That this relentless barrage of psychological and physical torture is extremely well made and powerfully performed -- Watts hurls herself into her physically demanding role with heroic conviction -- somehow makes it worse.
Funny Games (2008)
Tomatometer
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Reviews Counted:32
Fresh:13
Rotten:19
Average Rating:4.7/10
Consensus: Though made with great skill, Funny Games is nevertheless a sadistic exercise in chastising the audience.
Rated: R [See Full Rating] for terror, violence and some language.
Runtime: 1 hr 52 mins
Genre: Horror/Suspense
Theatrical Release:Mar 14, 2008 Limited
Box Office: $1,045,279
Synopsis: In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced... In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced by producer Chris Coen to bring the story to America, filming a nearly word-for-word, shot-for-shot English-language version, even re-creating the locations and sets as obsessively as possible. Shortly after Ann (Naomi Watts), George (Tim Roth), and Georgie (Devon Gearhart) arrive in their country home, Peter (Brady Corbet), an eerily polite young man dressed all in white, including odd white gloves, appears on the doorstep, asking Ann if he can borrow some eggs for their neighbor. Peter is joined by Paul (Michael Pitt), and the Leopold-and-Loeb-like duo are soon doing horrible things to Ann, George, and Georgie, torturing them both physically and psychologically (nearly all the violence occurs off-screen), for no apparent reason other than they can, referring to the whole thing as a game. And the biggest game of all is whether the family will be alive at the end. FUNNY GAMES is an intense experience, driven by Haneke's careful manipulation of both the film itself and the audience. He's trying to shake up the viewer, even having Paul address the audience directly several times, with Paul fully aware of what he is doing and how the audience is most likely responding. And in one unforgettable scene, Haneke pulls the cathartic rug right out from under the viewer, playing with the actual medium of cinema in an infuriating and ingenious way. Roth and Watts give outstanding performances as the victims, matched by Pitt and Corbet's deeply unsettling creepiness. Just as Peter and Paul (who also call themselves Tom and Jerry and Beavis and Butt-Head) alternate between calm and violent, the soundtrack alternates between classical music by Handel, Mozart, and others and hardcore punk from John Zorn and Naked City. Though difficult to watch, FUNNY GAMES is ultimately a rewarding and illuminating film, though not for the squeamish. [More]
Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet
Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet, Devon Gearhart
Director: Michael Haneke
Director: Michael Haneke
Screenwriter: Michael Haneke
Producer: Hengameh Panahi, Christian Baute, Andro Steinborn, Chris Coen, Hamish McAlpine
Studio: Warner Independent
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Reviews for Funny Games
The fact that it features fine performances, talented direction and some moments of genuine suspense only makes the end product that much more grotesque and appalling.
Haneke’s assault on our fantasy lives is shallow, unimaginative, and glacially unengaged -- a sucker punch without the redeeming passion of punk.
In addition to being borderline unendurable, Funny Games is inexplicable, and I don't mean in any philosophical sense. Who thought the world needed a shot-for-shot English-language version of Mr. Haneke's 1997 German-language film?
While Haneke is attacking our culture for being drawn to violent fare, he is also relishing in presenting it to us, in prolonged and detailed fashion.
The performances are outstanding across the board. The direction and writing are masterful.
There's no denying Austrian director Michael Haneke's skill as a filmmaker, but Funny Games is just a vile cinematic exercise.
Basically torture porn every bit as manipulative and reprehensible as Hostel, even if it's tricked out with intellectual pretension.
If you're interested in intellectual abstraction, you might find Haneke's games intriguing. Just be warned: When the movie ends, you'll definitely feel like you've been played.
Both versions of Funny Games force the audience to eat it, really eat it, and while they're eating it, to think about the mechanics and the narrative tropes of a typical revenge drama.
The worst of the violence occurs off-screen, but Funny Games is still a vicious, vicious movie.
You will be deeply disturbed, but you will watch obsessively. You will be haunted, and manipulated, and angered, and you will suffer pangs of guilt, too.
All the things we hope from in a fright film with characters we recognize as very much like ourselves are toyed with.
The earlier release helped make him a critics' darling with its meta-movie touches and baldly articulated strategy of implicating the audience in the violence; replayed a decade later, those stunts feel both rhetorical and redundant.
Director Michael Haneke abhors mindless cinematic violence as much as you do. He just has a different approach: high-minded shock therapy.
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March 16, 2008:
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