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Critic Reviews for Tenderness
Crowe's lumbering presence is a relief from all the gothic heaviness, but director John Polson's elliptical storytelling style quickly becomes an irritant.
A movie undone by its formulaic plot conventions, and its need to give its star more screen time than his characters merits.
Crowe, who spends the movie trudging along ... and waxing lyrical about pain and pleasure, must be hoping no one sees this mawkish blunder. He will probably get his wish.
An arty psychological thriller that never catches fire as either a serial killer flick or character study.
Audience Reviews for Tenderness
This is a really good film. About a police detective who is possessed in making sure a young man who killed his parents spends the rest of his life in prison. At the same time when he is released from prison after turning 18, a young teenage girl falls in love with him. Trying to go straight is impossible because of the harassing detective. A surprising but predictable finish, first time I felt sorry for a killer. Excellent Job John Poison. 4 1/2 stars.
This 'Tenderness' turned out to be pretty hard on me. I can't understand why Russell Crowe chose to work in it. While his performance was (as well as that of other actors/actresses were) great as usual, the script was a bit too let-downer. I wasn't expecting anything incredible after seeing its rating as 5.6 on IMDb, but this was even lower than what I expected from a movie of that rating. It lacked that intensity that ought to be in this kind of movies.
I actually thought this was quite good, and am surprised by all the bad reviews. Obviously I didn't like the ending very much, but these were all very damaged people, it perhaps wasn't so surprising. I thought Sophie Traub was lovely in this - I really took to her Lori straight away, and found her convincing and real. Russell Crowe is the weakest here, but having said that, I liked him here more than I usually do (which is not at all). Good story and I found it not entirely predictable. Contrary to what others have said, I didn't think this film dragged at all. It moves slowly, but that's not always a bad thing in a movie. The slow pace allows you to really get a feel for the lives of these people.
|Lt. Cristofuoro:||My wife says there are two kinds of people, those chasing pleasure and those running from pain.|
|Lori Cranston:||Nothing changes! Nothing changes!|
|Lori Cranston:||You're just a small beans cop with a vegetable wife.|
|Lt. Cristofuoro:||He's addicted to the intimacy of the kill, the tenderness.|
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