Our Town Reviews
February 7, 2009
Perhaps I should justify this. My apologies to those more enlightened who found something meaningful in Our Town. The performances were well executed.
My impression was that of a long-winded melodrama that came off as a cross between Picnic (1950 w/ William Holden) and My Dinner With Andre -both of which I liked. Worse, the premises and issues were givens.
I do realize this wasn't its purpose. but
I think this play missed a chance to be a devastating indictment of the periodic corruption, hypocrisy, small-mindedness, and maliciousness that tend to underlie so many communities. This could have been done subtly or even by use of exaggeration, say by making it just over Norman Rokwell-esque enough to make us suspicious.
Nevertheless, I guess I wanted something with more cleverness, along the lines of Main Street, USA. But I will admit it's been years since I saw it and perhaps deserves another viewing now that I'm older.
May 18, 2012
This film adaptation of Thornton Wilder's award-winning play is simply phenomenal.
July 25, 2006
Two! Two! Two reviews in one!
Okay, so I haven't seen the Hal Holbrook production in a [i]really[/i] long time--though I did add it to my library hold list this evening. It's not available on DVD, and Amazon wants something like $80 for a VHS copy. And I can't just borrow it from Mr. Garden anymore as we borrowed it when he was still one of my teachers. He's roughly 1000 miles away.
But I do like it better than the recent Newman production. For one, the guy playing George in the Newman looked funny. Robby Benson's no heartthrob, but he didn't look flat weird. And while, yes, several of the Holbrook cast members turn out to have been on [i]Law & Order[/i] since, and yes, Mrs. Garrett is in it, I went through the entire cast list of the Newman and found something like half a dozen people--and that including Newman and Curtin--who [i]hadn't[/i] been on one franchise or another of it, and in many cases several. (That show is awfully fond of recycling actors.)
It's hard, now, to put into words why I like the one better than the other. Yes, part of it is my deep fondness of Robby Benson. Another part of it is that the not-sets were better, I think. But I think the Holbrook cast just sold it better. My affection for Robby Benson is partly [i]because[/i] he sold George Gibbs so. I [i]believed[/i] that he wanted to be a farmer on Uncle Luke's farm.
The play is a bit of a specialized taste. It's not everyone who has a taste for the not-sets. It's not everyone who gets Thornton Wilder's style. Still, I do feel it's pretty universal in flavour. As I said in my review of [i]OT[/i], it's about life. It's about people being born, growing up, getting married, and dying. I'm just glad no one since the original (screenplay actually by Thornton Wilder) has changed the ending. It loses its strength when you do that.