Average Rating: 5.2/10
Reviews Counted: 153
Fresh: 65 | Rotten: 88
This allegorical disaster film about society's reaction to mass blindness is mottled and self-satisfied; provocative but not as interesting as its premise implies.
Average Rating: 4.9/10
Critic Reviews: 31
Fresh: 8 | Rotten: 23
This allegorical disaster film about society's reaction to mass blindness is mottled and self-satisfied; provocative but not as interesting as its premise implies.
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Average Rating: 3.1/5
User Ratings: 59,763
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Fernando Meirelles' adaptation of Nobel Prize-winning author José Saramago's novel Blindness begins when an epidemic of blindness strikes the world. Mark Ruffalo stars as an eye doctor who awakens one morning to find that he suffers from the unexplained disorder. He, along with other victims, is sent to a government detention center so that they can be quarantined. His wife (Julianne Moore) pretends to be blind so that she can be with him inside the institution. Their time in the center grows
May 14, 2008 Wide
Feb 10, 2009
$3.1M
Miramax
All Critics (159) | Top Critics (31) | Fresh (70) | Rotten (89) | DVD (17)
I have to admire a mainstream movie that's so overwhelmingly bleak, but that's the only real distinction of this dystopian sci-fi drama.
Stilted, claustrophobic and more stylish than substantial.
Set in a nameless English-speaking city where people are suddenly stricken with sightlessness, it's an allegory that never rises to the level of believability.
Blindness is a glum, ugly film, and pretentious in the bargain. But, perhaps least excusable, it is a fundamentally ill-conceived film, the visual depiction of a world without sight.
It's a beautiful car that never quite cranks up. The book is deep allegory, lost in time and place, describing a suffocating little world. It's hard to get at that in cinematic form.
The film is an often thought-provoking metaphor. But as a thriller, it becomes dreary.
Give this one a go guys, you'll see the world anew.
The picture is elongated to a punishing two hours of suffering, infuriatingly slavish screenwriting, and a director who should be gifted the miracle of a tripod this upcoming holiday season.
Like the film's thematic elements, the camera trickery comes off as unnecessarily pretentious, the sort of thing film students applaud while mainstream audiences yawn.
It's hard to explain all the vitriol aimed at Meirelles' film, which is a beautifully shot picture that is as haunting and profound as it is thought-provoking.
Takes the post-apocalyptic themes of Children of Men and blends it with the jaded morality of Lord of the Flies to questionable success
Blindness is a film that is trying to come off as organic and artsy, but feels too contrived.
No matter how you look at this film, it is a chilling look at what makes us tick at our very basic nature.
Glover's occasional all-knowing commentary and the dreary music score dull the edges of what was bound to be a challenging project.
The film is far from dull or careless but it's not convincing as a lesson in human frailty. If you're going to subject us to this much degradation, it has to be irresistibly believable, not just relentless.
As a study of human nature under pressure, focusing on the crimes we commit as well as the bonds of solidarity we forge, it's unremittingly dour.
Blindness is not unmissable, and has awkwardly implausible moments, but it succeeds in sucking us into its peculiar world.
Blindness is a worthy film, and in many ways a beautifully made one - the opening and closing sequences are the best. But in between it's heavy, gloomy and at times pretty hard to sit through.
An irritating experience
Blindness - despite its director, despite its pedigree as a respected piece of modern literature, despite its stellar cast - is a bitter disappointment.
What would happen if everyone turned blind with no explanation or cure? Well, everyone but one person. This film is drawing a pessimistic picture of such a situation. The basic premise is very interesting, the following premise of the infected being held in camps entirely left to their own devices is already a bit over
September 22, 2008Super Reviewer
This movie is part of a long line of dystopic/social breakdown picutres, and it doesn't really bring anything new to the proceedings, but the specific concept at hand is actually kind of interesting. While this movie isn't as terrible as some have made it out to be, it's no masterpiece, and it could have been a whole
August 6, 2010Super Reviewer
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