Average Rating: 6.6/10
Reviews Counted: 172
Fresh: 105 | Rotten: 67
Despite arresting visuals and strong lead performances, The New World suffers from an unfocused narrative that will challenge viewers' attention spans over its 2 1/2 hours.
Average Rating: 6.7/10
Critic Reviews: 41
Fresh: 23 | Rotten: 18
Despite arresting visuals and strong lead performances, The New World suffers from an unfocused narrative that will challenge viewers' attention spans over its 2 1/2 hours.
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Average Rating: 2.9/5
User Ratings: 143,395
Terrence Malick, the universally acclaimed American filmmaker responsible for the key 1970s features Badlands and Days of Heaven, returns for a rare directorial outing with the sweeping period piece The New World -- an epic dramatization of Pocahontas' relationships with John Smith and John Rolfe. Malick's story opens at the dawn of the 17th century, just prior to the colonization of the United States -- when the North American population consisted of an interconnected series of native tribes.
Jan 13, 2005 Wide
May 9, 2006
$12.5M
New Line Cinema
All Critics (177) | Top Critics (41) | Fresh (111) | Rotten (67) | DVD (24)
These whispered ruminations are beautifully written, but whose voice are we hearing?
The New World isn't Terrence Malick's best, but it's guiding him in the right direction.
The New World is stately almost to the point of being static and thus has trouble finding a central story around which to arrange itself; it's not quite the thin dead line, but it's close.
He [Malick] swoons for his own well-honed image as a painter of woodland idylls, a man who leaves no sway of wheat or ripple of water unmet by his fatherly gaze.
Through elliptical and seemingly oblique methods, he [Malick] forges moments of staggering emotional power.
Like the best music, this film elicits emotions rather than manipulates them.
It is about the dreams we have when we are awake but in a state of absolute peace and perfect self-reflection.
By now the familiar elements have begun to resemble a misguided perfume commercial. Call it Terrence Malick's Obsession.
Not Malick's best film, but more than up to his usual high standards, The New World is a powerful and emotional romantic drama, and an essential story in the history of America.
Makes you view the world with virgin eyes again
"The New World" is a movie that promises to leave its viewers with a bigger headache than you'd get contemplating the current state of global affairs.
If I think I'm mostly going to keep coming back to [the 172-minute] cut (and I do hope, someday soon, for a Mr. Arkadin-like 3-cuts comparative DVD set) it's because it feels most fully realized.
Pure bliss, Malick's incantatory New World suspends us in time--regardless of how long it runs.
If you subscribe to the notion that more is better, you'll love the Extended Cut of The New World.
...the romance of the three humans is secondary to the romance of the New World itself and all it symbolizes.
Poetic rendering of John Smith and Pocahontas myth.
[Malick's] characters must consider their lives, consider each other, and resolve the situation like adults. And when they do, a story that seemed to be irredeemably broken snaps back together.
An epic retelling of the Pocahontas story that, despite its flaws, leaves you slack-jawed with wonder at times.
The New World is a thing of wild beauty, untamed and feral yet luxurious, sumptuous and lavish all at the same time.
The Terrence Malick masterpiece I, for one, have been waiting for.
A two-and-a-half-hour cinematic mosaic meant by Malick more as a monument to himself than to the misrepresented maiden it presumes to memorialize.
A real work of art, a hearty meal in today's cinematic fast-food culture.
I guess even Terrance Malick is allowed to screw up every once and a while. Now, I have loved his three pervious pictures, "Badlands," "Days of Heaven," and "The Thin Red Line" but "The New World" felt like Malick was resting on his laurels. The story of Pocahontas is a classic, timeless one but Malick misses the true
May 28, 2011Super Reviewer
Without a doubt, this is this is the greatest representation of the Pocahontas and John Smith story. Not only is it visually beautiful beyond belief, but it also has such a great emotional feeling tagged along that is completely unique. Terrence Malick's decision to shoot the entire movie hand held and set in deep
March 10, 2011Super Reviewer
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