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Movies / On DVD / Faithless
Faithless

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Faithless (2001)

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Reviews Counted:22

Fresh:20

Rotten:2

Average Rating:7.3/10

Consensus: This brooding, measured look at adultery is ultimately emotionally riveting, thanks to its script and performances.

Rated: R [See Full Rating] for sexual content, some nudity and language

Runtime: 2 hrs 22 mins

Genre: Dramas

Theatrical Release:Jan 26, 2001 Limited

Synopsis: Directed by Liv Ullmann from a script by Ingmar Bergman and starring Lena Endre and Erland Josephson, FAITHLESS is a story of passion and infidelity based on a real event in Bergman’s past. A... Directed by Liv Ullmann from a script by Ingmar Bergman and starring Lena Endre and Erland Josephson, FAITHLESS is a story of passion and infidelity based on a real event in Bergman’s past. A sensation at this year’s Cannes Film Festival, where Lena Endre’s bravura lead performance was justly celebrated, the film has also been featured at the Toronto, Telluride, New York and Montreal film festivals. FAITHLESS will have its U.S. theatrical release in late January 2001.

Lyrical, passionate, and enigmatic, FAITHLESS begins with a writer named Bergman (Erland Josephson, who co-starred with Ullmann in Bergman’s 1974 Scenes From a Marriage) summoning his muse in the form of a memory. Marianne (Lena Endre) appears to Bergman as he sits down to write a script about a love affair of long ago. As she discusses ideas for the story with Bergman, she is transformed into the main character of the film that he is now writing.

Marianne Vogler is a successful actress happily married to Markus (Thomas Hanzon), an orchestra conductor much in demand for overseas concerts and devoted to her young daughter Isabelle (Michelle Gylemo). Into this easy equation steps family friend David (Krister Henriksson), a film director notorious for his reckless attitude toward relationships. Marianne’s friendship with David develops into passion, and they yield to temptation, traveling to Paris to indulge in an affair that then continues upon their return to Sweden.

Eventually Markus, who has suspected the affair all along, confronts the faithless couple, his wife and friend, in the very bedroom they have been meeting in. He demands divorce and custody of Isabelle. Marianne begs Markus to let her have Isabelle, but he refuses. What began as a casual affair threatens to destroy a marriage, a friendship, a family, and a man.

Despite the film’s dark themes, Lena Endre triumphs with her radiant performance. Onscreen for most of the film, Endre’s Marianne is a woman whose passion and intelligence makes her choices a story of unforgettable emotional power.

Liv Ullmann’s second film based on a Bergman screenplay (1997’s Private Confessions was the first), FAITHLESS is the latest of many collaborations between Bergman and Ullmann. Ullmann has been featured as an actress in nine of the director’s greatest films including Persona (1966), Scenes From A Marriage (1974), and Autumn Sonata (1978). Filled with references to Bergman’s films and to his life as a man and an artist, FAITHLESS is timeless meditation upon relationships between women, men, art and love. [More]

Starring: Lena Endre, Erland Josephson, Krister Henriksson, Tomas Hanzon

Starring: Lena Endre, Erland Josephson, Krister Henriksson, Tomas Hanzon, Michelle Gylemo, Juni Dahr

Director: Liv Ullmann

Director: Liv Ullmann
Screenwriter: Ingmar Bergman
Composer: Johannes Brahms, Anton Bruckner, Wolfgang Amadeus Mozart
Studio: Samuel Goldwyn Films

[See More Credits]

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Release:

Oct 22, 2002

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Reviews for Faithless

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1 - 20 (sorted by date)
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It's a movie that shows us that the silence between two people can be more dramatic than 100 pages of dialogue.

Full Review Source: Atlanta Journal-Constitution | comment Comment
02/21/04
Steve Murray
Steve Murray
Atlanta Journal-Constitution
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N/R

Click to read the article

Full Review Source: Ebert & Roeper | comment Comment
11/20/02
Ebert & Roeper
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Bergman has been far better at working out these themes than anything in Faithless would suggest.

Full Review Source: New York Magazine | comment Comment
11/20/02
Peter Rainer
Peter Rainer
New York Magazine
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These three adults are all sick puppies. But neither the actors nor their director has created any reason for one to care.

Full Review Source: Hollywood Reporter | comment Comment
06/08/01
Kirk Honeycutt
Kirk Honeycutt
Hollywood Reporter
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A powerful movie, with emotional rawness and honesty that have been hallmarks of Bergman's work as much as his incredible egocentricity.

Full Review Source: Houston Chronicle | comment Comment
04/13/01
Eric Harrison
Eric Harrison
Houston Chronicle
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Faithless is talky but very tight, and that cohesion relies on the bond between actors who aren't afraid to expose the depths of their characters.

Full Review Source: Dallas Morning News | comment Comment
04/12/01
Dallas Morning News
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Bergman, rare among artists these days, still believes in human complexity and value. He believes that what people do matters.

Full Review Source: San Francisco Chronicle | comment Comment
03/02/01
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
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Time seems to have passed him by, but there's life in Bergman yet -- even though it's something of an emotional ordeal to experience and appreciate.

Full Review Source: Washington Post | comment Comment
03/02/01
Desson Thomson
Desson Thomson
Washington Post
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Its piercing honesty is remarkable.

Full Review Source: Washington Post | comment Comment
03/02/01
Stephen Hunter
Stephen Hunter
Washington Post
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A sober, unflinching, sometimes shattering and eventually compassionate exploration of the damage caused by adultery.

comment Comment
03/02/01
Jay Carr
Jay Carr
Boston Globe
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Rarely has a supreme artist's twilight been so richly illuminating.

comment Comment
03/01/01
Desmond Ryan
Desmond Ryan
Philadelphia Inquirer
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An unqualified triumph.

Full Review Source: Los Angeles Times | comment Comment
02/16/01
Kevin Thomas
Kevin Thomas
Los Angeles Times
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Ullmann has a sure sense for the ways people behave in emotional extremity.

Full Review Source: Chicago Sun-Times | comment Comment
02/16/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
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A heartbreaking, life-enhancing experience, one of the screen's finest portrayals of infidelity and its consequences.

Full Review Source: Chicago Tribune | comment Comment
02/15/01
Michael Wilmington
Michael Wilmington
Chicago Tribune
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A domestic tragedy of lacerating vision.

Full Review Source: Entertainment Weekly | comment Comment
02/09/01
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
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A mesmerizing deconstruction of the brute nature of love.

Full Review Source: Rolling Stone | comment Comment
02/01/01
Peter Travers
Peter Travers
Rolling Stone
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Rarely do we see a film that measures the full reverberations of adultery, one that grabs us by the hair and makes us face up to our own potential to inflict enduring damage.

Full Review Source: Newsday | comment Comment
01/26/01
Jan Stuart
Jan Stuart
Newsday
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Beautiful and honest and, sadly, every second of it feels achingly real.

Full Review Source: Associated Press | comment Comment
01/26/01
Christy Lemire
Christy Lemire
Associated Press
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Another milestone in the long and fruitful collaboration between Liv Ullmann and Ingmar Bergman.

Full Review Source: New York Post | comment Comment
01/26/01
V.A. Musetto
V.A. Musetto
New York Post
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Bergman is nothing if not an artist finely focused on secret narrative weaponry and snowballing decimation, and before you know it, his structural strategy has made it a Kevlar kind of day.

Full Review Source: Village Voice | comment Comment
01/26/01
Michael Atkinson
Michael Atkinson
Village Voice
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