Opening

44% Sin City: A Dame to Kill For Aug 22
35% If I Stay Aug 22
—— When The Game Stands Tall Aug 22
7% Are You Here Aug 22
97% Love Is Strange Aug 22

Top Box Office

21% Teenage Mutant Ninja Turtles $28.5M
92% Guardians of the Galaxy $25.1M
14% Let's Be Cops $17.8M
35% The Expendables 3 $15.9M
31% The Giver $12.3M
21% Into The Storm $7.9M
66% The Hundred-Foot Journey $7.2M
64% Lucy $5.5M
41% Step Up: All In $2.7M
62% Hercules $2.1M

Coming Soon

0% The November Man Aug 27
98% Starred Up Aug 27
—— As Above/So Below Aug 29
85% The Congress Aug 29
—— The Calling Aug 29

New Episodes Tonight

100% Defiance: Season 2
100% Garfunkel and Oates: Season 1
88% The Honorable Woman: Season 1
56% Married: Season 1
95% Rectify: Season 2
—— Rookie Blue: Season 5
39% Rush: Season 1
82% Satisfaction: Season 1
82% Welcome to Sweden: Season 1
41% Working the Engels: Season 1
77% You're the Worst: Season 1

Discuss Last Night's Shows

86% The Bridge (FX): Season 2
91% The Divide: Season 1
83% Extant: Season 1
—— Franklin & Bash: Season 4
—— Graceland: Season 2
—— Hot in Cleveland: Season 5
57% Legends: Season 1
—— Motive: Season 2
69% Mystery Girls: Season 1
100% Suits: Season 4
38% Taxi Brooklyn: Season 1
43% Young & Hungry: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
83% Extant: Season 1
88% The Honorable Woman: Season 1
86% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Girls Rock! Reviews

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William G

Super Reviewer

March 27, 2008
Girls go to rock camp, are subsequently empowered. It's about as adorable as you want it to be and not much else.
HeroPK
April 25, 2010
I have mixed feelings on this movie. Some momments are unwatchable because of tantrums, making noise or I guess girls acting their age. It is an overall positive message but I didn't get the sense that the camp really transformed any of the girls like they set out too. Palace, the young girl on the cover was really interesting. The film makers should have gone deeper into the backround of the girls.
brodwaystartobe
March 20, 2008
IM IN THIS!!!!!!! IM THE GIRL WHO SING THE
"YOU'RE NOT THE BOSS OF ME! OH YES AM! DON'T HAVE TO BE LIKE YOU! YOU KNOW YOU WANT TO! I DON'T NEED YOUR FILTHY RULES! IM ALREADY SUPERFLY!!!" SONG!!!!! YAY ME!!!
Matthew L.
February 21, 2009
[font=Times New Roman][size=3]Parents beware! This doc is sure to appeal to a few girls 9-15 especially if they are the 'rocker' type BUT it sends mixed messages. The intentions may be in the right place but the documentary falls short of being 'empowering'. Some girls can relate to, saying "she's like me." Its not uplifting nor are all the messages healthy. They do talk about anorexia bolima diet drugs to get thin. They say you don't need to be like that but show clips of Britney Spears. WHAT? Many of these girls had deep anger, self esteem and grief issues. The camp leaders seem to have few answers. There are certainly some very positive message. So I give it 2.5*s. I watched this with my 14 year old female cousin and my 19 year old male cousin. When the words 'popularity-hore' were thrown around loosely I was shocked this has a PG rating. The language & the behavior must be considered PG13. They call each other smart@ss & use language like pissedoff and dam screwed and more from the mouth of kids. One girl bites others and another punches. I was very relieved my 4 year old daughter had gone to bed already. Later an 8 years old girl, Palace sang a song "San Fransisco sucks sometimes. Go to Hell Golden gate bridge. San Fansisco Sucks. No place that I wanna live. I don't wanna go there again. With my mom on a business trip. Just seeing its all about her. I'm gonna watch that city burn. And I'm gonna watch that city burn. that city burn, and that city burn..." HORRIFYINGLY ANGRY! and the mom speak proudly of her 8 year old picking outfits to me marketable... Its quite a disturbing sequence. Serious psychological issues should not be advertised as a positive. So this Doc is a mixed bag. I could talk with my cousin about the good and bad at 14, but younger girls should not be shown this behavior without close supervision to lead them through the rights and wrongs of film. Beware Parents. Use wise judgment, but some of you with rockin tweens may want to check it out carefully. Hope this is Helpful![/size][/font]
Everett Jensen
April 9, 2008
[i]Girls Rock!
[/i]dir. Arne Johnson and Shane King

There is something purely exhilarating about watching a process actualized into a concrete form. In this film, the Rock 'n' Roll camp for Girls creates a platform for young girls to scream, blather, berate and scorn in ways that are not typically sanctioned by society. They are given the opportunity to unleash furious diatribes against forces they might not be able to fully articulate but which consistently force them into specific roles designed primarily to keep them quiet or at least unassuming. Four girls are featured and their individual arcs make up the bulk of the film. There is also nifty animation that proceeds difficult and terrifying statistics about the difficulties young girls face just to be heard.

According to the film young girls start school with an advantage and leave with a disadvantage. Something like $53 billion dollars is spent annually by girls on beauty supplies and fashion. The film attacks the Brittney model and the fact that perfect, impossible bodies are touted by the media as ideal. The message seems to be quite clear: ignore the media and take up something useful that you can manipulate in accordance with your own desires, your own markings. Forcing these girls to pick up instruments and write songs while performing on stage in front of 750 patrons is one way of allowing them to break through toward something necessary and vital. The program isn't as much taught as it is encouraged by a group of women who have suffered through the trials of the music industry and who feel obligated to share themselves with the next generation. Carrie Brownstein of Sleater-Kinney and others help guide these girls toward marshaling their primal urges into music. Music heals wounds and provides a structure for anyone with enough ambition to realize various versions of themselves with energy, drive, and intense passion.

The girls range in age from 8-18 and the four highlighted are an eclectic bunch indeed. Palace is a an 8 year old darling proto-howler with a piercing scream that hopefully will stay with her well into adult hood. She writes a song about hating San Francisco and it's so cute to see such misanthropy spew forth from the lips of someone so impossibly young. She possessed everything a rock goddess needs: an astute fashion sense, exceptionally long hair, and an undeniable stage presence. She's also feisty and demanding and has a difficult time hearing the word "No". Laura is a 17 year old Korean-American who loves death metal and who has body imagine issues. She's so infectious throughout, possessed with a winning smile that she flashes at every opportunity. I truly wanted to see her find her element within the death metal milieu but there just wasn't any other girls remotely interesting in this particular type of music. Misty has had more than a life's worth of difficulties. Before the camp opened she spent a good while institutionalized and before that she was a meth addict. Considering she'd never played bass before she manages to play with confidence; it's a joy to watch the wind playing with her hair as she plunks out various chords. Finally, there is Amelia; she's obsessed with noise and feedback and plays her guitar like it's got some sort of disease. She's frantic, nervous, and can hardly sit still long enough to formalized a song for the competition. It's absolutely adorable to watch her slide and attempt to play the thing with her tongue. That is pure rock 'n' roll and she embodies the spirit perfectly.

Overall, this is an infectious film that conveys a real sense of urgency in how society handles its young girls as they try to make their way in the world. The camp not only offers the opportunity to play music; it also strives to empower girls by teaching them self defense techniques that are just plain useful for anyone. Many of these girls had never picked up an instrument before so one can imagine the challenge in managing to transform them into actual stage performers by camp's end. The music itself ranges from pedestrian to actually quite accomplished. Of course some of the girls had gone this route before and were a bit more polished than the neophytes. The spirit of this film is ultimately one of enriching one's life through the undeniable force of artistic expression. Teaching these girls that they are capable and they don't have to mask their intelligence just to get along is an extraordinary gesture on the part of the camp's organizers. Learning how to rock simply means learning how to fight through life's pains in search of something beautiful that is an indelible part of you. This film celebrates the joy of pinpoint control, of inclusion, of creating works of lasting value.
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