Perhaps it's time for a moratorium on movies where the trajectories of various people intersect, often portentously, across the tableau of a big city.
Paris (2009)
Tomatometer
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Reviews Counted:15
Fresh:10
Rotten:5
Average Rating:6.6/10
Consensus: Alternately a sharp ensemble dramedy and a love letter to the titular city, Paris is uneven but often striking.
Rated: R [See Full Rating] for language and some sexual references.
Runtime: 2 hrs 10 mins
Genre: Foreign Films
Theatrical Release:Sep 18, 2009 Limited
Box Office: $966,015
Synopsis: The exhilarating new film from Cédric Klapisch (L'Auberge Espagnole), Paris is a cinematic love letter to the city that seems to hide a story behind every corner. While waiting for a heart... The exhilarating new film from Cédric Klapisch (L'Auberge Espagnole), Paris is a cinematic love letter to the city that seems to hide a story behind every corner. While waiting for a heart transplant, Pierre (Romain Duris) has his world invaded by his sister Elise (Juliette Binoche) and her three children. The growing awareness of his impending mortality, as well as the re-discovery of his sister and her life, gives Pierre a very different sense of how he might spend the time still left to him. The young man observes Paris and its people with a new outlook, learning to cherish even the smallest details and everyday things. Meanwhile, a respected professor (Fabrice Luchini) hopes for one more great romance in his life, while a vendor at an open-air market (Albert Dupontel) wonders what life is left for him now that he’s split from his wife. --© IFC Films [More]
Starring: Juliette Binoche, Romain Duris, Fabrice Luchini, Albert Dupontel
Starring: Juliette Binoche, Romain Duris, Fabrice Luchini, Albert Dupontel, Francois Cluzet, Karin Viard, Melanie Laurent, Gilles Lellouche, Zinedine Soualem, Julie Ferrier, Maurice Benichou, Olivia Bonamy, Audrey Marnay
Director: Cedric Klapisch
Director: Cedric Klapisch
Screenwriter: Cedric Klapisch
Producer: Bruno Levy
Composer: Loic Dury, Robert "Chicken" Burke
Studio: IFC Films
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Reviews for Paris
The French director Cédric Klapisch is a glib wizard at weaving folks together, but there are too many secondhand characters roving through Paris, his latest ensemble piece.
Paris keeps us involved not because of momentous plot developments but because the production incites our curiosity to see what will happen next.
Writer-director Klapisch's glossy love letter to Paris, and its yearning, beautifully lighted inhabitants, may not be much, and you may not even believe in its emotional and (discreet) carnal complications moment to moment. But the cast is fabulous.
Klapisch, who shoots Paris with the eye of someone rapturously in love with the town, is less interested in the reality than the romance.
If Paris feels like an Altman film in structure, it lacks the late filmmaker’s bite, not to mention his genuine curiosity about human beings.
Klapisch captures the bittersweet quality of those human contacts that seem to hold promise, but life goes by too fast for them to take root.
Every character has life and depth. It's unusual for an episodic film to involve us so well in individual lives; as the narrative circles through their stories, we're genuinely curious about what will happen next.
From the catacombs to the city's heights, Paris turns an unblinking gaze on the beauty of melancholy and the daring leap toward joy.
Paris when it fizzles -- which is most of the time -- is a dismal series of character portraits about a cross-section of Parisians mulling turning points in their lives.
Mr. Klapisch's special gift is to populate his films with perfectly grounded eccentrics who use perfectly ordinary words to express poetic ideas.
Although Paris makes gestures toward being a top-to-bottom examination of the city’s social fabric, its perspective is solidly middle class.
At a 124-minute runtime, though, the writer-director has stretched a wide canvas, and only sporadically found anything worth filling it with.
Auds who like upmarket soap opera, sightseeing and Gallic films where people talk a lot about their relationships will be consistently entertained.
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| Tomatometer Percentage | Movie |
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| 77% 77% | The Hangover |
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