The Devil and Daniel Johnston is an unflinching yet loving look at the outsider musician's life. It's also the most revealing look at genius and mental illness since Terry Zwigoff's 1994 documentary Crumb.
The Devil and Daniel Johnston (2006)
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Reviews Counted:28
Fresh:26
Rotten:2
Average Rating:7.9/10
Consensus: Whether you think this mentally ill cult musician is worthy of being called a "genius," this document of his life is crafted with sincere respect and is fascinating to watch.
Rated: PG-13 [See Full Rating] for thematic elements, drug content, and language including a sexual reference
Runtime: 1 hr 50 mins
Genre: Musical & Performing Arts
Theatrical Release:Mar 31, 2006 Limited
Synopsis: Although his appeal barely stretches beyond a small band of obsessives in the tight-knit indie-rock community, the turbulent career of singer-songwriter Daniel Johnston has had more highs and lows... Although his appeal barely stretches beyond a small band of obsessives in the tight-knit indie-rock community, the turbulent career of singer-songwriter Daniel Johnston has had more highs and lows than most globetrotting rock stars. This film by director Jeff Feuerzeig offers a retrospective look at Daniel's life, forming an affecting picture of a truly talented man. Eschewing the opportunity to bring in a host of celebrities to wax lyrical about Daniel--of which there would be many: Nirvana, Beck, Sonic Youth, SIMPSONS creator Matt Groening, and many others are all devoted followers of the singer--Feuerzeig instead speaks to those who know (or knew) him best. So Daniel's parents, a former girlfriend, a former manager, and others all step forward to fill in the gaps in what becomes a remarkable story. Feuerzeig's film shows how Daniel's battles with manic depression have blighted his chances of fully enjoying the fame that he desperately craves. Daniel himself does not speak to camera; instead he is heard through the mountain of audio cassettes on which he has obsessively recorded the key elements of his life. It all adds up to riveting viewing, with tales of an ill-fated major label deal in the grunge era, stints in and out of mental institutions, and Daniel's first acid trip at a Butthole Surfers show. What becomes abundantly clear is the love and devotion Daniel inspires in his family, friends, and followers. Feuerzeig is careful not to condescend to his subject, and notes how Daniel has enjoyed a latter-day renaissance as he enters his mid-40s. With new advances in medicine allowing him to tour, the art world snapping up his beautiful drawings, and a level of previously unthinkable stability entering his life, Feuerzeig leaves us on a high, as his lovingly crafted movie about this brightest of tragic stars winds to a satisfying conclusion. [More]
Starring: Gibby Haynes, Sonic Youth
Starring: Gibby Haynes, Sonic Youth
Director: Jeff Feuerzeig
Director: Jeff Feuerzeig
Producer: Henry Rosenthal, Ted Hope
Composer: Walter Werzowa
Studio: Sony Pictures Classics
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Reviews for The Devil and Daniel Johnston
This well-done documentary will explain why Johnston has never been able to rise above cult status ...
Feuerzeig was able to fashion such a thorough, engaging film partly because aficionados such as Lee Renaldo of Sonic Youth shot so much footage of Johnston performing and acting out.
Like Capturing the Friedmans, Devil is loaded with revealing footage, rife with psychodrama, including a creepy home movie in which the teenage Johnston plays himself and his overbearing mother.
... an uncomfortably fascinating document of a man whose bipolar disorder and artistic ambitions are inextricably connected.
Devil leads us into that dark, uncharted valley where evil, genius, divine inspiration, insanity -- and other unfathomable mysteries -- commingle.
An inspired piece of work by someone who knows and admires Mr. Johnston but doesn't cover up the warts. It's also the rare documentary possessed with an artistry that transcends its subject.
Perhaps Feuerzeig wanted to get away from the stereotypical 'talking head' interview, but by having the subject stop periodically to rinse and spit?
Johnston's fringe existence may not speak to the most universal of truths, but the man certainly isn't cut from a cookie-cutter mold.
Jeff Feuerzeig, who won the best director award at Sundance 2005 for this film, has started with a subject who has filmed himself and been filmed by others for more than 20 years.
Feuerzeig recounts it all with clear-eyed candor, turning to Johnston's battered friends and family for insight and empathy and to Johnston's tapes and drawings for an inside look at his illness.
Whether Johnston is a genius or a wonderful anomaly remains to be seen, but director Jeff Feuerzeig has stitched together a detailed portrait of the artist's life and music that is never less than compelling.
Feuerzeig's film is as good a portrait of the artist as a beloved basket case as you'll see, but it's kept from greatness by the questions it refuses to ask itself.
It doesn’t condescend [to Johnston], it doesn’t exploit him. It just tells us about his life.
As its title suggests, the picture is something of a ballad, an ode to an elusive character who's both quintessentially human and so outlandish he almost seems unreal.
Feuerzeig paints a loving portrait of the up-and-down life of the troubled 45-year-old -- sort of a poor man's Brian Wilson.
Devil turns out to be too indulgent and worshipful a film to justify its length (one hour and 50 minutes, including an interminable section on Johnston in high school), much less hold our attention for the duration.
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