Critic Consensus: Mike Leigh's latest partially-improvised film is a light-hearted comedy with moments that bite, and features a brilliant star turn by Sally Hawkins.
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Critic Reviews for Happy-Go-Lucky
You just want to protect her, from the world, from everything, but really she's much stronger than you are.
If you leave the theater feeling uplifted (and unless your heart is made of cold gray concrete, you will), it wasn't due to manipulation, but a result of the film having honestly earned it.
Leigh's most visually beautiful picture since Topsy-Turvy, Happy-Go-Lucky is all about the clashing and connecting of such emotional biospheres.
While Sally Hawkins turns out an award-worthy performance as Poppy, I quickly became bored with her life and all the turmoil surrounding it.
Few actors could have pulled off this role successfully, as it requires great energy, charisma and depth to make Poppy credible and so much more than first impressions.
Audience Reviews for Happy-Go-Lucky
A refreshing film that will leave you smiling, with a cheerful character that may at first be mistaken for simple-minded in her constant optimism but later on proves to be much more complex in the way she sees things - which Sally Hawkins does a wonderful job showing.
0 stars. This was the first time I gave a movie zero stars on Flixster...and it's not because I'm a cranky old bastard who hates happy movies. The blind optimism in Poppy goes nowhere. Nothing truly terrible happens to her; she doesn't really do anything with her optimism as, say, Amelie does. I thought I would at least enjoy Sally Hawkins' performance, but she doesn't seem happy-go-lucky. She seems drunk, and drunk people are only funny when you are drunk too. Her incessant self-deprecating chuckle-eye roll-head bob grated on my nerves. My soul actually feels deader after seeing this movie.
An engaging character study about a woman blessed with a sunny disposition. It is a rare occasion that you see a protagonist who's care-free nature isn't looked down upon. Her naivety a source of contempt. Poppy the protagonist is in many ways the antithesis of a protagonist in a Sam Mendes film. She isn't cynical, jaded, or doing all in her power to not drown in the minutiae of everyday life. She is sweet, intuitive, independent, and always looking on the bright side. But rather than having her be an empty sack of smiles, Leigh fleshes her out in a way that even when you don't understand her, you root for her.
Poppy does not wish to imitate "adult" life, but the pressure to do so is ever-present. Responsibilities mount, situations change, and the desire to find someone grows stronger with each day. Her interactions with her driving teacher, a man very consumed with the idea of responsible living, are awkward, funny, poignant, and an interesting point/counterpoint on proper living.
Do I wish that Leigh would have probed a little more into what makes Poppy tick? Yes. But being my first foray into the world of Mike Leigh, I was more than pleased to spend a couple of hours with someone as unique and wonderful as Poppy.
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