Average Rating: 5.6/10
Reviews Counted: 86
Fresh: 34 | Rotten: 52
A talky, ponderous movie.
Average Rating: 5.5/10
Critic Reviews: 28
Fresh: 12 | Rotten: 16
A talky, ponderous movie.
liked it
Average Rating: 3.3/5
User Ratings: 4,494
Scottish filmmaker Paul McGuigan directs The Reckoning, based on the award-winning novel Morality Play by Barry Unsworth. Set in 14th century England, the story involves a priest named Nicholas (Paul Bettany) who leaves the church after committing adultery. He falls in with a troupe of traveling actors led by Martin (Willem Dafoe). Nicholas joins them and attracts the attention of Martin's sister Sarah (Gina McKee). The group ends up in a small town where a mute woman (Elvira Minguez) is accused
R, 1 hr. 50 min.
Mar 5, 2004 Wide
Aug 3, 2004
Paramount Classics
All Critics (94) | Top Critics (29) | Fresh (35) | Rotten (52) | DVD (9)
After a first hour slowed by exposition and a good deal of extraneous subplot development, the story catches fire in the second hour and keeps you engrossed.
It's not Shakespeare in Love, and it really has no third act, but there's wonder in the scenes of theatrical invention, of theater being made up on the spot, a play in the making.
A thoughtful, clever and well-acted diversion.
An ambitious, energetic and wholly satisfying movie about the dawn of dramatic and personal freedom and much more.
Celebrates the craft of acting both in its story and in fine performances by Paul Bettany, Willem Dafoe and Brian Cox.
An ambitious but ineptly plotted British import that attempts to fuse The Seventh Seal with a period whodunit like The Name of the Rose.
[It's] a film with a lot on its mind -- perhaps too much. ... As it is, philosophical dilemmas spread through the film like a plague until they finally claim its life.
It's disappointing that The Reckoning devolves into a costumed murder mystery a la Jean-Jacques Annaud's 1986 film of Umberto Eco's The Name of the Rose.
Although raising intriguing questions about the moral obligation dramatists have to throw a spotlight on taboo subjects, The Reckoning offers simplistic solutions.
Builds cleverly as the mystery deepens, then struggles to bring it all to a conclusion.
Wraps itself around Bettany's guilty secrets like a hot-water bottle, leaving more interesting characters in the moral cold
A multilayered snapshot of a decayed and disintegrating feudal system that richly develops themes and characters with an eerie modern resonance.
It is, despite the distractions, just a simple murder story, and the revelations in the end are hardly surprising or noteworthy.
As an existential awakening into the light and triumph of rational thought over superstition, it's an engaging film, but as a murder mystery it plods along as though weighted down by the heavens and more.
A challenging and thought-provoking film.
... the premise and setting that are intriguing, but the obvious foreshadowing and labored attempt to slowly unravel the facts surrounding the plot are drawbacks.
All that black, combined with the mundanity of the second act, induces us to close our eyes.
May be as dreary and hopeless as the Middle Ages themselves.
The interesting insights give way to undercover constables, and gut-spilling villains
Collapses under the weight of unlikely melodrama and over-pretty visual flourishes...
Well, I have most definitely become a Paul Bettany fan. This movie was really good, and of course he was outstanding in it. The rest of the cast did a great job, also, but I think that he really made this film work. Great storyline, and great camera work.
October 14, 2010Super Reviewer
Turgid and uninsipired.
April 28, 2008
Super Reviewer
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