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The Time Machine (2002)
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Reviews Counted:31
Fresh:6
Rotten:25
Average Rating:5/10
Consensus: This Machine has all the razzle-dazzles of modern special effects, but the movie takes a turn for the worst when it switches from a story about lost love to a confusing action-thriller.
Rated: PG-13 [See Full Rating] for intense sequences of action violence
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:Mar 8, 2002 Wide
Box Office: $56,684,819
Synopsis:
Scientist and inventor Alexander Hartdegen is determined to prove that time travel is possible. His determination is turned to desperation by a personal tragedy that now drives him to want to...
Scientist and inventor Alexander Hartdegen is determined to prove that time travel is possible. His determination is turned to desperation by a personal tragedy that now drives him to want to change the past. Testing his theories with a time machine of his own invention, Hartdegen is hurtled 800,000 years into the future, where he discovers that mankind has divided into the hunter…and the hunted.
Based on the classic science-fiction novel by H.G. Wells, "The Time Machine" stars Guy Pearce ("Memento," "L.A. Confidential") in the role of Alexander Hartdegen. Making her feature film debut, Dublin-born singer/songwriter Samantha Mumba stars opposite Pearce as Mara, the woman who befriends Hartdegen in the distant future. The international cast also includes Orlando Jones ("Evolution"), Mark Addy ("The Full Monty"), Phyllida Law ("Saving Grace"), Sienna Guillory ("Kiss Kiss Bang Bang") and Academy Award® winner Jeremy Irons ("Reversal of Fortune," "Die Hard: With a Vengeance").
A co-production of DreamWorks Pictures and Warner Bros. Pictures, "TheTime Machine" marks the live-action directorial debut of Simon Wells, who previously co-directed DreamWorks’ animated hit "The Prince of Egypt." Wells directed "The Time Machine" from a screenplay by John Logan ("Gladiator"), based on the screenplay by David Duncan. Walter F. Parkes ("Gladiator," upcoming "Men in Black 2") and David Valdes ("The Green Mile") produced the film, with Laurie MacDonald, Jorge Saralegui and Arnold Leibovit serving as executive producers, and John Logan co-producing. The film will be distributed domestically by DreamWorks, with Warner Bros. handling the international release.
-- © 2002 Dreamworks Pictures
Starring: Guy Pearce, Jeremy Irons, Orlando Jones, Samantha Mumba
Starring: Guy Pearce, Jeremy Irons, Orlando Jones, Samantha Mumba, Omero Mumba, Sienna Guillory, Mark Addy, Phyllida Law
Director: Simon Wells
Director: Simon Wells
Screenwriter: John Logan
Studio: DreamWorks Distribution LLC
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Reviews for The Time Machine
If H.G. Wells had a time machine and could take a look at his kin's reworked version, what would he say? 'It looks good, Sonny, but you missed the point.'
One of those staggeringly well-produced, joylessly extravagant pictures that keep whooshing you from one visual marvel to the next, hastily, emptily.
If it's remembered at all, it will be as a time capsule of early-21st-century blockbuster cowardice and redundancy.
They gave The Time Machine a major overhaul and ended up with a clunker.
Simon Wells, whose other films include the animated The Prince of Egypt and Balto, manages to gut all the gee-whiz from the practically foolproof time-travel genre -- despite being H.G.'s real-life great-grandson.
Midway through the movie, just when it seems that it might amount to something interesting, we're suddenly transported to the set of a very bad remake of Planet Of The Apes.
... there's something wrong with a time-travel movie that allows an audience's interest to drift so that we have time to worry over where he's parked, and whether he remembered to take his key.
... an agreeable time-wasting device -- but George Pal's low-tech 1960 version still rules the epochs.
Everything else that the filmmakers have done in their thoughtless, lazy way to 'improve' the original formula serves only to leach the drama and excitement out of the underlying story.
The Time Machine is stupid -- too stupid for the impressive special effects or the competently directed action sequences to wash away the bitter taste.
The far future may be awesome to consider, but from period detail to matters of the heart, this film is most transporting when it stays put in the past.
Watchable if never exciting, competent yet hardly exceptional, the picture is content to assume its innocuous position in the cinematic landscape.
It will delight newcomers to the story and those who know it from bygone days.
Bears resemblance to, and shares the weaknesses of, too many recent action-fantasy extravaganzas in which special effects overpower cogent story-telling and visual clarity during the big action sequences.
The Time Machine is a witless recycling of the H.G. Wells story from 1895, with the absurdity intact but the wonderment missing.
The truth is that Wells wasn't that penetrating a writer when it came to probing character or the human heart. His speculations and gimmicks were what propelled his books. The film, given the chance to deepen its source, instead falls back on its gadgets.
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