Together, Lopez and Caviezel make quite a pair. Sorrowful yet hip, they seem to be inventing a new mood: designer melancholia.
Angel Eyes (2001)
Tomatometer
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Reviews Counted:33
Fresh:12
Rotten:21
Average Rating:4.6/10
Consensus: Though the earlier part of the movie suggested something more, the movie turns out to be nothing more than a schmaltzy romance.
Rated: R [See Full Rating] for language, violence and a scene of sexuality
Runtime: 1 hr 50 mins
Genre: Dramas
Theatrical Release:May 18, 2001 Wide
Box Office: $23,761,243
Synopsis:
"Angel Eyes" is a story about a seemingly unlikely couple who cross paths under life-threatening circumstances as though they are destined not only to meet but to save each other's lives. Not once,...
"Angel Eyes" is a story about a seemingly unlikely couple who cross paths under life-threatening circumstances as though they are destined not only to meet but to save each other's lives. Not once, but twice.
Sharon's dedication to her job does little to compensate for the fact that she has no personal life. She has been estranged from her family for many years. Disconnected from them and from life in general, Sharon fills her days with work and her nights with her private regrets.
Somewhere in the same neighborhood a man who goes by the name of Catch is living his own half-life. A strange, haunted soul who sleeps in an empty apartment, he spends his days dispensing little gifts of goodwill to anyone in need. If it starts to rain and he notices a car window open, Catch will roll it up; if a stranger passes by, Catch will offer a smile. Twice a week he delivers groceries to a disabled woman named Elanora Davis (Shirley Knight). He and Elanora exchange the same light banter every time he stops by but she has learned not to ask him the kinds of questions he doesn't want to answer.
To most people who encounter him, Catch is an odd but harmless figure. To some, he appears dangerous, suspiciousÖthey wonder what he is up to. But Catch is indifferent to the reactions he elicits. He moves through the landscape in a kind of existential daze, performing his services automatically as though this is the only thing he was meant to do. Yet he seems to derive no real pleasure from it.
Like Sharon, Catch has no personal life.
When Sharon learns that her parents, Josephine (Sonia Braga) and Carl (Victor Argo) are planning a big party to celebrate the renewal of their wedding vows and she has not been invited, she reaches a crisis. At the same time, Sharon's investigations into her new lover's background bring up issues for him that he would do anything to avoid - even if it means never seeing her again.
After years of dealing with their pain in the only way they knew how, Sharon and Catch must make some difficult decisions and risk losing each other if they are going to move forward and reclaim their lives. -- © 2001 Warner Bros.
Starring: Jennifer Lopez, James Caviezel, Sonia Braga, Terrence Howard
Starring: Jennifer Lopez, James Caviezel, Sonia Braga, Terrence Howard, Jeremy Sisto, Victor Argo, Shirley Knight, Monet Mazur
Director: Luis Mandoki
Director: Luis Mandoki
Screenwriter: Gerald DiPego, Michael Seitzman
Producer: Mark Canton, Elie Samaha
Composer: Marco Beltrami
Studio: Warner Bros.
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Reviews for Angel Eyes
Its protagonists, their situation and its mechanical but mushy resolution are never remotely believable.
Darts back and forth from being a psychological thriller to a vaguely metaphysical drama to a fate-driven romance. Such a schema may, in the right hands, make for a powerful, all-seeing movie; here, it all becomes a blur.
Mandoki doesn't have anything new to contribute to this puree of genres.
Director Luis Mandoki lets another film drown in the tear-jerker tide.
A tearjerking romantic confection that ... is only partially digestible.
Angel Eyes can be downright silly, like when a moony Lopez pieces together the dandelion puffball that Caviezel gave her days ago. Just like the movie, it irretrievably falls apart.
Angel Eyes is really nothing more than a love story between two people who could save a lot of money by moving in together.
A well-acted character study of a hardworking woman, by a screenwriter (Gerald DiPego) and a director with enough integrity to dispense with the usual Hollywood distractions.
The two stars have chemistry, but this romantic mystery is finally too lugubrious for a performer with the energy reserves of Lopez.
The product is so synthetic it has only attitude where its heart ought to be.
A carefully crafted romantic drama of considerable insight and emotional impact that provides Lopez an acting challenge she meets with ease.
This second half of the movie is almost as promising as the first. But the total abandonment of the initial tone and narrative strategy feels like a bait-and-switch scam.
Cut through all the eerie atmospherics and ominous implications, and Angel Eyes is just another glossily romantic meditation on pain and fate.
Features the dullest, most poorly matched romantic couple since Keanu Reeves and Charlize Theron lit up the screen in Sweet November.
Putting aside her last two choices, The Cell and The Wedding Planner, it seems J.Lo can deliver when given the right material and the right director.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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