Ultimately, Jordan's vision is so murky that Ned Kelly remains as foreign to us as wombat stew.
Ned Kelly (2004)
Tomatometer
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Reviews Counted:15
Fresh:4
Rotten:11
Average Rating:5.2/10
Consensus: More depth about the legendary outlaw would be welcome, but as it is, Ned Kelly is a reasonably entertaining Western.
Theatrical Release:Mar 26, 2004 Limited
Synopsis: Reteaming for the first time since their breakthrough film Two Hands, director Gregor Jordan and actor Heath Ledger bring moviegoers the true story of their brave and iconoclastic countryman –... Reteaming for the first time since their breakthrough film Two Hands, director Gregor Jordan and actor Heath Ledger bring moviegoers the true story of their brave and iconoclastic countryman – Irish-Australian legend Edward “Ned” Kelly. In the latter part of the 19th century, Australia is still largely untamed. The former penal colony’s first-generation Irish immigrant population lives in poverty. Having already experienced police brutality and the death of his father, bushranger Ned (Heath Ledger) is wrongfully imprisoned on the trumped-up charge of stealing a horse. Emerging a few years later, in 1874, Ned is hardened but vows to stay straight. Rejoining his widowed mother and younger siblings, he makes money for his family as a champion bare-knuckle boxer. He also toils as a farmhand on the estate of an English landowner – with whose beautiful wife Julia (Naomi Watts) Ned shares a mutual attraction. But the British colonial system and its Victorian English enforcers remain prejudiced against Australia’s working people, and the struggling Kelly family is no exception. When, in 1878, a bullying police officer is rebuffed by Ned’s younger sister Kate and targets the family for harassment, Ned and his mother are unjustly charged with attempted murder. Ned is determined to avenge his family’s name and strike back against his people’s oppressors. While hiding in the bush, he forms a loyal Gang that includes his best friend and first lieutenant Joe Byrne (Orlando Bloom). A chance encounter with the police culminates in shots ringing out, and three officers are killed. The Kelly Gang is forced to go on the run. They blaze a trail through the Outback, robbing banks to fund themselves as well as to recover immigrants’ land deeds, and giving police the runaround. The Kelly Gang’s reputation as invincible outlaws grows, as does nationwide support from their immigrant countrymen. To the masses, Ned is a hero. To lawmen and the establishment, he is the most wanted man in Australia. £8,000 is offered for his capture – at the time, the highest reward the world had known. When the authorities bring in the formidable Superintendent Francis Hare (Geoffrey Rush), and an army of police, with carte blanche to capture and/or kill the outlaws, Ned strategizes a risky showdown at the Glenrowan Inn. It is this event which will seal his fate – and his legend. [More]
Starring: Heath Ledger, Orlando Bloom, Naomi Watts, Geoffrey Rush
Starring: Heath Ledger, Orlando Bloom, Naomi Watts, Geoffrey Rush, Rachel Griffiths, Kerry Condon, Russell Dykstra, Joel Edgerton, Laurence Kinlan, Peter Phelps
Director: Gregor Jordan
Director: Gregor Jordan
Screenwriter: John Michael McDonagh
Producer: John Michael McDonagh, Nelson Woss, Lynda House
Composer: Klaus Badelt
Studio: Focus Features
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Reviews for Ned Kelly
If Ned Kelly is supposed to be an anti-hero to root for, his speeches border on parody and his cause is really unclear.
Offers a couple of well-filmed showdowns and lots of pretty landscapes, but you need more than scenic views and stylish action to chronicle a life, especially one as controversial as Kelly's.
A leaden retelling of the legend of Australia's Jesse James that has understandably been sitting on the shelf for a couple of years.
A handsome, action-packed biographical drama with a credibility gap wider than the screen.
Ledger, talking into his chest for much of the film in an apparent effort to lend gravity to his performance, is pretty stiff, but so is Jordan's direction.
To get swept up by the hagiographic treatment and to be all that interested in every nuance of this fellow's development, one might really need to be Australian.
There is a potent national epic struggling to find expression here, but this movie is too rushed and fragmented to do it justice.
A highly formal and conventional film that is too often merely ponderous when it should be stirring.
Fans of American Westerns will find plenty to like, so long as they can get their heads around the accents and the occasional wombat.
Manages to shrink the grandness of the myth without clarifying our understanding of the man.
Marks a welcome departure from the usual rah-rah machismo of the semi-nationalist action adventure, but Jordan never escapes the mighty shadow of The Thin Red Line.
The handsome, meticulously produced picture ... impresses for its rigorous recreation of the period and its refusal to turn the Kelly legend into horse opera.
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