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Eureka (2001)
Tomatometer
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Reviews Counted:19
Fresh:16
Rotten:3
Average Rating:6.8/10
Consensus: With its subtitles and a running time nearing four hours, Eureka certainly places demands upon its viewers. For those with the patience, however, this visually lovely film builds to an emotionally resonant vision of transcendence.
Rated: Not Rated
Genre: Dramas
Theatrical Release:May 4, 2001 Limited
Synopsis: Following a deadly bus hijacking in southwest Japan, the three survivors--Makato (Koji Yakusho), the bus driver; Kozue (Aoi Miyazaki), a young girl; and Naoki (Masaru Miyazaki), her older... Following a deadly bus hijacking in southwest Japan, the three survivors--Makato (Koji Yakusho), the bus driver; Kozue (Aoi Miyazaki), a young girl; and Naoki (Masaru Miyazaki), her older brother--find further tragedy in their personal lives. When the traumatized Makato eventually contacts Kozue and Naoki two years later, he moves into their home and becomes a father figure for the two children, who have stopped speaking. The trio are then joined by Akihiko (Yohichiroh Saitoh), Kozue and Naoki's college student cousin, and together this odd surrogate family embarks on a road trip across Japan. However, a string of murders appears to be following them and threatens to permanently disrupt their quest to regain normal lives. Clocking in at more than three and a half hours, Shinji Aoyama's EUREKA is a daunting film that rewards patient viewers with an utterly unique and moving cinematic experience. Shot in black and white with a sepia tone, the movie features breathtaking photography by Masaki Tamra. In part an ode to John Ford's THE SEARCHERS, EUREKA features an outstanding performance by Yakusho in the John Wayne-like leading role. [More]
Starring: Koji Yakusho, Yoshiko Miyazaki, Aoi Miyazaki, Yohichiroh Saitoh
Starring: Koji Yakusho, Yoshiko Miyazaki, Aoi Miyazaki, Yohichiroh Saitoh
Director: Shinji Aoyama
Director: Shinji Aoyama
Studio: The Shooting Gallery
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Reviews for Eureka
You feel time slipping through your fingers, but, gorgeous and studied to a fault, the film doesn't give you time to look down at your hands.
Its rewards are greater than any bright-and-tight Hollywood movie you've seen so far this year.
Don't let the running time scare you away from the exceptional bit of filmmaking.
The very un-Western style middle- and long-shot camera perspectives favored by Aoyama are quietly apt.
Might have made a good two-hour movie, but nearly every shot is twice as long as needed.
The delight and the exasperation of Eureka come from the same source: its willingness to take its time and explore every detour.
Begins to develop a peculiar power that draws you gradually into the shattered psyches of Makoto, the bus driver, and the two children.
It's not for the popcorn crowd, but it does reward the mature, patient viewer.
It's more an experience than anything else, and if you're looking for a transformative, redemptive one yourself, at the moment you can't do any better than go to see this film.
It makes one believe that intimate human connections are possible, that empathy is worth struggling for.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| | Film Ist: A Girl & A Gun | 12/2 |
| | Before Tomorrow | 12/2 |
| 67% 67% | Everybody's Fine | 12/4 |
| 60% 60% | Brothers | 12/4 |
| | Armored | 12/4 |
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