Those who admire Reed will find that Schnabel's film allows the music to speak for itself against its rather messy background.
Lou Reed's Berlin (2008)
Rated: Not Rated
Theatrical Release: Jul 18, 2008 Limited
Synopsis: Over 30 years after the release of Lou Reed's rock opera BERLIN, the legendary Velvet Underground singer took the album to the stage for the first time in a series of 2006 concerts. There to record the one-of-a-kind event was director Julian Schnabel (THE DIVING BELL AND THE BUTTERFLY), who... Over 30 years after the release of Lou Reed's rock opera BERLIN, the legendary Velvet Underground singer took the album to the stage for the first time in a series of 2006 concerts. There to record the one-of-a-kind event was director Julian Schnabel (THE DIVING BELL AND THE BUTTERFLY), who helped bring to life this lurid love story of desolate lives in a divided Berlin. Antony, Sharon Jones, and Emmanuelle Seigner (as Caroline, the tale's tragic heroine) appeared in this moody rendering of one of rock & roll's underrated classics. [More]
Genre: Musical & Performing Arts
Starring: Lou Reed, Antony, Sharon Jones, Emmanuelle Seigner
Reviews
It's Reed's gruff and tuneless delivery that challenges one's enjoyment.
Reed, who's looking more and more like a Bond villain, comes close to smiling at one point, although the chances are you won't.
Reed's unmistakable lilting groan has real pain in it, hinting at a real but undisclosed personal story behind the music.
An entirely watchable concert movie, providing depressing songs are your thing.
Performed live, the haunting material finds new life ... Schnabel has created an incredibly artistic experience out of the concert with many moments that will give you goosebumps.
A well made concert film that will, nevertheless, fail to satisfy Reed's many dedicated fans.
Once again a concert documentary allows those of us unable to have witnessed a monumental event to see it seemingly exactly as it took place.
It's direly beautiful, sometimes spine-tingling and, yes, gloomy as purgatory.
Reed's dour, bombastic song-suite about the lives of the drug-addicted and downtrodden steadily acquired cult cachet over the decades, peaking with its staging as a complete-album concert in 2006, which Lou Reed's Berlin documents.
Who could have guessed that nearly 35 years after its release, Lou Reed's once-reviled concept album Berlin would inspire a sold-out concert, shot with loving awe by Julian Schnabel?
Your enjoyment will hinge entirely on whether you think the album is a masterpiece or a bore.
In Julian Schnabel’s grimly majestic concert film Lou Reed’s Berlin, Mr. Reed wears the deadpan smirk of a Zen master who has endured punishing Buddhist training.
Schnabel and Kuras know their subject enough to know how to frame him: with space, darkness, and unyielding cool.
For Reed fans -- for rock fans -- the movie is an essential document of a noteworthy event.
This luminously shot concert movie reveals that Berlin is far from the lost masterpiece the movie wants it to be.
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