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Jarhead (2005)
Tomatometer
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Reviews Counted:38
Fresh:20
Rotten:18
Average Rating:5.9/10
Consensus: This first person account of the first Gulf War scores with its performances and cinematography but lacks an emotional thrust.
Rated: R [See Full Rating] for pervasive language, some violent images and strong sexual content
Runtime: 2 hrs 3 mins
Genre: Dramas
Theatrical Release:Nov 4, 2005 Wide
Box Office: $0
Synopsis: For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles... For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles Jr.--a former Lieutenant who fought in Vietnam--to convert it into a screenplay. Mendes's film strays into FULL METAL JACKET territory as it opens, with young recruit Swofford (Jake Gyllenhaal) undertaking some rigorous basic training under the steely, watchful eye of Staff Sgt. Sykes (Jamie Foxx). Impressed, Sykes invites Swofford to join his team, and partners him with Troy (Peter Sarsgaard), ultimately taking them to Saudi Arabia to fight in the first Gulf War. But once they arrive in the punishing heat of the desert, the long wait for battle sends many of the Marines dangerously close to the brink of insanity. Drawing on the experience of acclaimed cinematographer Roger Deakins (THE SHAWSHANK REDEMPTION) to help viewers get a close-up taste of the Marines' punishing life in the desert, Mendes's film enters into deeply unsettling territory, the likes of which many cinemagoers won't have experienced since Martin Sheen lost his tenuous grip on reality in APOCALYPSE NOW. Indeed, Mendes deploys a few similar tactics to those that made Francis Ford Coppola's 1979 film so effective: a hip soundtrack that uses songs from artists as varied as Public Enemy and the Rolling Stones, and a feeling of disillusionment and futility among the troops that really digs in when the battle finally blackens the desert skies. Avoiding any overt antiwar sentiments, Mendes instead provides a thoughtful account of life as a modern day soldier, demonstrating how technology has made the average Marine's job all but redundant, and created disaffected troops who are as much a threat to each other as the enemies they wait to face in the trenches. [More]
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams, Jacob Vargas, Chris Cooper, Dennis Haysbert, Katherine Randolph
Director: Sam Mendes
Director: Sam Mendes
Screenwriter: William Broyles
Producer: Lucy Fisher, Douglas Wick, Sam Mendes
Composer: Thomas Newman
Studio: Universal Pictures
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Reviews for Jarhead
What's so good about the movie is Gyllenhaal's refusal to show off; he doesn't seem jealous of the camera's attention when it goes to others and is content, for long stretches, to serve simply as a prism though which other young men can be observed.
Director Sam Mendes' third screen outing pretty well nails Swofford's tone, which was mordant without being disrespectful, and, in fact, is begrudgingly reverent of the Corps.
Jarhead makes its points less obviously than most war films, and with more brains than blood.
The best war movies -- and this one, despite its being overlong and repetitive, is among them -- hold that men fight (or in this case, are ready to fight) not for causes, but to survive and to help their comrades do the same.
The invigorating thing about Jarhead is it makes us encounter the truth in its undigested form.
As hard as the actors work, Jarhead feels false right down to its seductive visuals.
Gyllenhaal is the heart and soul of a darkly funny and ferociously intense movie that sets its sights on soldiers under the gun of doing nothing.
Although the picture suffers a narrative letdown in the third act that leaves its central characters -- and, alas, its audience -- in the muck of anticlimax, Jarhead has moments of real glory.
The movie is so good you wish it were even better, particularly in its characterizations.
The movie has some of the washed-out look of David O. Russell's excellent Three Kings, but none of the edge.
I dare anyone to watch this bold exercise in postponed gratification and not come away with a new, disturbed sense of the genre.
A war picture that, trying to pass off fidelity to the book as objectivity, sacrifices any voice of its own, and ends up not knowing what to think.
Nicely acted, beautifully shot and pretty much devoid of action and context, Jarhead has to be considered one of the year's biggest failures, simply because so much talent went into a film so empty.
In the end, Jarhead is more of a training exercise than a meaningful mission, one that hits some targets without drawing any blood.
It's not easy to make an interesting movie about men who are bored, and Jarhead can't quite rise to the challenge.
Jarhead does an impressive job of articulating the weird, often volatile convergence of the antisocial with the utterly loyal that seems to be the M.O. of a lot of men not yet grown.
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