Leaves us with the less than satisfying disturbing message it's best to let sleeping dogs lie.
Sleeping Dogs Lie (2006)
Tomatometer
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Reviews Counted:50
Fresh:32
Rotten:18
Average Rating:6.1/10
Consensus: Though Sleeping Dogs Lie treats its subject and characters humanely, it's unable to overcome the low-budget production and Bobcat Goldthwait's pedestrian directing.
Rated: R [See Full Rating] for strong and aberrant sexual content, drug use and language.
Runtime: 89 mins
Genre: Comedies
Theatrical Release:Oct 20, 2006 Limited
Synopsis: Bobcat Goldthwait, the frantic, shrieking comedian who gained fame in several POLICE ACADEMY films, follows up his debut feature as a writer-director--1992's SHAKES THE CLOWN--with SLEEPING DOGS... Bobcat Goldthwait, the frantic, shrieking comedian who gained fame in several POLICE ACADEMY films, follows up his debut feature as a writer-director--1992's SHAKES THE CLOWN--with SLEEPING DOGS LIE, a surprisingly tender romantic black comedy. Melinda Page Hamilton gives a terrific lead performance as Amy, a young woman with a deep, dark secret, something very stupid that she did in college. Eight years later, as her relationship with John (Bryce Johnson) intensifies, she considers telling him what she did, as he believes in total honesty. When she finally does, her entire world comes crashing down. Her rather strange mother (a very funny Bonita Friedericy) and hunk of a father (Geoff Pierson) won't speak to her; her drug-addicted loser of a brother, Dougie (Jack Plotnick), revels in her failure and agony; and John is not sure he can spend the rest of his life with someone who has committed such an outrageous act, even if it was a silly mistake that she regrets. Amy, a teacher, finds solace in Ed (Colby French), a coworker going through his own marital problems, but everyone else has abandoned her. Goldthwait has written and directed a very funny, very poignant film, one that looks seriously at the meaning and importance of truth and honesty--and when it is okay to keep some things to oneself. The supporting cast is excellent, including a wry turn by comedian Brian Posehn as Randy, Dougie's drug-addled dealer, who has a crush on Amy. The soundtrack features "You Got It" by Roy Orbison, who actually figures prominently in the rather twisted but charming plot. [More]
Starring: Melinda Page Hamilton, Bryce Johnson, Geoffrey Pierson, Colby French
Starring: Melinda Page Hamilton, Bryce Johnson, Geoffrey Pierson, Colby French, Jack Plotnick, Bonita Friedericy, Brian Posehn, Morgan Murphy, Steve Agee
Director: Bob Goldthwait
Director: Bob Goldthwait
Producer: Marty Pasetta Jr.
Composer: Gerald Brunskill
Studio: IDP Distribution
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Reviews for Sleeping Dogs Lie
Anchored, and essentially redeemed, by a fearless performance from Melinda Page Hamilton.
...ultimately an emotionally affecting and thoroughly accomplished piece of work...
Bobcat Goldthwait has produced a flm that understands something about the gulf between what men claim they want from women, and the way they behave when we give it to them.
I liked the film but thought the bestiality theme held it back. A lot of people won't want to see the movie.
An evenly paced, gently acted and subdued black comedy with a subversive moral at its heart.
Hamilton is wonderful as the bruised victim of an oedipal insanity for truth.
This low-budget comedy-drama may not have the glossiest of coats, but nor is it the dog you might be expecting.
Despite its vomit-inducing revelation, this is a surprisingly sweet romcom with a strong comic performance by Hamilton and some thought-provoking things to say about relationships.
A bestiality rom-com with unexpected charm. Not quite the dog’s bollocks, but certainly no dog’s dinner either.
Despite being thin on laughs and light on conventional romance, Sleeping Dogs manages to be both warm and witty.
You can rely on Goldthwaite to demolish sentimental notions with the power of a force ten gale, but clumsy filmmaking seriously hampers his idea's own effectiveness, resulting in a rather plodding black comedy.
There's an ingratiatingly quirky spirit which keeps bubbling up in Sleeping Dogs Lie and merrily propels it along
I can't think of another film that so directly and actively tackles the question of the actual value of honesty.
This shabbily shot comedy about the limits of being truthful is essentially a one-joke premise that spirals into an uncomfortable series of situations.
Plays into an almost primal fear that there's something so awful in your past that if you spill the beans the other person will split -- no matter how much he or she professes that nothing you could say would ever have that effect.
It's not like Amy was a serial canine abuser, for crying out loud. Had she been, the movie would be much more disgusting but also a lot more interesting and potentially more funny.
A large part of the movie's appeal is Page's ability to make both the entire story believable and her character entirely sympathetic, while Goldthwait muses on the price of absolute honesty with your mate.
Improbably, the movie manages to regroup after its outrageous opening and turn into an unpredictable, almost sweet, romantic comedy about the limits of candour.
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