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Movies / On DVD / Brother
Brother

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Brother (2001)

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Reviews Counted:20

Fresh:8

Rotten:12

Average Rating:4.4/10

Consensus: There is too much hollow bloodshed in Brother, and the characters are stereotypically flat.

Rated: R [See Full Rating] for pervasive strong violence, language and brief nudity

Runtime: 1 hr 53 mins

Genre: Action/Adventure

Theatrical Release:Jul 20, 2001 Limited

Synopsis: Abandoned by the brotherhood of his yakuza clan, tough guy Yamamoto (Beat Takeshi) is forced to leave Tokyo. He goes to Los Angeles in search of Ken (Claude Maki), his younger half-brother. Alone... Abandoned by the brotherhood of his yakuza clan, tough guy Yamamoto (Beat Takeshi) is forced to leave Tokyo. He goes to Los Angeles in search of Ken (Claude Maki), his younger half-brother. Alone and with a new identity, Yamamoto finds himself frustrated by foreign surroundings, especially since he doesn't speak the language.

Yamamoto eventually tracks down Ken, who turns out to be a likable small-time drug dealer. When Ken introduces his older "aniki" to his home boys, Yamamoto is surprised to find that one of them is Denny (Omar Epps), an African-American guy with whom he had a violent run-in on his first day in Los Angeles. Despite initial suspicions and hostilities, an unexpected bond begins to develop between Denny and Yamamoto.

Much to his surprise, Yamamoto finds himself quickly back into the routine violence of his old Tokyo life. He efficiently and sardonically bumps off Ken's supplier and entire Chicano gang to take over their turf.

Before long, Yamamoto's gang grows in number. Business flourishes, money flows. Yamamoto and his boys now wear expensive suits, cruise in limousines and work out of classy loft offices. As success breeds jealousy, Yamamoto joins forces with young rival Japanese crime lord Shirase (Masaya Kato).

When the Japanese gang refuses to bow down to the Mafia, Yamamoto realizes there's no turning back. It's an all-out war without sanctuary for anyone. As things heat up, Yamamoto learns that only Denny has really caught on to the yakuza code of brotherhood... -- © 2001 Sony Picture Classics [More]

Starring: Takeshi Kitano, Omar Epps, Tatyana Ali, Ryo Ishibashi

Starring: Takeshi Kitano, Omar Epps, Tatyana Ali, Ryo Ishibashi, Antwon Tanner, Susuma Terajima, Tetsuya Watari, James Shigeta, Masaya Kato, Claude Maki

Director: Takeshi Kitano

Director: Takeshi Kitano
Screenwriter: Takeshi Kitano
Producer: Jeremy Thomas, Masayuki Mori
Composer: Joe Hisaishi
Studio: Sony Pictures Classics

[See More Credits]

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Release:

Jan 2, 2002

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Reviews for Brother

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1 - 20 (sorted by date)
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N/R

Click to read the article

Full Review Source: Variety | comment Comment
06/06/08
David Rooney
David Rooney
Variety
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N/R

Click to read the article

Full Review Source: Denver Rocky Mountain News | comment Comment
08/09/02
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
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N/R

Click to read the article

Full Review Source: Los Angeles Times | comment Comment
10/30/01
Los Angeles Times
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As an actor and writer-director, Mr. Kitano projects an amused irony that makes his films worth seeing.

Full Review Source: New York Observer | comment Comment
08/03/01
Andrew Sarris
Andrew Sarris
New York Observer
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N/R

Click to read the article

Full Review Source: Ebert & Roeper | comment Comment
08/02/01
Ebert & Roeper
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Just how many acts of self-inflicted finger amputations do I really want to see?

Full Review Source: Washington Post | comment Comment
07/27/01
Desson Thomson
Desson Thomson
Washington Post
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Kitano presents all this mayhem in crisp and cool camera work that distances it and keeps it from becoming oppressive.

Full Review Source: San Francisco Chronicle | comment Comment
07/27/01
Bob Graham
Bob Graham
San Francisco Chronicle
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Intriguing though uneven.

Full Review Source: Houston Chronicle | comment Comment
07/27/01
Eric Harrison
Eric Harrison
Houston Chronicle
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A provocative variation on moviedom's worn cross-cultural themes.

Full Review Source: Detroit News | comment Comment
07/27/01
Susan Stark
Susan Stark
Detroit News
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This somber and bloody retread is hardly the best place to first make Kitano's intimidating acquaintance.

Full Review Source: Detroit Free Press | comment Comment
07/27/01
Terry Lawson
Terry Lawson
Detroit Free Press
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Rarely has such an artful aesthetic been used to craft such sadistically violent junk.

Full Review Source: Denver Post | comment Comment
07/27/01
Steven Rosen
Steven Rosen
Denver Post
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Too many of the killing scenes have a casual, perfunctory tone.

Full Review Source: Chicago Sun-Times | comment Comment
07/27/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
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There's nothing noble about Aniki's steadfastness; he's a violent thug who's simply more skilled and efficient than the other thugs surrounding him.

comment Comment
07/27/01
Jay Carr
Jay Carr
Boston Globe
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When it works, which is often, Kitano's movie is an anthropology of the distinctions between Japanese yakuza and American gangsters.

Full Review Source: Philadelphia Inquirer | comment Comment
07/26/01
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer
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We're made numb to the violence and bored by the lack of plot or character development.

Full Review Source: Dallas Morning News | comment Comment
07/26/01
Gary Dowell
Gary Dowell
Dallas Morning News
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What [Kitano fans are] looking for are increasingly novel and outrageous ways to ambush, mutilate and assassinate. And their hero doesn't disappoint.

Full Review Source: San Jose Mercury News | comment Comment
07/26/01
Glenn Lovell
Glenn Lovell
San Jose Mercury News
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For all its arty bloodshed, Brother is disappointingly hollow.

Full Review Source: Chicago Tribune | comment Comment
07/26/01
Loren King
Loren King
Chicago Tribune
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Riveting, if erratic.

Full Review Source: Newsday | comment Comment
07/20/01
Gene Seymour
Gene Seymour
Newsday
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If the film had ended a couple of scenes earlier, on a touch that's a tribute to westerns and showdowns, Mr. Kitano would have finished things off beautifully. But that's a minor quibble.

Full Review Source: New York Times | comment Comment
07/20/01
Elvis Mitchell
Elvis Mitchell
New York Times
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Takeshi's elliptical directorial style is here overwhelmed by the script's crudeness and lack of narrative power.

Full Review Source: New York Post | comment Comment
07/20/01
Jonathan Foreman
Jonathan Foreman
New York Post
Top Critic Icon Top Critic
 
 
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