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Crush (2002)
Tomatometer
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Reviews Counted:23
Fresh:8
Rotten:15
Average Rating:5.1/10
Consensus: Derailed by jarring plot turns, Crush is an implausible take on female friendships.
Theatrical Release:Apr 3, 2002 Limited
Box Office: $1,046,036
Synopsis: Three forty-something women, Kate (Andie MacDowell), Molly (Anna Chancellor), and Janine (Imelda Staunton), gather weekly to swap stories, guzzle gin, and laugh about whose life is more pathetic,... Three forty-something women, Kate (Andie MacDowell), Molly (Anna Chancellor), and Janine (Imelda Staunton), gather weekly to swap stories, guzzle gin, and laugh about whose life is more pathetic, the prize for which is a box of chocolates. A constant problem for these ladies, who live in the sleepy hills of the English Cotswolds, is men--or the lack thereof. Kate, headmistress at a private school, finds a brief remedy in Jed (Kenny Doughty), a young organ player and a former student of hers. After a funeral, the two promptly shag on a tombstone, and the romp surprisingly becomes true love. Her friends aren't supportive of her youthful love affair, causing a rift in their friendship. The strength of the group's bond is tested further by a tragic event that may pull the three of them apart forever. This debut from director John McKay is a touching portrayal of the powerful bonds between women and lovers in an environment void of acceptance. With touches of pathos and a warm heart, CRUSH is an entertaining and witty rumination on adult concerns. The film benefits from a truthful, relaxed portrayal of romance from counterparts Andie MacDowell and Kenny Doughty. [More]
Starring: Andie MacDowell, Imelda Staunton, Anna Chancellor, Kenny Doughty
Starring: Andie MacDowell, Imelda Staunton, Anna Chancellor, Kenny Doughty, Bill Paterson, Joe Roberts, Christian Burgess, Gary Powell, Luaren Stone
Director: John McKay
Director: John McKay
Screenwriter: John McKay
Producer: Lee Thomas, Hanno Huth, Julia Chasman
Composer: Kevin Sargent
Studio: Sony Pictures Classics
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Reviews for Crush
While McKay's debut feature is witty, weepy and easy on the eyes, it never lets the obligation to entertain interfere with the messy flow of human responses.
There are as many misses as hits, but ultimately, it finds humor in the foibles of human behavior, and it's a welcome return to the roots of a genre that should depend on surprises.
Feels like the first reel of Bridget Jones's Diary spliced onto Othello.
Ostensibly celebrates middle-aged girl power, even as it presents friendship between women as pathetic, dysfunctional and destructive.
[MacDowell] ventures beyond her abilities several times here and reveals how bad an actress she is.
Even when Crush departs from the 4W formula ... it feels like a glossy rehash.
Despite some jaunty performances and its pretty Cotswolds locale, the film, in the end, is hardly a pleasure at all.
Most of Crush is a clever and captivating romantic comedy with a welcome pinch of tartness.
For women in the midst of otherwise v. successful adult lives, these ladies are awfully stupid about love, sex, friendship, menstrual cycles, and the attributes of a good boyfriend or a bad script.
The movie does its best to work us over, with second helpings of love, romance, tragedy, false dawns, real dawns, comic relief, two separate crises during marriage ceremonies, and the lush scenery of the Cotswolds.
Oh God, how I love the old chick flicks! And some of the new ones, like Crush, aren't that bad either.
Shamelessly sappy and, worse, runs away from its own provocative theme.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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