Overall, Casanova is silly but amusing.
Casanova (2005)
Tomatometer
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Reviews Counted:36
Fresh:18
Rotten:18
Average Rating:6/10
Consensus: This frothy, oddly bloodless film does a disservice to the colorful life of the real Casanova.
Runtime: 1 hr 51 mins
Genre: Romance, Theatrical Release
Theatrical Release:Dec 25, 2005 Limited
Box Office: $11,193,738
Synopsis: CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism.... CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism. Instead, it's a witty, lighthearted romantic comedy, which uses its 18th century setting and renowned hero as a jumping-off point for sexy banter and ruminations on love, lust, and freedom. Directed with visual flair and wit by Lasse Hallström--a master of classy period pieces like CHOCOLAT and CIDER HOUSE RULES--the movie was filmed on location in Venice, and the stunningly gorgeous scenery is almost a character in its own right. Heath Ledger, believable and engaging here in a role that couldn't be more different from his powerhouse performance in BROKEBACK MOUNTAIN, turns on all of his considerable charms here. Abandoned by his mother as a child, Casanova has grown into a lascivious yet oddly innocent young man, who pursues pleasure wholeheartedly and mistakes lust for love. His biggest concern is eluding Italy's puritanical Inquisitors, until he meets Francesca Bruni (Sienna Miller), a beauty who publishes clever pamphlets on women's rights under a pen name. In the time-honored tradition, Casanova is instantly smitten with the one woman in Venice who doesn't want anything to do with him. The plot provides few surprises, but that is beside the point; the pleasures of CASANOVA are in its warm freewheeling tone, its sumptuous visuals, and the cheerful exuberance of its actors. In addition to Ledger's winning star turn, Lena Olin is her usual mesmerizing self as Francesca's scheming mother, and the reliably excellent Oliver Platt (as Francesca's overmatched fiancé) and Jeremy Irons (as the frustrated head Inquisitor) both deliver deft comic performances. [More]
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt, Lena Olin, Charlie Cox, Philip Davis, Stephen Greif, Helen McCrory
Director: Lasse Hallstrom
Director: Lasse Hallstrom
Screenwriter: Jeffrey Hatcher, Kimberly Simi
Producer: Gary Levinsohn
Composer: Alexandre Desplat
Studio: Buena Vista Pictures
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Reviews for Casanova
The whimsical plot, involving Casanova's seduction of a cross-dressing feminist, isn't helped by director Lasse Hallstrom's leaden hand.
Despite its oh-so deviant title character, Casanova is a harmless bon-bon, a breezy period farce that mimics lesser Shakespeare and a look that recalls Amadeus or Shakespeare in Love.
A ribald, witty costume comedy filled with delightful performances and wily plot turns, this is the sort of film that makes you wonder why more films like this aren't made.
Casanova finds [director] Hallstrom more inspired, or at least lively and engaged, than he has been in years, and he's in the company of the actor of the moment.
Aside from having little to say, the new edition of Casanova tries so hard to serve a crowd-pleasing buffet that it turns into a scattershot series of unrewarding nibbles.
There's less sexiness in the awful Casanova than in the downbeat, doomed gay love story featuring Ledger in Brokeback Mountain.
The great discovery of this Casanova is Hallström's recovered capacity for play.
I admit that the picture is handsomely designed in gold and pale blue, but none of the tumult and pomp have any dramatic, comic, or erotic effect whatsoever.
Is it Oscar bait? Not in the least. But it's a great date flick and perfect for a time full of all those 'serious' films.
This is the very definition of an entertaining period piece romp. It’s a romp, I tell ya!
A handsome chunk of widescreen entertainment that's as nimble as its rakish hero.
Ledger is no Casanova, and the movie is not what it should be, but once that is accepted, the movie can be appreciated for the jolly, lightweight thing it is.
One would expect Casanova, a movie about the storied loverboy of 18th-century Venice, to be wicked, ribald fun. One would be wrong.
Don't confuse the 18th-century Venetian setting in Casanova with sophistication.
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