Opening

64% The Maze Runner Sep 19
53% This Is Where I Leave You Sep 19
—— A Walk Among the Tombstones Sep 19
82% Tracks Sep 19
92% The Guest Sep 17

Top Box Office

13% No Good Deed $24.3M
73% Dolphin Tale 2 $15.9M
92% Guardians of the Galaxy $8.1M
19% Teenage Mutant Ninja Turtles $4.9M
20% Let's Be Cops $4.4M
88% The Drop $4.1M
37% If I Stay $3.9M
36% The November Man $2.8M
33% The Giver $2.6M
67% The Hundred-Foot Journey $2.4M

Coming Soon

68% The Equalizer Sep 26
69% The Boxtrolls Sep 26
86% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

New Episodes Tonight

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62% Under the Dome: Season 2

Discuss Last Night's Shows

—— American Dad!: Season 11
87% Boardwalk Empire: Season 5
53% The Lottery: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
78% Ray Donovan: Season 2
87% The Strain: Season 1
—— Unforgettable: Season 2
—— Witches of East End: Season 2

Certified Fresh TV

87% Boardwalk Empire: Season 5
86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
90% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
79% You're the Worst: Season 1

The New World Reviews

David Ansen
Newsweek
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These whispered ruminations are beautifully written, but whose voice are we hearing?

Full Review Source: Newsweek

November 1, 2007

St. Louis Post-Dispatch
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January 21, 2006
Dana Stevens
Slate
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The New World isn't Terrence Malick's best, but it's guiding him in the right direction.

Full Review Source: Slate

January 20, 2006
Moira MacDonald
Seattle Times
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The New World laps over its audience like water on a deserted beach, moving so quietly that you almost don't notice that it's enveloped you.

Full Review Source: Seattle Times | Original Score: 3.5/4

January 20, 2006
Stephen Hunter
Washington Post
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The New World is stately almost to the point of being static and thus has trouble finding a central story around which to arrange itself; it's not quite the thin dead line, but it's close.

Full Review Source: Washington Post

January 20, 2006
Peter Howell
Toronto Star
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He [Malick] swoons for his own well-honed image as a painter of woodland idylls, a man who leaves no sway of wheat or ripple of water unmet by his fatherly gaze.

Full Review Source: Toronto Star | Original Score: 2.5/4

January 20, 2006
Mick LaSalle
San Francisco Chronicle
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Through elliptical and seemingly oblique methods, he [Malick] forges moments of staggering emotional power.

Full Review Source: San Francisco Chronicle | Original Score: 4/4

January 20, 2006
Carrie Rickey
Philadelphia Inquirer
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Like the best music, this film elicits emotions rather than manipulates them.

| Original Score: 3.5/4

January 20, 2006
Roger Moore
Orlando Sentinel
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Malick paints the celluloid like a canvas, filling it with rapturous images of wild America, its flowing fields of grass, rivers teeming with fish and the endless horizon of free land.

Full Review Source: Orlando Sentinel | Original Score: 4/5

January 20, 2006
Rick Groen
Globe and Mail
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A Terence Malick film remains an event, but he appears awfully disoriented in The New World -- less a seasoned traveller than a perplexed tourist, content to mask his confusion by reaching for a camera and snapping relentless pretty pictures.

Full Review Source: Globe and Mail | Original Score: 2.5/4

January 20, 2006
Rene Rodriguez
Miami Herald
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For all its splendor, The New World is really a love affair between Malick and his camera.

Full Review Source: Miami Herald | Original Score: 2/4

January 20, 2006
Bruce Westbrook
Houston Chronicle
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Malick is so content to tell the tale through mood that he neglects its meaning.

Full Review Source: Houston Chronicle | Original Score: 2.5/4

January 20, 2006
Terry Erb
Detroit Free Press
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A movie that is at once prosaic and abstract, breathtakingly beautiful and excruciatingly obvious, compelling contemplative and deadly dull.

Full Review Source: Detroit Free Press | Original Score: 3/4

January 20, 2006
Robert Denerstein
Denver Rocky Mountain News
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New World has some fine imagery, but it doesn't transport us in the way The Thin Red Line did.

| Original Score: C

January 20, 2006
Michael Booth
Denver Post
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The New World is a poetic force at once wrenching and soothing.

Full Review Source: Denver Post | Original Score: 3.5/4

January 20, 2006
Paul Clinton (CNN.com)
CNN.com
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Watching The New World is like watching a snail cross an eight-lane highway.

Full Review Source: CNN.com

January 20, 2006
Peter Rainer
Christian Science Monitor
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Malick has a gorgeous talent for capturing supernal landscapes, for conveying their sorrow, and it would be a loss if he stopped directing again at a time when Hollywood is more starved than ever before for the personal touch.

Full Review Source: Christian Science Monitor | Original Score: B

January 20, 2006
Ty Burr
Boston Globe
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Self-indulgent, gorgeous, maddening, grueling, ultimately transcendent, it's a Terrence Malick movie all the way, and possibly the director's most sustained work since 1972's Badlands.

Full Review Source: Boston Globe | Original Score: 4/4

January 20, 2006
Claudia Puig
USA Today
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The ponderous narrative lacks so much focus that it will likely leave most viewers squirming in their seats.

Full Review Source: USA Today | Original Score: 2/4

January 19, 2006
Jeff Strickler
Minneapolis Star Tribune
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Malick appears to consider this an epic tale, but beyond its 2-hour-plus length, the film never quite reaches the scale he's after.

Full Review Source: Minneapolis Star Tribune | Original Score: 2.5/4

January 19, 2006
Bruce Newman
San Jose Mercury News
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The movie's gorgeous pictorialism draws us toward the shore, but Malick often leaves us marooned in the shoals, waiting for a story to arrive.

| Original Score: 2/4

January 19, 2006
Bill Muller
Arizona Republic
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There's a problem when the movie about the European conquest of America seems longer than the actual conquest itself.

Full Review Source: Arizona Republic | Original Score: 2.5/5

January 19, 2006
Tom Maurstad
Dallas Morning News
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It's by no means the longest movie ever made, but it's one of the longest movies ever made in which next to nothing ever happens and barely a word is spoken.

Full Review Source: Dallas Morning News | Original Score: C

January 19, 2006
Roger Ebert
Chicago Sun-Times
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He [ Terrence Malick] is a visionary, and this story requires one.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

January 19, 2006
Michael Phillips
Chicago Tribune
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The film, which is superb on every technical and design level, has both greatness and fuzzy-headedness in it.

Full Review Source: Chicago Tribune | Original Score: 3.5/4

January 19, 2006
Bob Longino
Atlanta Journal-Constitution
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The New World is more an ethereal cinematic tone poem than plot-driven story.

Full Review Source: Atlanta Journal-Constitution | Original Score: B+

January 19, 2006
Lisa Schwarzbaum
Entertainment Weekly
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Many have tried, but none can match Malick's touch for shuffling a deck of elegiac images.

Full Review Source: Entertainment Weekly | Original Score: A-

January 18, 2006
Stephen Whitty
Newark Star-Ledger
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The movie is verdantly lush, and full of the most marvelous landscapes and images. But there's something missing here. And it's the people.

Full Review Source: Newark Star-Ledger | Original Score: 2/4

December 27, 2005
Jami Bernard
New York Daily News
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Malick is a writer-director of extraordinary vision who is like an endangered species.

Full Review Source: New York Daily News | Original Score: 4/4

December 24, 2005
Lou Lumenick
New York Post
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This lavish coffee-table-book of a movie gradually reveals itself as an uninvolving, crashing bore.

| Original Score: 2/4

December 24, 2005
Stephanie Zacharek
Salon.com
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Terrence Malick may not care much for people, but he never met a tree he didn't like.

Full Review Source: Salon.com

December 22, 2005
Mike Clark
USA Today
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That sound you're about to hear is the cracking of spines as Terrence Malick enthusiasts like me bend over backward trying to cut The New World a break.

Full Review Source: USA Today | Original Score: 2.5/4

December 22, 2005
Carina Chocano
Los Angeles Times
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The New World is a work of breathtaking imagination, less a movie than a mode of transport, and in every sense a masterpiece.

Full Review Source: Los Angeles Times | Original Score: 5/5

December 22, 2005
Manohla Dargis
New York Times
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In Terrence Malick's elegiac film, Pocahontas is a woman whose story has the reach of myth and the tragic dimension of life.

Full Review Source: New York Times | Original Score: 4.5/5

December 22, 2005
Scott Foundas
L.A. Weekly
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The New World is a movie less interested in expanding the boundaries of narrative cinema than in forsaking them.

Full Review Source: L.A. Weekly

December 22, 2005
Jan Stuart
Newsday
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The New World blows centuries of dust and schoolkid romanticism from the oft-mythologized tale of Pocahontas and the English settlers, relaying old news with an abundantly poetic and visually startling point of view.

Full Review Source: Newsday | Original Score: 4/4

December 22, 2005
Rex Reed
New York Observer
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The movie is two and a half hours of paralyzing tedium.

December 21, 2005
J. Hoberman
Village Voice
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As an epic, it's monumentally slight.

Full Review Source: Village Voice

December 20, 2005
Anthony Lane
New Yorker
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The lesson is as clear as rainwater: to the innocent eye, ripe for marvelling, every world is new.

December 20, 2005
James Berardinelli
ReelViews
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It's a worthy effort, and recommended viewing for those who have interest.

Full Review Source: ReelViews | Original Score: 3/4

December 20, 2005
Richard Roeper
Ebert & Roeper
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One of the best movies of the year.

Full Review Source: Ebert & Roeper

December 19, 2005

TIME Magazine
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This is no breathless film fantasy; its pulse is stately, contemplative. But anyone who has keen eyes and an open heart will surely go soaring and crashing with the lovers lost in Malick's exotic, erotic new world.

Full Review Source: TIME Magazine

December 16, 2005
Todd McCarthy
Variety
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Malick's exalted visuals and isolated metaphysical epiphanies are ill-supported by a muddled, lurching narrative, resulting in a sprawling, unfocused account of an epochal historical moment.

Full Review Source: Variety

December 16, 2005
Peter Travers
Rolling Stone
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Rapturously romantic and haunting.

| Original Score: 3.5/4

December 16, 2005
Kirk Honeycutt
Hollywood Reporter
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An evocative yet slow-moving exploration of the Pocahontas myth.

December 12, 2005
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