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Maléna (2000)
Tomatometer
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Reviews Counted:29
Fresh:13
Rotten:16
Average Rating:5/10
Consensus: Malena ends up objectifying the character of the movie's title. Also, the young boy's emotional investment with Malena is never convincing, as she doesn't feel like a three-dimensional person.
Rated: R [See Full Rating] for sexuality/nudity, language and some violence
Runtime: 1 hr 32 mins
Genre: Foreign Films
Theatrical Release:Nov 22, 2000 Limited
Synopsis: With MALÉNA, Italian director Giuseppe Tornatore spins a romantic coming-of-age yarn about love, loss, and courage. Set in 1941 in a tiny village in Sicily, the film focuses on a group of... With MALÉNA, Italian director Giuseppe Tornatore spins a romantic coming-of-age yarn about love, loss, and courage. Set in 1941 in a tiny village in Sicily, the film focuses on a group of 13-year-old boys who fall madly in love with Maléna (Monica Bellucci), the wife of a local soldier. One of the boys, Renato Amoroso (Giuseppe Sulfaro), a dreamer who yearns for freedom from his war-bound village, revels in the exquisite beauty of the enchanting newcomer. He becomes her shadow, following her through the cobble stone streets and spying on her most intimate moments, overwhelmed with romantic longing for the first time. Maléna has a magical spellbinding effect on the male villagers; her presence inspires fantasy and escape from their daily lives. But the women of the village, hardened by war, are quick to judge the nubile outsider. Maléna becomes the focus of desire and seething jealousy in the town and she is eventually forced to face the female villagers in a bittersweet climax. Reminiscent of Federico Fellini's nostalgic masterpiece AMARCORD, native Sicilian Tornatore revisits the dusty village streets of his childhood where adolescent boys learn about sex, desire, and ultimately, love. Like Tornatore's critically acclaimed CINEMA PARADISO, he bathes the film in the sun-drenched light of his homeland, giving it a dreamy, earthy sensuality and a poetic spirit. Bellucci is a delicious revelation, the camera lingers seductively on her bewitching beauty. Inspired by the story MA L'AMORE NO... by Luciano Vincenzoni. [More]
Starring: Monica Bellucci, Daniele Arena, Giovanna Litrico, Gianluca Guarrera
Starring: Monica Bellucci, Daniele Arena, Giovanna Litrico, Gianluca Guarrera, Michel Bramanti, Giuseppe Sulfaro
Director: Giuseppe Tornatore
Director: Giuseppe Tornatore
Screenwriter: Giuseppe Tornatore
Producer: Carlo Bernasconi, Harvey Weinstein
Composer: Ennio Morricone
Studio: Miramax Films
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Reviews for Maléna
[Tornatore] eludes sentimentality with a romantic vision wide enough to embrace the range of human experience.
Bereft of the more richly textured sentiments of Tornatore's Cinema Paradiso.
Despite Bellucci's strong presence in a role with little dialogue, the central character never really comes alive in any way interesting enough to give her ordeal much genuine pathos.
The result is like a bad novel in which the personalities and feelings of the characters are described to us rather than revealed through what they do.
[Bellucci] has presence, maybe even talent, but you wish that Malena's inner life had been given as much accent as her outer charms.
The film lacks a focused, compelling narrative -- perhaps because Tornatore is trying to manufacture a hit by juggling story elements more forced and manipulative than felt.
Like Malena herself, the movie ends up nothing more than a great-looking mess.
Renato does not intervene to correct the false impressions of the townspeople, nor does he courageously stand for Malčna ... What happens instead is far more compelling, but no less merciful and moving.
A well-crafted, provocative film by one of Italy's consummate screen artists.
Makes something wistful, enduring and even optimistic out of humanity's basest instincts.
Not for decades has Italian film offered a presence so sexy and mythic as Bellucci.
Flushed with emotion and a buoyant earthy humor, Malčna is a yarn that sticks with you.
Relentlessly cleareyed instead of shamelessly manipulative, and it builds to an emotional crescendo that brings to mind the finales of the Neo-Realist classics.
There's something quirkily intriguing about an infatuation conducted mostly without words.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
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| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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| 47% 47% | The Girl From Monaco |
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