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Luther (2003)
Tomatometer
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Reviews Counted:20
Fresh:9
Rotten:11
Average Rating:5.1/10
Consensus: This cinematic treatment of Martin Luther's life is more dull than inspiring.
Rated: Not Rated
Genre: Dramas
Theatrical Release:Sep 26, 2003 Limited
Box Office: $5,667,046
Synopsis: Armed with no more than his faith and quick wit, one man confronts the greatest powers on earth. Martin Luther's (Joseph Fiennes) bold actions foster an era of personal and religious freedoms... Armed with no more than his faith and quick wit, one man confronts the greatest powers on earth. Martin Luther's (Joseph Fiennes) bold actions foster an era of personal and religious freedoms unprecedented in history. A young law student, Luther abruptly enters a monastery when he believes his life is spared during a violent lightning storm. His ambitious father is infuriated, and Luther turns to a spiritual mentor, Father Johann von Staupitz (Bruno Ganz). Luther proves an eager, apt disciple and is selected to travel to Rome on church business. Luther enters the holy city with the wide-eyed ideals of a young man -- only to have them shattered. Depravity is everywhere. Here, Luther learns about "indulgences" that allow people to buy salvation for a fee and free themselves or deceased relatives from eternal damnation. Disillusioned by this profiteering he asks, "Is not salvation accessible to all?" Luther is sent to study at the university in Wittenberg and later becomes a professor of theology. Among his staunch supporters is Prince Frederick the Wise (Peter Ustinov), who admirers Luther's courage of conviction -- even through his vociferous opinions are beginning to cause ripples. In Rome, the new pope, Leo X, has mandated that funds be raised to build St. Peter's Basilica. The huge financial undertaking is to be financed by the sales of indulgences. The premiere "marketer" of indulgences, John Tetzel (Alfred Molina), preaches to German crowds about the hell fire awaiting their wretched souls should they forego this "special indulgence." Luther is incensed at such naked manipulation, inspiring him to write 95 Theses, an essay he nails to the local church's door. His ideas are reproduced via the new Guttenberg printing press and quickly spread throughout Europe. The Pope reacts angrily. Luther is to recant his heretical writings or face excommunication, trial by inquisition and likely death. The stage is set for confrontation. Luther stands defiant. A schism rips at the heart of the Church as the new "Protestant" movement begins. With the ascent of new attitudes about religion and social order, the world is changed forever. [More]
Starring: Joseph Fiennes, Peter Ustinov, Alfred Molina, Bruno Ganz
Starring: Joseph Fiennes, Peter Ustinov, Alfred Molina, Bruno Ganz, Jonathan Firth, Claire Cox, Benjamin Sadler, Jochen Horst, Torbin Liebrecht
Director: Eric Till
Director: Eric Till
Screenwriter: Camille Thomasson, Bart Gavigan
Producer: Brigitte Rochow
Composer: Richard Harvey
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Reviews for Luther
Luther is rarely presented as anything other than a preacher. He preaches even in casual conversation.
A few too many amateurish techniques and oversimplified confrontations hold Luther back a notch or two from greatness, and stamp it instead as entertaining Lutheran cheerleading.
Shot on 100 locations in three countries and outfitted with impressive props, costumes, art direction and medieval streets, Luther makes up for what it lacks in vigorous storytelling with such production values.
Heady theological badminton, as vigorously thoughtful as it is piously historical.
Luther is a film that you know will end with one of those codas telling us what a profound life he led. But the movie itself just doesn't leave that kind of footprint.
It's just unfortunate that a movie about such a daring man ultimately takes few risks.
For all its scope and detail, Luther fails to convey the sense of history moved by a compelling individual.
An informative immersion in the history of both Catholic and Protestant churches, and a rather refreshing take on medieval morality.
As the film veers uncertainly between meticulous historical recapitulation and shameless hokum, it brings enough characters to populate a mini-series.
After a summer of numbing mindlessness, there is something frankly refreshing about a movie that deals even superficially with as significant a figure as the rebellious 16th century theologian Martin Luther.
... I anticipated that Luther himself would be an inspiring figure, filled with the power of his convictions. What we get is an apologetic outsider with low self-esteem, who reasons himself into a role he has little taste for.
Even with Joseph Fiennes as a visceral, intellectual Martin Luther, the latest bigscreen take on the Christian reformer proceeds like a stultifying history pageant rather than a movie with a pulse of its own.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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