François Girard's Silk is not merely painterly. It might as well be a painting, for all that it eschews storytelling, forcing the viewer to scan the lush imagery in search of clues to what, if anything, might be going on.
Silk (2007)
Tomatometer
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Reviews Counted:17
Fresh:2
Rotten:15
Average Rating:4.2/10
Consensus: Silk contains a simple love triangle story but director Francois Gerard goes to painstaking lengths to turn it into a protracted and wearisome art film.
Theatrical Release:Sep 14, 2007 Limited
Box Office: $990,439
Synopsis: With SILK, director François Gerard (THIRTY TWO SHORT FILMS ABOUT GLENN GOULD, THE RED VIOLIN) brings Alessandro Baricco's bestselling novel to sumptuous life. Michael Pitt stars as Herve Joncour,... With SILK, director François Gerard (THIRTY TWO SHORT FILMS ABOUT GLENN GOULD, THE RED VIOLIN) brings Alessandro Baricco's bestselling novel to sumptuous life. Michael Pitt stars as Herve Joncour, a Frenchman who lives in a small town that has hit hard times. A local silkworm magnate (Alfred Molina) stumbles upon a solution for his town's troubles, and enlists Herve to travel to a hidden corner of Japan in order to smuggle back a boundless supply of rare silkworms. Traveling in disguise so that he won't be exposed, Herve succeeds in his mission. Upon returning home, he reunites with his beautiful, supportive wife, Helene (Keira Knightley). While Herve and Helene have a loving relationship, their inability to produce a child creates an undercurrent of distance between them. This is compounded when Herve meets a beautiful concubine (Sei Ashina) during one of his subsequent journeys, sparking a passionate encounter that will haunt him for the rest of his life. Gerard's adaptation of Baricco's novel spans several continents and many years. The production is aided by the lush imagery of cinematographer Alain Dostie and the haunting score from acclaimed composer Ryuichi Sakamoto (THE LAST EMPEROR). Featuring yet another standout performance from Molina, SILK tells an epic tale of love and loss in the 19th century. [More]
Starring: Michael Pitt, Keira Knightley, Koji Yakusho, Alfred Molina
Starring: Michael Pitt, Keira Knightley, Koji Yakusho, Alfred Molina, Sei Ashina
Director: Francois Gerard
Director: Francois Gerard
Screenwriter: Francois Girard, Michael Golding
Producer: Niv Fichman, Nadine Luque, Domenico Procacci, Sonoko Sakai
Composer: Ryuichi Sakamoto
Studio: Picturehouse
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Reviews for Silk
Though elegantly staged, Silk is badly written and indifferently cast.
It’s a perfect example of how awful direction and performances can ruin an adequate screenplay.
[Director] Girard confuses pretty scenery doused in ponderous music with epic visual poetry. Impenetrable musings intended to evoke ineffable romantic longing leave you scratching your head as you wait, ever more impatiently, for something to happen.
The main problem is the casting, with Michael Pitt and Keira Knightley evidently competing to see who can be more attractive and vacuous.
As sensuous as its title, Silk is an exquisitely felt love story that unfolds as delicately as a blooming flower. And as slowly.
[Alfred] Molina, as Baldabiou, is the only cast member who transcends the material -- as he always does -- and his scenes are considerably more invigorated than the rest of the film.
Although the period-piece film has all the trappings, from beautiful people to an obligatory sense of tragedy, it never follows through. In fact, its love story needs a shove -- it just lies there.
Silk is a languid, too languid, story of romantic regrets, mostly ours, because romance is expected to carry the film without explaining it.
Francois Girard's adaptation of Alessandro Baricco's novel is a visually arresting period piece, set in the 1860s, that addresses memory and loss.
If there were an award for the gloomiest movie of the year, Silk would win hands down.
The stilted dialogue makes all of the actors sound as if they're being dubbed into English, badly, especially the English-speaking ones (Alfred Molina, looking seriously bored).
What we're told in Silk is that Michael Pitt is a French 19th-century silkworm merchant in love with his wife but obsessed with a mysterious woman he glimpses on business in Japan. What we see is a mopey fellow without the energy to comb his hair
Few movies ever have gone to such a length to tell so slight -- and, worse, unengaging -- a story.
Latest News for Silk
September 11, 2007:
Silk preview & trailer ![]()
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August 23, 2007:
It's hard to imagine Brit beauty Knightley playing the long-suffering wife of an adulterous spouse who'd look at another woman - even if he's got a thing for a seductive geisha in faraway Japan, who happens to be the personal property of a powerful baron. ![]()
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August 22, 2007:
Trailer & Poster review ![]()
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