It's hard to get a fix on what Hallstrom had in mind.
The Hoax (2007)
Tomatometer
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Reviews Counted:30
Fresh:26
Rotten:4
Average Rating:7.5/10
Consensus: The Hoax is an enormously appealing film, thanks to the uniformly excellent performances and Lasse Hallström's zippy direction.
Runtime: 1 hr 55 mins
Genre: Dramas
Theatrical Release:Apr 13, 2007 Wide
Box Office: $7,092,859
Synopsis: In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful,... In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful, superstar billionaire Howard Hughes – revealing his most intimate memories and controversial secrets. Actually, that's a lie. In 1971, writer Clifford Irving told an incredible whopper – one that became one of the most audacious and outrageous hoaxes ever perpetrated on the media and American public. Claiming to have obtained Howard Hughes' long sought-after memoirs, Irving pulled the wool over the entire publishing industry's eyes, and nearly made off with major cash and worldwide fame, until his clever yarn unraveled into a serious crime. Now from Academy Award®-nominated director Lasse Hallström (CIDER HOUSE RULES, CHOCOLAT) comes THE HOAX, a riveting caper inspired by Irving's untrue story. Jumping off from the still controversial facts surrounding Irving's ruse into a fictional reverie, the film mischievously and imaginatively explores how a man, an industry and an entire nation could become intoxicated by a good story . . . in sheer defiance of the fact that it never really happened. Golden Globe winner Richard Gere takes on the roguish role of Clifford Irving, an ambitious yet struggling writer who's been looking for that one big story for so long, he brazenly decides to make one up. At first the idea is just a savvy artistic prank, but if that's what the world wants, Irving believes he can take it further. Shrouding himself in a clever cloud of secrecy, he drops the news to a major publisher that he has been approached by the one man the entire world most wants to know about – aviator, movie mogul, ladies man and eccentric billionaire Howard Hughes – to ink his priceless biography. There's just one little problem: not a word of what Clifford is saying has an ounce of truth to it. He's never so much as seen a glimpse of the real Howard Hughes. But Irving banks on the idea that Hughes' seclusion and notoriously thin hold on reality will allow the con to succeed. Hughes has not been seen or heard from in public for over a decade. He is a total recluse. Irving relies on this fact to protect his bogus story – as Hughes refuses to confirm or deny anything so prevalent is his fear of appearing in public. Recruiting his anxiety-prone but loyal best friend Dick Suskind (ALFRED MOLINA) and European artist wife (Academy Award® winner MARCIA GAY HARDEN) into the scheme, Clifford soon finds himself in a wild maze of treachery, as he is forced to dodge the fallout of his falsehoods at every turn. What started as an adventurous lark soon turns into a seemingly inescapable maze of forgeries, thefts, tall tales, deceptions and impersonations. Yet Clifford's plan works like magic as his publishers, hungry for a bestseller at any cost, are hoodwinked by the thrill of it all. When Clifford stumbles upon possible links between Hughes and a corrupt Nixon administration, the stakes for his book grow even higher. Clifford is on top of the world . . . until the real Howard Hughes shockingly emerges to pull the rug out from under him. Only now, Clifford is so caught up in the tale he created that he may no longer know where his incredible story ends and reality begins. --© Miramax Films [More]
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis, Eli Wallach, Marcia Gay Harden, Alfred Molina, Stanley Tucci, Stuart Margolin
Director: Lasse Hallström
Director: Lasse Hallström
Screenwriter: William Wheeler
Producer: Betsy Beers, Mark Gordon, Leslie Holleran, Joseph Maurer, Bob Yari
Composer: Carter Burwell
Studio: Miramax Films
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Reviews for The Hoax
I've never been a fan of Richard Gere, but he gives the performance of his career as Clifford Irving.
... a serious and amusing black farce that does without obvious heroes or villains ...
Gere persuasively portrays a guy whose confidence blossoms as he makes the discovery that as his lies grow so does the ease with which he tells them.
Hallström stops well short of cheesy, however, and he never veers from the movie's central fascination: the author's obsessive melding with his subject.
Even Machiavelli would have raised an eyebrow at some of the double-crossings and dealings in The Hoax.
Desperate times call for desperate measures, and Hallström and Wheeler have a great time setting up and embroidering Irving's increasingly elaborate scheme.
Gere seems as born again as he did during the musical numbers in Chicago.
The literary and journalistic frauds of the present era are small potatoes compared to the work of Clifford Irving, the subject of The Hoax.
Director Lasse Hallström, delivering his best all-around work since 1999's The Cider House Rules, manages to sustain a nimble pace despite a crushing amount of narrative detail.
We never establish an emotional connection with Irving. Even though we're caught up in his derring-do as he beguiles entire meeting rooms of jaded publishers and editors, we're kept at a dissatisfying distance from Irving and the movie.
The filmmakers catch the right glittery look and paranoid intensity, and they make gutsy speculations about the story beneath the story.
The Hoax never wanders too far from its pitiful but somehow joyously deceitful center, and Gere captures the sheer electricity of a man who, even for only a few moments, seems to have made reality play by his rules.
Richard Gere is less charismatic than Irving and Alfred Molina turns Irving's assistant into a buffoon, but the secondary cast is fun to watch.
Lasse Hallström isn't the first filmmaker I'd think of to exhibit such adult zing, but this is the best thing the director has done since What's Eating Gilbert Grape.
Latest News for The Hoax
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October 14, 2007:
Clifford Irving gets the last laugh, while Howard Hughes must be spinning in his grave, given this revisionist tale which turns the truth on its head. ![]()
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April 28, 2007:
Trailer & Poster review ![]()
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