It makes for an intriguing example of how to use art, rather than bombs, to make a sustained political point.
Divine Intervention (2003)
Tomatometer
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Reviews Counted:18
Fresh:17
Rotten:1
Average Rating:7.6/10
Consensus: Suleiman utilizes absurdist humor to craft a provocative, original film.
Theatrical Release:Jan 17, 2003 Limited
Synopsis: DIVINE INTERVENTION writer-director Elia Suleiman has been compared to Woody Allen and Charlie Chaplin, presumably because he has Allen's intelligent, self-deprecating humor and Chaplin's gift for... DIVINE INTERVENTION writer-director Elia Suleiman has been compared to Woody Allen and Charlie Chaplin, presumably because he has Allen's intelligent, self-deprecating humor and Chaplin's gift for silent comedy. DIVINE INTERVENTION is not a silent film, but an intensely quiet comedy about daily life in the West Bank and Israel. Suleiman provides a series of not-altogether-related vignettes of people choked with boredom and drained of compassion, such as an angry mob of adolescents stabbing Santa Claus, or the neighbor who throws garbage onto the property next door (and complains when its thrown back), or checkpoint soldiers who sing and dance, and look menacing doing so. Though there is no distinct protagonist in this atypical satire, the filmmaker plays himself returning to Nazareth to help his ailing, hospitalized father (Nayef Fahoum Daher). Between visits to the hospital, where patients chain smoke in the halls outside their rooms, Suleiman falls for a West Bank woman (Manal Khader). Restrictions force them to carry out their relationship with only some hand-holding in the parking lot of the Israeli checkpoint between their two cities. DIVINE INTERVENTION favors extended, slow-paced scenes that seem suspended in time until they are punctuated with supercharged Arabian dance music like Madonna producer Mirwais Ahmadazi's "Definitive Beat" or Natacha Atlas's unbelievable cover version of Screamin' Jay Hawkins's "I Put A Spell On You." Though the characters often seem too distracted by anxiety and anguish to really connect with one another, Suleiman's sense of humor giddily overrides all the darker messages here, as in the climactic sequence--reminiscent of Monty Python--in which armed men in choreographed unison shoot at a target outlined in the figure of a veiled woman and she refuses to capitulate. [More]
Starring: Elia Suleiman, Emma Boltanski, Amer Daher, Jamel Daher
Starring: Elia Suleiman, Emma Boltanski, Amer Daher, Jamel Daher, Naeif Daher, George Ibrahim, Salman Nattor, Nazira Suleiman
Director: Elia Suleiman
Director: Elia Suleiman
Screenwriter: Elia Suleiman
Producer: Humbert Balsan, Avi Kleinberger, Joachim Ortmanns, Babette Schroder, Elia Suleiman
Studio: Avatar Films
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Reviews for Divine Intervention
Suleiman's argument seems to be that the situation between Palestinians and Israelis has settled into an hopeless stalemate, in which everyday life incorporates elements of paranoia, resentment and craziness.
A film whose eerie blend of deadpan wit and inner angst upset all your expectations.
The movie can be labored and sometimes obvious, but it's the work of someone who's trying to find ways to express alienation, longing and a pervasive sense of frustration.
The film offers up simultaneous critiques of Palestinian and Israeli extremism, but the most radical thing about it is that it's often disquietingly funny.
No matter what your political sensibilities, you can't deny this movie's striking originality.
It's an effective, arresting and terribly moving picture, even when Suleiman's polemical points are ambiguous.
What to make of it? Call it a red balloon lofted into the collective imagination to unsettle, to haunt, even, perhaps, to arouse faint dreams of possibility, if not hope.
Veers uneasily and unsatisfyingly from kitschy, agitprop surrealism to a laconic spareness that is less profound than tedious.
A movie of long, expressive silences, Divine Intervention articulates things that have never been articulated, at least on the screen.
It's impossible not to be impressed by the resourcefulness of Palestinian director Elia Suleiman's new film, Divine Intervention, which actually manages to find humour in the condition of living in Arab Israel.
The interlocking series of setups, punch lines and non sequiturs add up to something touching, provocative and wonderfully strange.
This Competition film achieves a level of artistry and firm control over a clear, concise vision that makes it worthy of festival honors.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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