A black-humored screenplay, realistic performances, eye-catching artwork, and a few creative turns on some well-worn themes.
Look Both Ways (2006)
Tomatometer
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Reviews Counted:20
Fresh:16
Rotten:4
Average Rating:6.8/10
Consensus: With animated sequences adding imaginative quirkiness to the mix, this movie about death and disaster is insightful, empathic, and more uplifting than one would think.
Rated: PG-13 [See Full Rating] for some violent images, sexual content and thematic material
Runtime: 1 hr 40 mins
Genre: Dramas
Theatrical Release:Apr 14, 2006 Limited
Synopsis: Mixing animation and live action, Look Both Ways follows the misadventures of Meryl (Justine Clarke), a woman who sees disaster everywhere. One day Meryl is witness to a real accident that... Mixing animation and live action, Look Both Ways follows the misadventures of Meryl (Justine Clarke), a woman who sees disaster everywhere. One day Meryl is witness to a real accident that connects her to the lives of others affected by the tragedy, among them Nick (William McInnes), a photographer emotionally inhibited by his own fears. As Meryl and Nick tentatively attempt to connect, their story is shot through with humor, whimsical insight and compassion. --© Kino International [More]
Starring: Justine Clarke, William McInnes, Anthony Hayes
Starring: Justine Clarke, William McInnes, Anthony Hayes
Director: Sarah Watt
Director: Sarah Watt
Studio: Kino International
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Reviews for Look Both Ways
Filled with aloof and confused characters just treading water, and even if they are likable, it eventually becomes tiresome. It's like one big pity party.
The bottom line is that none of this goes anywhere beyond a droning funeral procession.
Though Watt's emphasis on coincidence and fate seems strained at times, Look Both Ways is rich in dreamy summer atmosphere and deadpan wit.
An imaginative, humorous and truthful contemplation of human reaction to the inexplicable.
Watt's characters ... laugh at themselves and their dark obsessions, and there's something optimistic in the filmmaker's clear-eyed, straightforward storytelling style.
... a fearless movie about a fearful subject, an unusually empathetic and quite funny film that deals with death and dying in the most offbeat and casually life-affirming way.
I watched the movie in a kind of fascination. It is poetic and unforgiving, romantic and stark.
... a surprisingly (and inexplicably) uplifting meditation on the myriad ways life makes us all acutely miserable.
The much-honored Australian dramedy Look Both Ways may be the type of film that provides a purifying rain just when its beleaguered characters need it.
Look Both Ways works its way to an improbably cheerful ending, but getting there is a slow trip.
A pleasantly peculiar ensemble movie about melancholic people coping with random tragedy.
Sarah Watt's film follows a group of disparate and desperate characters over the course of one of the most depressing weekends in movie history.
Forging her own new path, animator Sarah Watt makes a delicate, empathetic live-action directorial feature debut.
An unassuming, unadventurous, but likable dramedy about dying and grief.
It is a marvelously promising first film, and Australia continues to amaze us with its steady procession of deliciously appealing young actresses. What is going on in that outback anyhow?
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
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| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
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| 44% 44% | Jennifer's Body |
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