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Crush (2002)
Tomatometer
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Reviews Counted: 79
Fresh: 27
Rotten:52
Average Rating: 5/10
Consensus: Derailed by jarring plot turns, Crush is an implausible take on female friendships.
Theatrical Release:Apr 3, 2002 Limited
Box Office: $1,046,036
Synopsis: Three forty-something women, Kate (Andie MacDowell), Molly (Anna Chancellor), and Janine (Imelda Staunton), gather weekly to swap stories, guzzle gin, and laugh about whose life is more pathetic,... Three forty-something women, Kate (Andie MacDowell), Molly (Anna Chancellor), and Janine (Imelda Staunton), gather weekly to swap stories, guzzle gin, and laugh about whose life is more pathetic, the prize for which is a box of chocolates. A constant problem for these ladies, who live in the sleepy hills of the English Cotswolds, is men--or the lack thereof. Kate, headmistress at a private school, finds a brief remedy in Jed (Kenny Doughty), a young organ player and a former student of hers. After a funeral, the two promptly shag on a tombstone, and the romp surprisingly becomes true love. Her friends aren't supportive of her youthful love affair, causing a rift in their friendship. The strength of the group's bond is tested further by a tragic event that may pull the three of them apart forever. This debut from director John McKay is a touching portrayal of the powerful bonds between women and lovers in an environment void of acceptance. With touches of pathos and a warm heart, CRUSH is an entertaining and witty rumination on adult concerns. The film benefits from a truthful, relaxed portrayal of romance from counterparts Andie MacDowell and Kenny Doughty. [More]
Starring: Andie MacDowell, Imelda Staunton, Anna Chancellor, Kenny Doughty
Starring: Andie MacDowell, Imelda Staunton, Anna Chancellor, Kenny Doughty, Bill Paterson, Joe Roberts, Christian Burgess, Gary Powell, Luaren Stone
Director: John McKay
Director: John McKay
Screenwriter: John McKay
Producer: Lee Thomas, Hanno Huth, Julia Chasman
Composer: Kevin Sargent
Studio: Sony Pictures Classics
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Reviews for Crush
Crush is a half-comedy, half-weepie that doesn't really work, though Andie MacDowell is quite wonderful.
While it would be easy to give Crush the new title of Two Weddings and a Funeral, it's a far more thoughtful film than any slice of Hugh Grant whimsy.
There are pleasures to be had early on in “Crush,” but they get fewer and farther between.
British comedy about fortyish female friends is as well-crafted as it is predictable.
Where we might have had a cynical-yet-funny meditation on men, women and relationships, we’re left with a string of interesting moments that don’t work as a whole.
Hurrah! Gabby, obvious, adult angst-driven, sex-saturated American television has finally crossed the Atlantic and returned in irritating film form!
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