melody which ultimately bonds Hepburn and Mitchum together.
Minnelli is of course known most of all for his lavish use of color but he equally knows how to get the most from black and white. Here he works with the great cinematographer Karl Freund to produce some striking monochrome images. A scene involving a knocked over lamp is particularly impressive, creating a shadow and light dynamic which serves to heighten the scene.
It pales in comparison to similar melodramatic thrillers like "Suspicion" and "Leave Her To Heaven" but fans of the sub genre will find it worthwhile.
Super Reviewer
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Foreign Titles
- Lame de fond (FR)

