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The Score (2001)
Tomatometer
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Reviews Counted:33
Fresh:21
Rotten:12
Average Rating:6.2/10
Consensus: Though the movie treads familar ground in the heist/caper genre, DeNiro, Norton, and Brando make the movie worth watching.
Theatrical Release:Jul 13, 2001 Wide
Box Office: $70,307,038
Synopsis: Every thief dreams of the big heist that will allow him to leave the business of crime behind. Every thief except Nick (Robert De Niro), a cool, methodical safecracker who never takes on long-shot... Every thief dreams of the big heist that will allow him to leave the business of crime behind. Every thief except Nick (Robert De Niro), a cool, methodical safecracker who never takes on long-shot jobs until his longtime partner, Max (Marlon Brando), offers him the big score--to filch a priceless scepter from the Montreal customs house. Wary about the job, Nick and the hotheaded customs house "insider," Jackie (Edward Norton), begin to dissect the elaborate details of entering the building, avoiding the security measures, blowing the safe, and escaping with the scepter. But as in every thrilling crime caper, plans go awry. Skilled comic director Frank Oz is clearly comfortable working with the best method actors from the past three generations. Brando's Max bursts with joyful cynicism, while De Niro is Brando's perfect foil, so collected that every smile seems like a revelation. Norton's Jackie is far more expressive, but it is Norton's smallest movements--holding a gaze a half beat too long--that hint at the secret motives pulsing beneath his skin. Smooth like the scotch Nick likes to drink, and swirling with tension, THE SCORE provides the real payoff to the audience. [More]
Starring: Robert DeNiro, Edward Norton, Marlon Brando, Jamie Harrold
Starring: Robert DeNiro, Edward Norton, Marlon Brando, Jamie Harrold, Angela Bassett
Director: Frank Oz
Director: Frank Oz
Screenwriter: Kario Salem
Producer: Gary Foster, Lee Rich
Screenwriter: Kario Salem, Lem Dobbs, Scott Marshall Smith
Studio: Paramount Pictures
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Reviews for The Score
Manages to waste a prestigious cast on a tediously long-winded caper plot.
Restoring the seductive style of the no-nonsense procedural heist movie to complete luster, this is the kind of pic that knows the difference between being masculine and being macho.
Contains The Scene, a precious sequence already destined for infinite repetition.
A movie which gets the job done as simply, efficiently and intelligently as possible.
The movie is so determinedly low-key that after a while it sits on the screen like a layout from Architectural Digest. Even the actors seem dimmed.
It is the human spectacle of three of America's finest screen actors passing on their wisdom and gifts from one generation to the next that lends this movie a self-reflexive glow and lifts it above the clichés on which it is constructed.
A spiritless, unimaginative exercise in professionalism for its own sake.
Frank Oz keeps the suspense taut and doesn't have to resort to gratuitous violence to get our adrenaline going.
Alternating on trumpet and tenor sax, Norton does some terrific solos. De Niro is the ace drummer providing rhythmic backbone, and Brando tickles out gorgeous filigrees on piano.
Oz allows both stars more time than they deserve to flesh out their characters. Still, it's fascinating to watch these two superb actors in highly detailed turns.
After sitting through such sloppy and reckless high-concept heist films as Mission: Impossible and Entrapment, it's refreshing to witness the careful, methodical attention to details that distinguishes The Score.
Nobody's going to think of The Score as trail-blazing, but there's nothing small-time about its dramatic and acting payoff.
Latest News for The Score
June 05, 2001:
Apparently Brando had to lose fifty pounds for this role. ![]()
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June 05, 2001:
Three Method men go head to head to head. Somebody call James Lipton! ![]()
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June 05, 2001:
What do you get when you combine three of the most respected (and feared) actors of their respective generations? A very confident director. ![]()
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| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
| 53% 53% | David & Layla |
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