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Invincible (2002)
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Reviews Counted:18
Fresh:11
Rotten:7
Average Rating:6.2/10
Consensus: Sluggish and flawed, this is a minor work in Herzog's career.
Rated: PG-13 [See Full Rating] for some sexual content and thematic elements
Runtime: 2 hrs 15 mins
Genre: Foreign Films
Theatrical Release:Sep 20, 2002 Limited
Synopsis: Werner Herzog's first fiction film since 1984's WHERE THE GREEN ANTS DREAM, INVINCIBLE is based on the true story of Zishe Breitbart (Ahola), a Polish Jew from a humble shtetl who was touted as the... Werner Herzog's first fiction film since 1984's WHERE THE GREEN ANTS DREAM, INVINCIBLE is based on the true story of Zishe Breitbart (Ahola), a Polish Jew from a humble shtetl who was touted as the world's strongest man. Discovered at a traveling carnival and brought to Berlin to perform in a nightclub run by the self proclaimed clairvoyant Erik-Jan Hanussen (Roth), Zishe is forced to perform feats of strength on stage in a blonde wig under the name Siegfried in order to mollify the club's significant Nazi contingent. However, as the naive Zishe begins to see the danger the Nazis represent to his people, he declares his heritage on stage, outraging the secretly Jewish Hanussen and his Aryan audience. Populating his cast with mostly nonprofessional actors, including Jouko Ahola, a Finnish real life "strongest man" contest winner, Herzog takes what could have been a rousing sentimental biopic and turns it into a brooding cautionary tale about a character with mythic aspirations. Providing contrast are Tim Roth's scaly and charismatic Hannussen, and Udo Kier's brief turn as the aristocratic Helldorf, which, combined with Herzog's dreamlike imagery, give the film the feeling of a surreal fable. [More]
Starring: Jouko Ahola, Tim Roth, Udo Kier, Ana Gourari
Starring: Jouko Ahola, Tim Roth, Udo Kier, Ana Gourari, Gustav-Peter Wöhler, Max Raabe, Renate Krossner, Zesha Breitbart
Director: Werner Herzog
Director: Werner Herzog
Screenwriter: Werner Herzog, E. Max Frye
Studio: Fine Line Features
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Reviews for Invincible
Though few will argue that it ranks with the best of Herzog's works, Invincible shows he's back in form, with an astoundingly rich film.
Feels less like a change in [Herzog's] personal policy than a half-hearted fluke.
Half-baked Herzog, though it has twinkles of theatrical purity that remind you of when his vision was grand.
The movie has the power of a great silent film, unafraid of grand gestures and moral absolutes.
Invincible works, simply but provocatively, as a parable about the oppressed and the oppressors, victimhood and fanaticism.
It's an unusual, thoughtful bio-drama with a rich subject and some fantastic moments and scenes.
After one gets the feeling that the typical Hollywood disregard for historical truth and realism is at work here, it's a matter of finding entertainment in the experiences of Zishe and the fiery presence of Hanussen.
It's difficult for a longtime admirer of his work to not be swept up in Invincible and overlook its drawbacks.
Herzog's intentions are clearly noble, but unless you care to wait for the moments when Roth picks up the film and carries it on his back, back off.
Embellished with touches of magic realism and washed in a voluptuous quasi-Wagnernian score, Invincible, when at its best, is almost as seductive as Hanussen's games of smoke and mirrors.
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