Devoid of life, intelligence, humor, and anything else that could entertain even the most undemanding viewer, this film is a perfect example of something that should have been shipped to landfills, not multiplexes.
The Guru (2003)
Tomatometer
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Reviews Counted:25
Fresh:15
Rotten:10
Average Rating:5.6/10
Consensus: A sweetly silly but wafer-thin romantic comedy.
Rated: R [See Full Rating] for strong sexual content including dialogue, and for language
Runtime: 1 hr 35 mins
Genre: Comedies
Theatrical Release:Jan 31, 2003 Limited
Box Office: $2,867,996
Synopsis:
Only a guru could have predicted the fate awaiting Ramu Gupta (Jimi Mistry), a young Indian dance teacher with the best moves in Delhi. Mesmerized by a friend's promise of a New York penthouse and...
Only a guru could have predicted the fate awaiting Ramu Gupta (Jimi Mistry), a young Indian dance teacher with the best moves in Delhi. Mesmerized by a friend's promise of a New York penthouse and a red Mercedes, India's Tony Manero gives up the comforts of home to become a star in America. But the road to fame in New York is no magic carpet ride and Ramu winds up in a crowded Queens walk-up apartment, waiting tables at an Indian restaurant and scrambling for any audition that comes along.
Still, good fortune can arise from strange places as Ramu discovers when a catering gig at a ditzy socialite's (Marisa Tomei) birthday party catapults him into an extravagant version of the American dream. Mistaken for a spiritual healer, Ramu becomes an overnight celebrity with the city's elite hanging onto his every word - no matter how absurd. The trouble is, he's also falling in love with the one woman (Heather Graham) who knows the real source of his seemingly profound insights and Ramu must choose between his newfound notoriety and his love for a woman who accepts him as he is.
Bollywood meets Hollywood in The Guru, an exuberantly comic tale of culture clash from Universal Pictures and Working Title Films. The Guru stars Heather Graham (From Hell), Marisa Tomei (In the Bedroom), Jimi Mistry (East is East), Christine Baranski (Dr. Seuss' How the Grinch Stole Christmas) and Michael McKean (Best in Show), as well as Dash Mihok (The Perfect Storm) and Malachy McCourt (Green Card).
Starring: Heather Graham, Marisa Tomei, Jimi Mistry, Christine Baranski
Starring: Heather Graham, Marisa Tomei, Jimi Mistry, Christine Baranski, Michael McKean, Malachy McCourt, Dash Mihok
Director: Daisy Von Scherler Mayer
Director: Daisy Von Scherler Mayer
Screenwriter: Tracey Jackson
Producer: Tim Bevan, Eric Fellner, Michael London
Composer: David Carbonara
Studio: Universal Pictures
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Reviews for The Guru
A precipitous comedic falloff in the third quarter earns the film a qualified recommendation at best.
A trifle, a silly one at that, but it's a charming trifle that's hard to resist.
The movie offers up too many airy spiritual lessons in the hope of crossing from farce to sentiment.
It's as if somebody dropped three bad scripts on the floor of a production office, and somebody else picked up the pages in random order and said, 'Let's make a movie out of this! And let's get Heather Graham to star!'
Works better than it probably should thanks mainly to a ready-for -anything lead performance by the ridiculously charismatic Jimi Mistry and equally game performances from an amusing supporting cast including Heather Graham and Marisa Tomei.
It feels like an upstart indie, thanks to its original script, endearing performances, colourful aesthetic, uplifting soundtrack, parodic undertones and the compelling theme of ethnic assimilation.
Mistry and co-star Heather Graham lend a fetching naivete to their characters.
As a satire of charismatic cult movements, Tracey Jackson's screenplay merely toys with the possibilities.
If the film is true to the high spirits and vulgarity of Bollywood (and reasonably authentic in its depiction of Indian speech), it's also true to the crude plotting and characterization all too common in Bollywood.
It's goofy enjoyment that will have you humming Grease tunes the rest of the day.
There is hardly a funny line in the whole script, and director Mayer has no idea of what comic timing and delivery are all about.
The bizarre outcome of this nervy conceptual hybrid is a movie that plays stylistic hopscotch as it jumps from one square to the next, teetering perilously each time it lands on one quaking ankle.
This is the kind of movie for which the term 'guilty pleasure' was coined.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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